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Persecutor’S Remorse: Mimetic Desire, Institutions, And Shūsaku Endō’S Loving Gaze On Persecutors, Jirayu Smitthimedhin

Masters Theses

Building on Mark Williams’ thesis that Endō’s characters often reconcile with an unconscious Other within themselves, I will argue that Endō’s “weak” characters are trapped by mimetic desire and are drawn toward acts of persecution; their status as persecutors depends on their relationships—whom they wish to imitate or whom they imitated in their past. While Williams and other Endō scholars often focus on the psychology and existential choices facing Endō’s characters, I point out how contextualizing Endō within the postwar Daisan no shinjin writers reveals Endō’s criticism of institutional powers, particularly because institutions can become “centers of desire.” Drawing on …