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Full-Text Articles in Arts and Humanities

Language Evaluation: Classical Arabic Approaches, Abdulkareem Said Ramadan Dec 2016

Language Evaluation: Classical Arabic Approaches, Abdulkareem Said Ramadan

Interdisciplinary Studies Faculty Publications

This article explores the criteria and standards of literary evaluation as used by linguists in the Arabic literary tradition. Linguists did not apply such standards for instructional purposes only, but they also used them to assess poetic aesthetics. Because poetry was the primary context in which language was assessed, this linguistic evaluation appeared in various forms throughout poetry criticism. For example, giving preference to one poet over another meant the poet had reached a more superior linguistic level according to the standards that linguists followed in their judgments. These standards, which linguists in the Arabic literary tradition used, were not …


Prehistory To 1250: Languages, Abdulkareem Said Ramadan Jan 2012

Prehistory To 1250: Languages, Abdulkareem Said Ramadan

Interdisciplinary Studies Faculty Publications

The Hemic group includes the Egyptian and Coptic languages, the Libyan and Barbarian languages, the Koshtia languages, and the languages of the original inhabitants of the eastern part of Africa. [excerpt]


This Time He Moves! The Deeper Significance Of Hou Hsiao-Hsien's Radical Break In Good Men, Good Women, James N. Udden Jan 2007

This Time He Moves! The Deeper Significance Of Hou Hsiao-Hsien's Radical Break In Good Men, Good Women, James N. Udden

Interdisciplinary Studies Faculty Publications

Following the recent success of Taiwanese film directors, such as Hou Hsiao-hsien, Edward Yang, Ang Lee and Tsai Ming-liang, Taiwanese film is raising its profile in contemporary cinema. This collection presents an exciting and ambitious foray into the cultural politics of contemporary Taiwan film that goes beyond the auterist mode, the nation-state argument and vestiges of the New Cinema.

Cinema Taiwan considers the complex problems of popularity, conflicts between transnational capital and local practice, non-fiction and independent filmmaking as emerging modes of address, and new possibilities of forging vibrant film cultures embedded in national (identity) politics, gender/sexuality and community activism. …