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Full-Text Articles in Arts and Humanities
Playing With Noise: Anne Elliot, The Narrator, And Sound In Jane Austen's And Adrian Shergold's Persuasion, Brianna R. Phillips
Playing With Noise: Anne Elliot, The Narrator, And Sound In Jane Austen's And Adrian Shergold's Persuasion, Brianna R. Phillips
The Corinthian
This paper pushes against the critical tradition that views silence or listening in relation to passivity and powerlessness by exploring the role of noise in Jane Austen’s Persuasion and in Adrian Shergold’s experimental 2007 film adaptation of that novel and how sound relates to Anne Elliot’s emotional legibility. Austen fills the narrative landscape with sounds that are filtered almost exclusively through Anne so that even when she is silent, she is “making noise” through her focalizations and through free indirect narration. Both Austen and Shergold align noise with Anne’s emotions such that Anne’s sensorial responses to shocking, loud, and disruptive …
Othello As A Domestic Tragedy: Marriage And Moral Extremism, Sophie A. Miller
Othello As A Domestic Tragedy: Marriage And Moral Extremism, Sophie A. Miller
Global Tides
The dehumanization of female characters in Othello by viewing them through antiquated and dichotomous views of women and female morality is a major factor in the play's tragic ending. These women exist in the context of changing marriage customs that came along with changes in government and religious structures of authority. Through Iago's influence, Othello comes to shift from the more modern companionate view of marriage into an outdated patriarchal model. The play is one of many Early Modern Dramas examining marriage but does not fit in with Patient Griselda plays or with domestic tragedies in which unfaithful wives are …