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Full-Text Articles in Arts and Humanities
Mapping Changes To The Songs In The Gentle Shepherd, 1725-1788, Brianna E. Robertson-Kirkland
Mapping Changes To The Songs In The Gentle Shepherd, 1725-1788, Brianna E. Robertson-Kirkland
Studies in Scottish Literature
Examines the varying ways in which the songs in Allan Ramsay's ballad-opera The Gentle Shepherd were published between the 170s and the 1780s, noting variation in how particular songs were titled, in which songs were included and how they were placed within the dramatic text, in which tunes were used for which song-texts, and in how words were related to music in editions providing both. The discussion is supported by extensive tables and lists of 18th century Ramsay editions, and illustrated with transcriptions of the music in two editions. Concludes that the addition of the music in later editions served …
Introduction: Allan Ramsay's Future, Murray Pittock, Craig Lamont
Introduction: Allan Ramsay's Future, Murray Pittock, Craig Lamont
Studies in Scottish Literature
Presents an overview of the new AHRC-funded edition of the Collected Works of Allan Ramsay, and of related recent scholarly and community activity in relation to Ramsay's public recognition and heritage, both in the Pentlands area south of Edinburgh, near Penicuik and Carlops, and more broadly in Scottish literary history, specifically in relation to the origins of Scottish Romanticism.
The King And The People In Burns And Lady Nairne, With A Coda On Jane Austen’S Favorite Burns Song, Carol Mcguirk
The King And The People In Burns And Lady Nairne, With A Coda On Jane Austen’S Favorite Burns Song, Carol Mcguirk
Studies in Scottish Literature
Explores the treatment of the monarchy, and the Jacobite song tradition, in Robert Burns (who "refuses political silence yet ... embraces indirection, even contradiction") and Caroline Oliphant, Lady Nairne (whose "lyrics highlight Scottish solidarity... offering her readers [and the performers of her songs] an immersion experience in being Jacobite"), with discussion also of Jane Austen's favourite Burns song "“Their Groves of Sweet Myrtle,” suggesting that this is echoed in Austen's Emma.