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Articles 1 - 7 of 7
Full-Text Articles in Arts and Humanities
Red, Jake Van Wyk
Red, Jake Van Wyk
Pro Rege
Monoprint from plexiglass plate – oil paint, process inks – four passes on press.
Missouri Puzzle, Matt Drissell
Primo, Jake Van Wyk
Narsisme Sebagai Wujud Eksistensi Diri Dalam Novel “My Name Is Red” Karya Orhan Pamuk, Raden Dibi Irnawan
Narsisme Sebagai Wujud Eksistensi Diri Dalam Novel “My Name Is Red” Karya Orhan Pamuk, Raden Dibi Irnawan
Paradigma: Jurnal Kajian Budaya
This paper discusses about socio-psychological dimension in paintings pictured in Orhan Pamuk’s novel My Name is Red. The novel shows us fi ne examples about how paintings can be a media of painters who lived in a repressive era of Sultan Murat III which established rigid rules adopted from Islamic principles of how a painting should be done. This idea manifested in the characters’ behaviour, especially Velijan Eff endi, who hold the Islamic or East principles, but dilemmatically fond of Western principles as an aesthetic way of painting. This kind of dilemma born from the presence of East and West …
Mana & Ea, Dan Taulapapa Mcmullin
Mana & Ea, Dan Taulapapa Mcmullin
The STEAM Journal
This work, Mana and Ea, expresses Polynesian indigenous sovereignty struggles with colonialism and globalism in the Pacific Islands.
The Quantified Self, Behind The Cover Art, Leslie Love Stone
The Quantified Self, Behind The Cover Art, Leslie Love Stone
The STEAM Journal
We lead quantified lives. The information we send and receive through our computers, CD players, and smart phones is coded in ones and zeroes. We exist as numerical accounts, license numbers, and login IDs. Anyone who has ever waited on hold for a live customer service representative understands the desire to be treated like a person, not a number. We each want acceptance for our inherent peculiarities and consideration for our circumstance—conditions we believe extrinsic to numbers.
The Barricade, Rue De La Mortellerie, June 1848: A Reflection Of Class Tension In Nineteenth-Century Paris, Chelsea Werner
The Barricade, Rue De La Mortellerie, June 1848: A Reflection Of Class Tension In Nineteenth-Century Paris, Chelsea Werner
The Corinthian
Scholars have previously maintained that Meissonier’s painting pays homage to the many working-class Parisians that died during the uprising. For example, Constance Cain Hungerford contends, “Meissonier thus dignifies the rebels with devotion to a nation ideal that he shared, even if he defied republican values less radically and disapproved of violence as a means to pursue them.”3 Hungerford and other scholars have explored the possibility that The Barricade represents a dedication to those who died during the rebellion, but few have explored the contention that this painting is not only a warning to future rebels, but also a manifestation of …