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Full-Text Articles in Arts and Humanities

Privilege Of Being A Christian Artist, James Buswell Sep 2006

Privilege Of Being A Christian Artist, James Buswell

Pro Rege

James Buswell developed this paper, at the request of Pro Rege and the faculty of Dordt College, from his presentation at our eighth and final Jubilee Convocation, April 25, 2005.


Gesture, Pulsion, Grain: Barthes' Musical Semiology, Michael Szekely Jan 2006

Gesture, Pulsion, Grain: Barthes' Musical Semiology, Michael Szekely

Contemporary Aesthetics (Journal Archive)

Although Barthes is perhaps best known as a semiotician, he is paradoxically always in search of precisely that which defies the constraints of language, whether art, signs or, in fact, language itself. Enter the relevance of music for Barthesian aesthetics. Barthes called for a "second semiology," in contrast to the classical semiology, which would explore "the body in a state of music." In this essay, I explore Barthes' musical semiology in terms of key concepts, including gesture, pulsion, grain, and jouissance. I extend the relevancy of Barthes' concepts, often articulated within the context of the Western classical musical tradition, to …


Gunnar Johansen: The Gentlemanly Dane, Solon Pierce Jan 2006

Gunnar Johansen: The Gentlemanly Dane, Solon Pierce

The Bridge

It is about three score and five years ago now since a certain Dane came to Dane County, Wisconsin-a decisive step, he later recounted on many occasions, "that I have never regretted." To this native Midwestern observer, it was a perfect fit. There was something homespun and authentic in the nature of the man -a sense that he was cut from the same cloth.


Hans Christian Andersen In Musical Translation, Jean Christensen Jan 2006

Hans Christian Andersen In Musical Translation, Jean Christensen

The Bridge

Those of us who work in two cultures are fascinated by the peculiar demands and limitations of translating the sensual and intellectual qualities of one language to those of another, and by the challenges of transferring ideas from one historical time to another. A similar challenge exists for today's composers who set out to transform a text into music, but this is a process that also involves other considerations, for music has the additional potential to project multidimensional time and space. H.C. Andersen was no stranger to musical renditions of his work during his lifetime. In fact, because of his …