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Full-Text Articles in Arts and Humanities
Ossianic Telegraphy: Bardic Networks And Imperial Relays, Eric Gidal
Ossianic Telegraphy: Bardic Networks And Imperial Relays, Eric Gidal
Studies in Scottish Literature
Relates James Macpherson's Fragments of Ancient Poetry (1760) and other Ossianic poems to evolving Scottish networks of commerce and communication, especially commercial telegraphy and the postal system, and posits associations also with comments in Adam Smith's Lectures on Jurisprudence and Theory of Moral Sentiments, to suggest that Macpherson's remediation of oral poetry asserted ideas of authorial identity and readership as "relays" in a new imperial network.
Burns's Politics 'In Another View': Late 1792/Early 1793, Robert P. Irvine
Burns's Politics 'In Another View': Late 1792/Early 1793, Robert P. Irvine
Studies in Scottish Literature
Presents a reconsideration of Burns's political views in 1792-1793, examining in detail the original performance context of his poem "The Rights of Woman," in the Dumfries Theatre in November 1792, and the political context of his song "Why should na poor people mow," as first sent in letters to Robert Cleghorn in December 1792 and to Robert Graham of Fintry in January 1793, arguing that such "political" poems might be read less in terms of French or metropolitan revolutionary politics than in terms of major cultural and social changes in the Scottish community and networks to which Burns belonged.
Radical Attribution: Robert Burns And 'The Liberty Tree', Corey E. Andrews
Radical Attribution: Robert Burns And 'The Liberty Tree', Corey E. Andrews
Studies in Scottish Literature
Discusses the political symbolism of liberty trees in the American and French revolutions, and in Scotland in Burns's period, as background to reconsidering the song "The Liberty Tree," first printed among Burns's work by Robert Chambers in 1838, the authorship of which has remained a subject for debate among Burnsians; examines the song closely in terms of phrasing to argue that it is unlikely to be by Burns; and draws a distinction between attributing the song to Burns and its evident reliance on his iconic standing both in his own time and among later Scottish radicals.
'Epitaph' On Grizzel Grim: A Newly-Discovered Manuscript In The Hand Of Robert Burns, Jonathan Henderson, Pauline Mackay, Pamela Mcintyre
'Epitaph' On Grizzel Grim: A Newly-Discovered Manuscript In The Hand Of Robert Burns, Jonathan Henderson, Pauline Mackay, Pamela Mcintyre
Studies in Scottish Literature
Describes and reproduces a newly-discovered Burns manuscript, with notes and numerical calculations relating to his work as an Excise Officer, and the four-line 'Epitaph' on Grizzel Grim (Kinsley II:926); discusses its publication history, attribution to Burns, and relation to Burns's ballad of similar title; gives a collation of variant readings; and transcribes related notes about the manuscript from the Craufurdland Castle papers.