Arts and Humanities Commons^™

The Influence Of Japan And India In The Circle Of Patrick Geddes, Murdo Macdonald

Studies in Scottish Literature

Discusses the influence of Japanese art in Evergreen contributions by E.A. Hornel and Charles Mackie, the influence of Patrick Geddes's ideas in Japan, and Geddes's links with the early 20th century revival of interest in Hinduism and Indian art.

Locating Scottish Cosmopolitanism In The Digital Archive, Alison Chapman

Studies in Scottish Literature

A reassessment of late nineteenth century Scottish cosmopolitan poets as represented in Digital Victorian Periodical Poetry (https://dvpp.uvic.ca/ ), focussing on the poems of John Davidson, William Sharp, Francis Annesley Brodie-Innes, and Violet Tweedale, and on the Scottish periodicals Good Words and Chambers’s (Edinburgh) Journal.

Andrew Lang’S Discursive Cosmopolitanism In Longman’S Magazine, Linda K. Hughes

Studies in Scottish Literature

Discusses the distinctive form and influence of Andrew Lang's series "At the Sign of the Ship," in Longman's Magazine, and explores Lang's range of Scottish and cosmopolitan references and perspectives.

Small Nations Writ Large: Notions Of Cosmopolitanism In Fin-De-Siècle Scotland And Flanders, Koenraad Claes

Studies in Scottish Literature

Compares relations between cosmopolitanism and nationalism in Scotland and Belgium, through the Scottish critic William Sharp's response to the "Belgian Renascence," to the magazine La Jeune Belgique, to Flemish authors writing in French (notably the playwrights Van Lerberghe and Maeterlinck, the novelist Eekhoud, and the poet Verhaeren), contrasting that movement with the later pro-Dutch-language magazine Van Nu en Straks, and illustrating how the local and global overlapped in the rivalling cosmopolitanism of fin-de-siècle Belgium and the late-19th-century avant-garde.

Contested Cosmopolitanism: William And Elizabeth A. Sharp’S Glasgow Herald Reviews Of The Paris Salons 1884-1900, Michael Shaw

Studies in Scottish Literature

Discusses William Sharp's attempt as a fin-de-siecle art critic to accommodate local particularism and national identity within his "outsider" cosmopolitanism, through his contributions to The Evergreen and the regular reviews he and his wife Elizabeth A. Sharp wrote of the Paris Salons for the Glasgow Herald, unsigned but identifiable through their correspondence, and argues that these reviews show how "the Sharps resisted the growing tendency to see the particular and the cosmopolitan as irreconcilable opposites."

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Books Received And Noted, Patrick Scott

Studies in Scottish Literature

Brief notices of selected recent books in the general field of Scottish literary studies; short notice here need not preclude fuller review of some titles in future.

Contributors To Ssl 47.2

Studies in Scottish Literature

Brief biographical notes on contributors to SSL 47.2.

Preface To Ssl 47.2, Patrick Scott, Tony Jarrells

Studies in Scottish Literature

Introduces the issue contents and briefly describes plans for forthcoming issues, and notes the recent deaths of two longtime SSL contributors, Henry L. Fulton (1935-2021) and Edward J. Cowan (1944-2022).

Walter Scott At 250, Alison Lumsden, Kirsty Archer-Thompson

Studies in Scottish Literature

This essay marking the 250th anniversary of Walter Scott's birth reflects on the current state of Scott studies, the scholarly directions in which it might develop, and ways in which the relevance of Scott’s work may be re-discovered and re-invigorated for contemporary audiences. In particular, it examines scholarly and critical attitudes to Scott's work over the past 50 years through papers given at the triennial international Scott conferences initiated in Edinburgh in 1971, alongside developments in public engagement at Abbotsford House and elsewhere during the 250th anniversary year.

Scott's Last Words, Peter Garside

Studies in Scottish Literature

Walter Scott’s dying words as recounted by J. G. Lockhart, widely accepted by in the Victorian period, have since been seen as largely fabricated. In 1938, H. J. C. Grierson blamed Lockahart’s “pious myth” on a “lady relative” of Scott’s anxious to deflect future detractors who might vilify Scott as irreligious. The concerened lady, unnamed by Grierson, was Mrs Harriet Scott of Harden, one of Scott’s first confidants, early adviser on literary matters, and later nearby neighbour at Mertoun House. Her positive influence on Scott, still underestimated, is hardly that of the “evangelical lady” featured regularly in post-Grierson Scott biographies. …

‘Co-Ainm Na Taca Seo An-Uiridh’: Dugald Macnicol’S Caribbean Lament For Argyll, Nigel Leask, Peadar Ó Muircheartaigh

Studies in Scottish Literature

This article examines a Gaelic song written in 1816 in St. Lucia by a Scottish Gaelic-speaking army officer from Argyll, Dugald MacNicol (1791-1844), sketching MacNicol's life and military career in the Caribbean, in the Royal West Indian Rangers and later in the 1st Royals (Royal Scots Regiment), placing the song in relation to other Gaelic poems of emigration and exile, and printing a newly-edited text of MacNicol's song alongside the authors' English translation.

Douglas Young, Hellenist, Ward Briggs

Studies in Scottish Literature

A reassessment of the Scottish writer Douglas Young's career as classicist, poet, translator, and teacher, tracing the centrality to his achievement of his commitment to Greek literature and classical scholarship.

'A Quivering Quick-Sand': Romantic Border Aesthetics, David Stewart

Studies in Scottish Literature

Examines Romantic and later treatments of the Solway's distinctive quicksands and bore-tides, from Anne Radcliffe and Allan Cunningham to Edwin Morgan, with special focus on Walter Scott's Solway novels, Redgauntlet and Guy Mannering.

David Lindsay And The Shape Of Inner Being, Eric Wills

Studies in Scottish Literature

Explores the influence of German Idealist philosophy, specifically Nietzsche and Hegel, in the work of the 20th century Scottish writer David Lindsay (1876-1945), now best-known for his novel A Voyage to Arcturus (1920) with primary attention to the role and character of symbolic imagery in Lindsay's stories, focusing on his novels Sphinx (1923) and Devil’s Tor (1932), and countering the broadly gnostic worldview sometimes attributed to him.

Preface To Ssl 47.1, Patrick Scott, Tony Jarrells

Studies in Scottish Literature

Introduces the issue contents, pays brief tribute to six long-time Scottish literature scholars who have recently died (Michael Timko, Priscilla Bawcutt, Greg Kratzmann, Robert Donaldson, Thorne Compton, and Dorothy McMillan), notes that the journal has now surpassed 400,000 article downloads, and describes plans for forthcoming issues.

Thomas Campbell, Joanna Baillie, And The New Monthly Magazine, Amy Wilcockson

Studies in Scottish Literature

Reports and transcribes (with illustration) a previously-unpublished letter dated December 2, 1820, to the Scottish poet and dramatist Joanna Baillie from Thomas Campbell, writing as the incoming editor of Colburn's New Monthly Magazine; discusses his role as editor, noting that Baillie's poem "To a Child" appeared in the next issue (and was reciprocated by Campbell's "To a Rainbow" in an anthology Baillie edited in 1823); and places the letter in the context of Campbell's busy professional and fraught family life.

Contributors To Ssl 47.1

Studies in Scottish Literature

Brief biographical notes on contributors to the current issue of the journal.

Moulding A Persona: The Life And Letters Of William Sharp And Fiona Macleod, Michael Shaw

Studies in Scottish Literature

Discusses William F. Halloran's three-volume collected Life and Letters of the Scottish poet and critic William Sharp (1855-1905) and his literary alter ego “Fiona Macleod,” with primary attention to the third and most recent volume and to its significance for students of Scottish literature and the fin-de-siecle.

'This Prodigious Mass': The Eruption Of The Solway Moss In 1771, Alex Deans

Studies in Scottish Literature

Describes the sudden bursting of the peat surface of the Solway Moss, above and west of the Esk River, and the destruction that followed, through initial reports from the Scots Magazine, the account by John Walker in the Philosophical Transactions of the Royal Society, and two accounts by Thomas Pennant, one before the disaster and a fuller one after, in his Tour in Scotland... in 1772 (1774).

From Skiddaw To Scruffell: Sightlines Over The Solway, Christopher Donaldson, Joanna Taylor

Studies in Scottish Literature

Explores the geography, and literary antecedents, of William Wordsworth's poems about Robert Burns from the visit he and his sister Dorothy made across the Solway Firth to Dumfries and Ellisland in 1803, and discusses the link they made between the two mountains of Skiddaw in Cumberland and Curfell or Criffel on the Scottish side of the Firth.

The Natural-Supernatural Solway, Fiona Stafford

Studies in Scottish Literature

Explores, through discussion of Burns's letters from Annan Water on the Solway, and in his poems, Burns's treatment of the supernatural, specifically his references to treatment of Kelpies, the mythical Scottish waterhorses seen in the destructive force of Solway tides and storms, carrying this forward to the work of Allan Cunningham, including his story “Judith Macrone, the Prophetess” (1821) and his poem "The Mermaid of Galloway" (1810).

Thomas Mcgrugar’S ‘Letters Of Zeno’: Patriotic Print & Constitutional Improvement In The Caledonian Mercury, 1782-1783, Alex Benchimol

Studies in Scottish Literature

Discusses a series of five newspaper letters by Thomas McGrugar (1751-1810), published in an Edinburgh newspaper the Caledonian Mercury, which urged increased representation of the Scottish burghs in the U.K. parliament, and argues that in them McGrugar used print culture to create an alternative political forum to existing political structures.

The Sobieski Stuarts And The Royal Lady’S Magazine: Some Newly-Attributed Tales, Craig Buchanan

Studies in Scottish Literature

Identifies and describes19 previously unrecorded periodical tales, some in multiple parts, contributed to the Royal Lady's Magazine in 1831-34, by the prolific early Victorian Stuart pretenders John and Charles Sobieski Stuart, providing evidence for the attributions and the brothers' pen-names, and quadrupling their known literary output.

'I'M In Full Control': Muriel Spark's The Finishing School, Robert E. Hosmer

Studies in Scottish Literature

Discusses the special issues for reviewers treating an author's late work, analyzes Muriel's Spark's last novel, The Finishing School (2004) and its reception, and draws on correspondence in the Spark archives at the National Library of Scotland to document Spark's firm control over the text of her work.

Boswell’S 'The Cub' And The Shadow Of Augustan Satire, Robert G. Walker

Studies in Scottish Literature

Reassesses James Boswell's satiric poem, and self-portrait, "The Cub" (1762), and Boswell's known affinity for the writings of Sterne, arguing for a wider satiric context in early Augustan satiric poetry, in Pope and especially Swift, and analysing the poem's multiple shifts of satiric viewpoint and allusion.

'Compylit In Latin': Allan Ramsay And Scoto-Latinity In The Eighteenth Century, Ralph Mclean

Studies in Scottish Literature

Discusses the importance and pervasiveness of Latin, including original Latin verse, in early 18th century Scotland, among Jacobites and in Ramsay's Edinburgh circle, with attention to the work of Archibald Pitcairne, Thomas Ruddiman, and later Robert Fergusson; examines Ramsay's own Scots translations of Horace and his use of the Horatian tradition, and looks also at translations from Ramsay into Latin by Alexander Fraser Tytler; and concludes that Ramsay's Scots poetry "helped to maintain" a Scottish link "to the classical past, by presenting the works of classical authors to new and growing audiences in Scotland in a language which was accessible …

Mapping Changes To The Songs In The Gentle Shepherd, 1725-1788, Brianna E. Robertson-Kirkland

Studies in Scottish Literature

Examines the varying ways in which the songs in Allan Ramsay's ballad-opera The Gentle Shepherd were published between the 170s and the 1780s, noting variation in how particular songs were titled, in which songs were included and how they were placed within the dramatic text, in which tunes were used for which song-texts, and in how words were related to music in editions providing both. The discussion is supported by extensive tables and lists of 18th century Ramsay editions, and illustrated with transcriptions of the music in two editions. Concludes that the addition of the music in later editions served …

'Some Few Miles From Edinburgh': Commemorating The Scenes Of The Gentle Shepherd In Ramsay Country, Craig Lamont

Studies in Scottish Literature

Traces the history of Ramsay commemoration, from the obelisk at Penicuik with an inscription from 1759 onwards, and successive attempts to identify actual settings for scenes and incidents in his ballad opera The Gentle Shepherd, in illustrations (notably by David Allan for the Foulis edition of 1788), other editions and memoirs, and competing contributions by the ministers of rival parishes to the Statistical Account of Scotland, giving particular attention to the roles in the "battle over Ramsay country" of two local landowners, Alexander Fraser Tytler (Lord Woodhouselee) and Robert Brown of Newhall; providing maps and illustrations to clarify …

'Some Pastoral Improvement' In The Gentle Shepherd: Mediation, Remediation, And Minority, Steve Newman

Studies in Scottish Literature

This essay shows how in The Gentle Shepherd Allan Ramsay engages in the complex work of "pastoral improvement" on an individual and national scale and foresees--to a point--how his work will be received in the decades and even centuries to come. After situating his work within the uprising of the Galloway Levellers, pastoral, and the early work of agricultural improvement, I consider how the concept of improvement shapes the reception of his work in the Linley-Tickell production of the 1780s--including a surprising appearance from the Shakespearean forger, William Henry Ireland--and the key role The Gentle Shepherd plays in "The Young …

Allan Ramsay: Romanticism And Reception, Murray Pittock

Studies in Scottish Literature

Provides a review and interpretation of Allan Ramsay's career and reputation, and of scholarly and critical response to his work, exploring "the foundational nature of his contribution to the language of Scottish literature," reaching a wider audience, for Scots, his dominant role in the history of Scottish song, and the pivotal role of his writing, especially his ballad-opera The Gentle Shepherd, in the formation of Scottish romanticism, and of the wider romantic movement.