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Full-Text Articles in Arts and Humanities
Robert Burns To Maria Riddell, A Lost Burns Manuscript And A Victorian Facsimile, Patrick Scott, Ronnie Young
Robert Burns To Maria Riddell, A Lost Burns Manuscript And A Victorian Facsimile, Patrick Scott, Ronnie Young
Studies in Scottish Literature
Reviews the textual history of Robert Burns's brief letter to Maria Riddell, in spring 1795, in Dumfries, mentioning the miniature portrait by Alexander Reid; notes that the manuscript, owned in the late 19th century by Dr Thomas C.S. Corry of Belfast, and later by John Gribbel of Philadelphia, cannot now be located; and describes and illustrates the facsimile made of it in 1864 for Vincent Brooks in the Autographic Mirror, now the only source of this letter manuscript available to the Glasgow editorial team for the forthcoming Oxford edition of Burns's Correspondence.
Esther Inglis, Octonaries, Upon The Vanitie And Inconstancie Of The World, Edited From Folger Ms V.A.91, Jamie Reid Baxter, Georgianna Ziegler
Esther Inglis, Octonaries, Upon The Vanitie And Inconstancie Of The World, Edited From Folger Ms V.A.91, Jamie Reid Baxter, Georgianna Ziegler
Studies in Scottish Literature
This article provides the first-ever printed text of the poem-sequence discussed in the preceding article, Octonaries, upon the Vanitie and Inconstancie of the Worlde (1600), by the Franco-Scottish poet and calligrapher Esther Inglis (1571-1624). The text given here has been transcribed from one of two manuscripts of the Octonaries in the Folger Library, MS V.a.91. Variant readings from two further manuscripts, Folger MS V.a.92, and New York Public Library Spencer Coll. MS. 14, along with some glosses, are given in the following section. NOTE: The text here now (June 13) incorporates a few final editors' corrections inadvertently omitted …
Appendices To Inglis, Octonaries: Titles And Dedications From Other Mss, Mss Containing The ‘G.D.’ And ‘Velde’ Sonnets, Who Was ‘G.D.’?, Jamie Reid Baxter
Appendices To Inglis, Octonaries: Titles And Dedications From Other Mss, Mss Containing The ‘G.D.’ And ‘Velde’ Sonnets, Who Was ‘G.D.’?, Jamie Reid Baxter
Studies in Scottish Literature
Three Appendices to the preceding article on Esther Inglis's Octonaries: (1) transcribe the Titles and Dedications in other manuscripts; (2) record the five MSS containing the ‘G.D.’ and ‘Velde’ Sonnets discussed in the article; and (3) review possibilities for the identity of 'G.D.', proposing that it was George Douglas, a gifted vernacular poet and translator of Boethius.NOTE: the current file (August 9 2023) includes further minor corrections. Please refresh your browser if you downloaded a previous version. SSL Ed.
Esther Inglis, Octonaries: Textual Notes And Glosses, Jamie Reid Baxter, Georgianna Ziegler
Esther Inglis, Octonaries: Textual Notes And Glosses, Jamie Reid Baxter, Georgianna Ziegler
Studies in Scottish Literature
These notes record variant readings from two further manuscripts of Esther Inglis's Octonaries, Folger MS V.a.92, and New York Public Library Spencer Coll. MS. 14, collated against the text transcribed in the preceding item, Folger Library, MS V.a.91. The notes also indicate the places where the order of the octonaries varies between manuscripts and also include a few glosses on Scots words likely to be unfamiliar to non-Scottish students or scholars. NOTE: the current version (June 25 2023) incorporates minor corrections. Please refresh your browser if you downloaded an earlier version. SSL Ed.
Burns And The Altar Of Independence: A Question Of Authentication, Patrick Scott, Gerard Carruthers
Burns And The Altar Of Independence: A Question Of Authentication, Patrick Scott, Gerard Carruthers
Studies in Scottish Literature
Describes and illustrates the only known manuscript of Robert Burns's short 'Poetical Inscription for an Altar to Independence'; notes ongoing disputes over the authenticity of several other of Burns's political poems from the 1790s; traces the manuscript's provenance from the Kern sale in 1929 (when it was cataloged as genuine) to Sotheby's in 1982 (when it was cataloged as a forgery), to its current location in the J.M.Shaw Collection, Florida State University Libraries, where more recent internal records catalogue it as authentic; points out evidence confirming its authenticity; and provides the first collation of the manuscript against the text published …
Burns And Jean Armour, Ellisland, 1788: A Letter Fragment In The Roy Collection, Patrick Scott
Burns And Jean Armour, Ellisland, 1788: A Letter Fragment In The Roy Collection, Patrick Scott
Studies in Scottish Literature
Describes and illustrates a two-sided fragment of Robert Burns's letter from Ellisland to his wife Jean Armour, in Muchline, from September 12, 1788, concerning her move to join him, and news for his brother Gilbert. Only four letters from Burns to Jean are now known; the main body of this letter was printed by Waddell in 1869, and was later recorded in the Honresfield Collection (now the Blavatnik-Honresfield Collection), but this section, now in the G. Ross Roy Collection at the University of South Carolina, was snipped off by the then-owner Mary MacLaughlan Nicolson for a collector before Waddell saw …
‘Scoto-Shamanistic’: The Collected Works Of Kenneth White, Richie Mccaffery
‘Scoto-Shamanistic’: The Collected Works Of Kenneth White, Richie Mccaffery
Studies in Scottish Literature
A review-essay discussing the work and influence of the expatriate Scottish poet and cultural theorist Kenneth White, based on vols 1-2 of the new Edinburgh University Press edition of White's Collected Works, edited by Cairns Craig (2021, paperback 2023), placing White in a line of Scottish polymath internationalist writers, from Buchanan and Urquhart, through Miller and Carlyle, to Geddes and MacDiarmid.
Anonymity With Intent? 'We Lordis Hes Chosin A Chiftane Mervellus', Janet Hadley Williams
Anonymity With Intent? 'We Lordis Hes Chosin A Chiftane Mervellus', Janet Hadley Williams
Studies in Scottish Literature
This paper considers an anonymous, untitled poem, opening “We lordis hes chosin a chiftane mervellus,” known in only one text, in the Bannatyne Manuscript (fols 78v–79r), among “ ballatis full of wisdome and moralitie.” Its enigmatic nature and place among the moral ‘ballatis’ have gone largely unstudied. Focus on the author’s identity (with William Dunbar seen as likely) has excluded the interesting question of possible deliberate anonymity. The poet’s Franco-Scots linguistic agility, and careful play of political interests (Scottish, French and English) are striking, the more so because, unusually, “We lordis” can be dated with some …
Cosmopolitanism And The Scottish Working-Class Writer: John Parkinson/Yehya-En-Nasr And Islam In Ayrshire, Kirstie Blair
Cosmopolitanism And The Scottish Working-Class Writer: John Parkinson/Yehya-En-Nasr And Islam In Ayrshire, Kirstie Blair
Studies in Scottish Literature
Explores the grassroots cosmopolitan and international literary interests of Scottish working-class writers, through the writing of the Scottish poet and convert to Islam John Parkinson or "Yehya-en-Nasr" (1874-1918), in the Ardrossan and Saltcoats Herald, in the monthly The Islamic World and the weekly newspaper The Crescent, as a journalist in Rangoon, and in book form, notably his Lays of Love and War (Ardrossan, n.d.), arguing that Parkinson's "Muslim cosmopolitanism" and his local Ayrshire identity and contexts were inextricably intertwined.