Arts and Humanities Commons^™

‘Weill Auchtyn Eldris Exemplis Ws To Steir’: Aeneas And The Narrator In The Prologues To Gavin Douglas’S Eneados, P. J. Klemp

Studies in Scottish Literature

Discusses the translation of Virgil's Aeneid into Middle Scots by Gavin Douglas (1474-1522), the first translation of a major classical work into either Scots or English, analyzing the role of the narrator/translator in the prologues Douglas wrote, and arguing that by blurring the boundary between his own prefatory material and the Virgil text he was translating, Douglas brought the two elements into relationship to form a unified epic masterpiece.

The Roy Manuscript Of Burns’S 'To John Syme', Patrick Scott

Studies in Scottish Literature

Describes the only known authorial manuscript of a short poem by Robert Burns, now in the G. Ross Roy Collection at the University of South Carolina, providing a collation of variants among the early texts, and discussing the reliability of the transcripts of such Burns epigrams or versicles made by Burns's friend John Syme, on which editors must rely for other Burns items.

Courting Love: Comedy And Genre In Robene And Makyne, Caitlin Flynn

Studies in Scottish Literature

Observing that little critical scrutiny has been given to Henryson's shorter poems, argues that Henryson's Robene and Makyne challenges genre critics by its "seamlessness ... weaving together of courtly and country, formal and frolicking," and that the two lovers, who "embody the generic confusion marking the formal qualities of the poem," reflect "the comic instability of the generic resonances within the text," pointing to wider trends in Scottish imaginative literature of the period.

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‘I Am Just As Typically Scottish’: G.S. Fraser As Scottish Poet, Richie Mccaffery

Studies in Scottish Literature

Discusses the poetry and poetic career of G. S. Fraser (1915-1980), both in the 1940s when he was regularly identified as a Scottish poet, and later in his life, arguing that the hostility of Scottish critics to his poetry in the 1950s (when he also built a substantial reputation as a London-based critic and reviewer) was unjustified, leading to the neglect of his substantial and continuing poetic achievement, and encouraging too narrow a definition of Scottish poetry.

The Poetry Of William Forbes Of Disblair (1661-1740), William Donaldson

Studies in Scottish Literature

Arguing that the early 18th century Scottish poet William Forbes has been given too little attention, introduces some of the issues in settling the canon of Forbes's work, and discusses both Forbes's anti-Union political poetry, notably The True Scots Genius, Reviving (1704), and A Pil for Pork-Eaters (1705), and his later dialogue on marriage, Xantippe: or the Scolding Wife (1724), an original development from a Latin dialogue by Erasmus. An appendix gives details of the eleven published poems attributable to Forbes.

Contributors To Ssl 45.2

Studies in Scottish Literature

Biographical information on contributors to SSL 45.2

Border Police: Scott’S Minstrelsy Of The Scottish Border, The Law, And The 1790s, Penny Fielding

Studies in Scottish Literature

Discusses Scott's Minstrelsy of the Scottish Border (1802 etc) in the context of Border history, Scottish legal philosophy, the jurisdictional and cultural concept of the "Debateable Lands," and the Scottish political situation during the political trials and the Militia Act riots in the 1790s. .

A New Janet Hamilton Manuscript, Robert Maclean, Gerard Carruthers

Studies in Scottish Literature

Describes and illustrates a newly-identified short poem in the distinctive hand of the Scottish working-class poet Janet Hamilton (1795-1873), discovered tipped into a volume of The Englishwoman’s Domestic Magazine (1852 [1853]), in University of Glasgow Library, with information on the provenance of the volume.

Scotland And The Geometric Imagination, Mike Hill

Studies in Scottish Literature

Review of: Matthew Wickman. Literature After Euclid: The Geometric Imagination in the Long Scottish Enlightenment. Philadelphia, PA: University of Pennsylvania Press, 2016.The review praises Wickman's "extraordinary book," designed to “throw a wrench into grand narratives about modernity,” summarizing its wide-ranging argument about the centrality of spatial, visual and geometric thought in what Wickman calls "the long looping eighteenth century," in Scottish philosophy, education and literature, and commenting briefly on the implications of Wickman's argument for "how literary canons are made" and "the dynamics of disciplines."

W.S. Graham: ‘Born In A Diamond Screeched From A Mountain Pap’, Gerard Carruthers

Studies in Scottish Literature

Provides a centenary reassessment of the Scottish poet W. S. Graham (1918-1986), increasingly recognized as a writer of enduring significance, both for Scottish poetry and for 20th century Modernist poetry more broadly, through close readings of poems from different phases of Graham’s writing career. An edited version of the Hugh MacDiarmid Lecture in March 2018 at the Scottish Poetry Library in Edinburgh.

‘The Hope That Someone Might Present Them With A Kilmarnock Burns’: The National Library Of Scotland’S First Kilmarnock, Robert Betteridge

Studies in Scottish Literature

Recounts, from correspondence and minutes in the National Library of Scotland, and from contemporary newspapers, the library's unsuccessful efforts to attract a donated copy of Robert Burns's first book, Poems, Chiefly in the Scottish Dialect (Kilmarnock: John Wilson, 1786), and its successful purchase at auction in 1950 of the "Hoe copy," with original wrappers bound in.

A ‘Scoto-British-European’ Rediscovered: The Life And Writings Of George Lauder, Kelsey Jackson Williams

Studies in Scottish Literature

Review of: Alasdair A. MacDonald, George Lauder (1603-1670): Life and Writings. Cambridge: D.S. Brewer, 2018.The review suggests that, until Alasdair MacDonald’s book, the "originality, ingenuity, and significance" of the expatriate Scots soldier and poet George Lauder (1603-1670) "have been radically underestimated," and in exploring MacDonald's book, which is both biography and edition, provides a introductory critical assessment of Lauder's varied poetry and translations, endorsing as more widely applicable MacDonald's argument that "Scots writing in English deserve equal attention as their Scotophone counterparts" and that "'authors who are innovative in drawing inspiration from new foreign models deserve better than to …

Douglas’S Palyce Of Honour Re-Edited, P. J. Klemp

Studies in Scottish Literature

Review of: David J. Parkinson, ed. Gavin Douglas: “The Palyce of Honour.” 2nd edition. Kalamazoo, MI: Published for TEAMS (Teaching Association for Medieval Studies) in Association with the University of Rochester by Medieval Institute Publications, 2018. Judging the volume an "impressive accomplishment," the review draws attention to Parkinson's much expanded introduction, which provides both "first-rate literary criticism" and "a comprehensive study of Douglas’s biography and the Palyce’s textual issues, language, and participation in the genre of the dream vision."

George Thomson To Robert Burns: A Newly-Identified Manuscript Letter-Fragment, Gerard Lee Mckeever

Studies in Scottish Literature

Describes and illustrates a newly-identified fragment (final page) of a letter to Robert Burns in April 1793 from George Thomson, editor of the Select Collection of Original Scotish Songs, in the Newberry Library, Chicago, discusses the date of the letter and of the Burns song "The Soger's Return" on the letter verso, and reviews the implication of the manuscript for the sequence of letters in the Thomson-Burns correspondence.