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Full-Text Articles in Arts and Humanities
On Translating Burns: A Heavenly Paradise And Two Versions Of "A Red, Red, Rose", Marco Fazzini
On Translating Burns: A Heavenly Paradise And Two Versions Of "A Red, Red, Rose", Marco Fazzini
Studies in Scottish Literature
Discusses, and prints, two different verse-translations from Scots into Italian of Robert Burns's well-known song "O, My Luve is Like a Red, Red, Rose," with brief comment on earlier Italian Burns translations. .
Robert Burns As Dramatic Poet, R. D. S. Jack
Robert Burns As Dramatic Poet, R. D. S. Jack
Studies in Scottish Literature
Discusses Burns's skill in creating dramatic voice in his poetry, and what can be learned about the poems in their performance. Examples include "My luve is like a red, red rose," "John Anderson, my jo," "Robert Burns's March to Bannockburn," and "Tam o' Shanter."
"O My Luve's Like A Red, Red Rose": Does Burns's Melody Really Matter, Kirsteen Mccue
"O My Luve's Like A Red, Red Rose": Does Burns's Melody Really Matter, Kirsteen Mccue
Studies in Scottish Literature
Examines the musical sources and later published settings for Robert Burns's song "O, my luve is like a red, red rose," with particular focus on Niel Gow's setting "Major Graham's Strathspey."
Alexander Mclachlan: The "Robert Burns" Of Canada, Edward J. Cowan
Alexander Mclachlan: The "Robert Burns" Of Canada, Edward J. Cowan
Studies in Scottish Literature
Surveys the career of the Scottish-Canadian poet Alexander McLachlan (1820-1896), the "Robert Burns of Canada," examining both his political poems, which are shown to have continuing interest, and his often-sentimental emigrant poetry and poems about Scottish life.
James Hogg's First Encounter With Burns's Poetry, Douglas S. Mack
James Hogg's First Encounter With Burns's Poetry, Douglas S. Mack
Studies in Scottish Literature
Describes and evaluates the varying accounts given by the Scottish poet and novelist James Hogg (1770-1835) of his first encounter with the poems of the Scottish poet Robert Burns (1759-1796), exploring inconsistencies of dating and differences in detail between the best-known version, the "Memoir of the Author's Life" in Hogg's Altrive Tales(1832) and the earlier "Memoir" in his The Mountain Bard (1807), and discussing also two other versions, a long note in the Hogg-Motherwell edition of Burns (1834) and a letter Hogg wrote to an unidentified correspondent that same year. Briefly analyses and quotes Hogg's memorial poem on Robert …
A Passion For Scholarship & Collecting: The G. Ross Roy Collection Of Robert Burns & Scottish Literature, Thomas Keith
A Passion For Scholarship & Collecting: The G. Ross Roy Collection Of Robert Burns & Scottish Literature, Thomas Keith
Studies in Scottish Literature
Pays tribute to G. Ross Roy as book collector, describing the origins and growth of the Robert Burns collection begun by his grandfather W. Ormiston Roy (1874-1958), of Montreal, Canada, but greatly developed by Professor Roy, before finding a permanent home in the University's Irvin Department of Rare Books.& Special Collections. Notes the range of Scottish authors now included in the collection and describes briefly many of the most distinctive and important Burns items.
On Editing The Merry Muses, Valentina Bold
On Editing The Merry Muses, Valentina Bold
Studies in Scottish Literature
Discusses the sources and issues in reediting the late 18th century Scottish song collection, The Merry Muses of Caledonia (1799), in connection the 50th anniversary of the first modern scholarly edition, edited by Sydney Goodsir Smith, James Barke, and J. Delancey Ferguson in 1959.
"The Poets Welcome": An Unrecorded Manuscript By Robert Burns, G. Ross Roy, Patrick G. Scott
"The Poets Welcome": An Unrecorded Manuscript By Robert Burns, G. Ross Roy, Patrick G. Scott
Studies in Scottish Literature
Introduces, reproduces, and gives provenance for a previously-unrecorded autograph manuscript of Robert Burns's poem about the birth of his first-born child, and his mixed emotions of pride and some shame at her illegitimacy.