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Full-Text Articles in Arts and Humanities
Faith, Doubt, And Chiasmus In Krzysztof Kieslowski's Decalogue I, William Bartley
Faith, Doubt, And Chiasmus In Krzysztof Kieslowski's Decalogue I, William Bartley
Journal of Religion & Film
This article proposes a reinterpretation of Krzysztof Kieslowski’s exploration of the first commandment in Decalogue I. It argues that the narrative structure of the story is chiastic—i.e., inversely parallel—which follows from recognizing for the first time the crucial role that Irena, the devoutly Catholic sister of Krzysztof, a professor and religious skeptic, plays in the story. The pattern of inverse parallelism (chiasmus) emerges as Krzysztof and Irena respond separately to the tragic death of Krzysztof’s son, Pawel: as Krzysztof’s skepticism gives way to a new faith in God, inversely and unexpectedly Irena’s faith retreats into doubt. This outcome, in …
The Holy Fool In Late Tarkovsky, Robert O. Efird
The Holy Fool In Late Tarkovsky, Robert O. Efird
Journal of Religion & Film
This article analyzes the Russian cultural and religious phenomenon of holy foolishness (iurodstvo) in director Andrei Tarkovsky’s last two films, Nostalghia and Sacrifice. While traits of the holy fool appear in various characters throughout the director’s oeuvre, a marked change occurs in the films made outside the Soviet Union. Coincident with the films’ increasing disregard for spatiotemporal consistency and sharper eschatological focus, the character of the fool now appears to veer off into genuine insanity, albeit with a seemingly greater sensitivity to a visionary or virtual world of the spirit and explicit messianic task.