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Full-Text Articles in Arts and Humanities
Literature On The Margins: Russian Fiction In The Nineties, Mark Lipovetsky
Literature On The Margins: Russian Fiction In The Nineties, Mark Lipovetsky
Studies in 20th & 21st Century Literature
Despite shrinkage in print runs and readership, canonical Literature during the 1990s developed along three major lines that connected writers of various generations in both aesthetics and philosophy: realism, exemplified in Georgii Vladimov's prize-winning novel, The General and His Army (1994); postmodernism, richly represented in the fiction of Vladimir Sorokin, Viktor Pelevin, and Vladimir Sharov; and neosentimentalism, as derived from the naturalism of early perestroika, most consistently embraced by Liudmila Petrushevskaia, Liudmila Ulitskaia, and, in his paternal profession de foi, one of Russia's chief theorists of postmodernism, Mikhail Epshtein. All three tendencies aspired to the status of mainstream, which …
The Order Of Bourgeois Protest, Geoffey Waite
The Order Of Bourgeois Protest, Geoffey Waite
Studies in 20th & 21st Century Literature
Relatively little theoretical work is currently being produced by Western "Leftists" on committed protest culture. Simultaneously and not by chance, Western Marxism has drifted increasingly away from solidarity with the concept and practice of the vanguard party and toward a more or less easy compact with the problematic of poststructuralism and postmodernity. This relative paucity of discussion of commitment and protest stands in significant relationship to two critical moments: first, a powerful, overtheorized tradition of Western Marxist debate about commitment and protest (Benjamin, Sartre, Barthes, Marcuse, Adorno, among others); second, a wide-spread, undertheorized work-a-day practice of "traditional" liberal …
Bakhtin And Buber: Problems Of Dialogic Imagination, Nina Perlina
Bakhtin And Buber: Problems Of Dialogic Imagination, Nina Perlina
Studies in 20th & 21st Century Literature
Recent publications of biographical materials on Mikhail Bakhtin demonstrate that he was familiar with the writings of Martin Buber. The philosophical and aesthetic verbal expression of Buber's ideas within the time-spatial universe of Bakhtin's own awareness allows us to discuss this obvious biographical evidence in a wider cultural context. The central opposition of Buber's and Bakhtin's systems is the dialogic dichotomous pair: "Ich und Du" (I and Thou), or "myself and another." Bakhtin's dialogic imagination is rooted in the binaries of the subject-object relations which he initially formulated as "responsibility" and "addressivity," that is to say, as individual awareness and …