Arts and Humanities Commons^™

Negative Estrangement: Fantasy And Race In The Drow And Drizzt Do’Urden, Steven Holmes

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

This essay introduces the concept of negative estrangement to help understand current cultural interventions into the norms of depicting fantasy races. First, this essay builds on Shklovsky’s concept of estrangement to describe the literary practice of negative estrangement, wherein artists craft “more evil” foes based on hybridized amalgamations of stereotypes to create antipathy toward a subject, be it monster or fantasy race. This practice is sometimes used in service of confronting the issue of race and racism, despite seeming to reify or rearticulate racist stereotypes.

This essay builds on Tolkien’s argument in favor of creating “more evil” foes to exemplify …

Discovering Dune: Essays On Frank Herbert’S Epic Saga., Edited By Dominic J. Nardi And N. Trevor Brierly, G. Connor Salter

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

G. Connor Salter reviews Discovering Dune: Essays on Frank Herbert’s Epic Saga, edited by Dominic J. Nardi and N. Trevor Brierly, considering its new contributions to studies of Frank Herbert's work. Essays included fit into four categories (Politics and Power, History and Religion, Biology and Ecology, and Philosophy, Choice and Ethics) and range from Herbert's use of ecology in Dune to how game theory may help explain certain characters' apparent ability to see the future. Discovering Dune also includes an appendix which contains the only up-to-date bibliography of Herbert's work (primary and secondary sources).

Is Superman Circumcised? The Complete Jewish History Of The World’S Greatest Hero By Roy Schwartz, Gabriel C. Salter

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

In Is Superman Circumcised?, Russell Schwartz provides a historical overview of Jerry Siegel and Joe Shuster's creation of the comic book character Superman, arguing that Siegel and Shuster's backgrounds in Jewish immigrants gives a particularly Jewish subtext to their character. Schwartz builds on this argument with a larger historical overview of American comic book publishing, showing how Judaism and Jewish-American immigrant experiences have informed that industry from its earliest days.

History In The Margins: Epigraphs And Negative Space In Robin Hobb’S Assassin’S Apprentice, Matthew Oliver

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Robin Hobb’s Assassin’s Apprentice demonstrates a significant effect of epic fantasy’s conventions for creating the history of a fictional world. By prefacing each chapter with an epigraph from an official in-world historical text before giving a first-person personal narrative, the novel blurs the boundaries between text and paratext, public and private, official history and personal myth-making. This structure raises questions about what is central and marginal in history, suggesting the extent to which historical narrative is constructed in the imagination by taking the facts surrounding a central event from which the historian is absent—a process much like negative space drawing …

Sterner Stuff; Sansa Stark And The System Of Gothic Fantasy, Joseph R. Young

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Contests the suggestion that Sansa Stark, a character in George R.R. Martin’s A Song of Ice and Fire, is a weak and indecisive by analyzing her in relation to William Patrick Day’s system of Gothic fantasy. While Sansa is indeed physically passive, she manages to retain her own identity in a challenging literary environment. This physical passivity allows her to assert herself intellectually, analyzing and indicting the misdeeds and abuses she suffers. This combination of passive and active attributes precisely instantiates the skill set of the detective, a species of literary being developed from the Gothic fantasies Day analyses, and …

Pyramids In America: Rewriting The “Egypt Of The West” In Rick Riordan’S The Kane Chronicles Series, Heather K. Cyr

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

In this paper, I examine the use of well-known American landmarks in Rick Riordan’s The Kane Chronicles (2010-2012), a set of Children’s Fantasy novels that place Ancient Egyptian mythology in the modern world. With reference to the author’s more famous Percy Jackson and the Olympians series (2005-2009), this essay focuses on specific American landscapes in the first novel of the Egyptian mythology-inspired series, The Red Pyramid, arguing that Riordan’s use of Ancient Egyptian-inspired structures reflects the overall ethos of the text. On one level, Riordan’s use of modern American landmarks signals that new stories using old myths have just …

Gunslinger Roland From Yeats’S Towers Came(?): A Little-Studied Influence On Stephen King’S Dark Tower Series, Abigail L. Montgomery

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

This essay has two major goals. Its general aim is to join the growing body of scholarship that takes Stephen King’s work seriously as literature in its own right and in conversation with other, traditionally canonical, works. This essay specifically does so by examining the apparent, though unreferenced, influence of William Butler Yeats’s poems “The Tower” and “The Black Tower” on King’s longest, strangest, most challenging and most self-referential work—the Dark Tower series. King references Yeats elsewhere in his fiction, and a rich, non-linear intertextuality connects the Dark Tower series to much of the rest of King’s work. Taking this …

Neil Gaiman's American Gods: A Postmodern Epic For America, Susan Gorman

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

American Gods presents a postmodern view on America and its people and engages with the epic genre both in terms of form and content. This engagement with epic does not present a coherent view of the nation, as other epics do, but instead highlights multidimensionality and irony, demonstrating potential new ways in which the epic can remain important to literary work. Evaluates Gaiman’s use of formal elements of epic such as the use of the national past and national tradition as well as content components such as the presentation of the epic storyteller and the epic hero as it evaluates …