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Full-Text Articles in Arts and Humanities
Verdens Undergang (1916) And The Birth Of Apocalyptic Film: Antecedents And Causative Forces, Wynn Gerald Hamonic
Verdens Undergang (1916) And The Birth Of Apocalyptic Film: Antecedents And Causative Forces, Wynn Gerald Hamonic
Journal of Religion & Film
This essay describes the antecedents and causative forces giving rise to the birth of apocalyptic cinema in the early 20th Century and the first apocalyptic feature, Verdens Undergang (1916). Apocalyptic cinema's roots can be traced back to apocalyptic literary tradition beginning 200 BCE, New Testament apocalyptic writings, the rise of premillenialism in the mid-19th Century, 19th century apocalyptic fiction, a growing distrust in human self-determination, escalating wars and tragedies from 1880 to 1912 reaching a larger audience through a burgeoning press, horrors and disillusionment caused by the First World War, a growing belief in a dystopian future, and changes in …
Dr. King And The Image Of God: A Theology Of Voting Rights In Ava Duvernay's Selma, Marcos Norris
Dr. King And The Image Of God: A Theology Of Voting Rights In Ava Duvernay's Selma, Marcos Norris
Journal of Religion & Film
This article argues that Ava DuVernay’s 2014 film Selma develops a theology of voting rights by staging a conflict between President Lyndon B. Johnson and political activist Martin Luther King, Jr. Though many reviewers fault the film for its besmirching portrayal of LBJ, DuVernay’s (mis)representations of Johnson establish a link between the Voting Rights Act of 1964 and King’s theological anthropology. In King’s view, mankind was created in the image of God, endowed with free will and the capacity to reason. The denial of Black voting rights, while literally depriving African Americans of their political agency, also represented the disavowal …