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2011

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Full-Text Articles in Arts and Humanities

Livelihood And Living For The Youth In Latin America = 拉丁美洲青年人的人生與生活, Alicia Ojeda Santana Dec 2011

Livelihood And Living For The Youth In Latin America = 拉丁美洲青年人的人生與生活, Alicia Ojeda Santana

South South Forum 南南論壇

I am part of the despairing middle class in Mexico, a generation of young people who went to private schools, who went to college, who speak English, live on their own and have a job. I am part of a minority, and even that seems exaggerating, only around of 17% of the total population actually gets in to a college in Mexico. And I say despairing because the crisis is fast finishing with this middle class social stratus

There has been awareness about the crisis for some years now, but poverty has always been a part of Mexico’s reality. I …


Sankofa: Preserving Your Cultural Heritage Through The Art Of Narratives And Story-Telling, Theressa N Cooper Nov 2011

Sankofa: Preserving Your Cultural Heritage Through The Art Of Narratives And Story-Telling, Theressa N Cooper

Black Issues Conference

As research has struggled to identify and define the Black experience (Du Bois, 1903; Bell, 2002), Obidah (2003) suggests that one of the lasting theoretical frameworks that resonates for the social science community and for Black people themselves is Dubois’ (1903) notion of double consciousness. Dubois (1903) found that as African Americans, we live two lives – one that is full of pride for its African-ness and all that it encompasses; and a the second life in which we have to assimilate into the American (White) culture. Therein lies the struggle, where the African American is seeking to find a …


2011-2012 Program Overview, Cedarville University Oct 2011

2011-2012 Program Overview, Cedarville University

The Staley Distinguished Christian Scholar Lecture Program

Lecture Theme: A Kingdom That Cannot Be Shaken


Faith, Reason And Politics, Brendan Sweetman Oct 2011

Faith, Reason And Politics, Brendan Sweetman

Conference on Philosophy and Theology

Contemporary pluralism is best represented as a set of rival worldviews. Secularism and religion represent the dominant worldviews in our society. But moves to exclude religious views because they are based on faith are misguided since political philosophies also, and unavoidably, depend on "faith".


Reformed Epistemology, Clairvoyance, And The Role Of Evidence, Andrew Moon Oct 2011

Reformed Epistemology, Clairvoyance, And The Role Of Evidence, Andrew Moon

Conference on Philosophy and Theology

Reformed epidemiologists like Alvin Plantinga and William Alston are well known for their view that one can rationally believe that God exists without believing on the basis of any evidence - scientific, philosophical, or otherwise. I defend reformed epistemology from objections (including one having to do with clairvoyance), and I develop a view about the role that evidence should play in the rationality of theistic belief.


Delineating The Boundaries For Religious Speech In Public Discourse In Kierkegaard And Habermas, Michael Carper Oct 2011

Delineating The Boundaries For Religious Speech In Public Discourse In Kierkegaard And Habermas, Michael Carper

Conference on Philosophy and Theology

How is it that one of the most famous Christian thinkers - Soren Kierkegaard -- and one of the most famous contemporary secular thinkers -- Jurgen Habermas - both agree: the religious has nothing to say in the public realm of social, ethical discourse.


Embodied Religion And Liberal Society: The Obstacle Of De Facto Established Religion, Kevin Carnahan Oct 2011

Embodied Religion And Liberal Society: The Obstacle Of De Facto Established Religion, Kevin Carnahan

Conference on Philosophy and Theology

Recent scholarship suggests that religion should be conceived in terms of embodied social practices as much as (if not more than) a set of systematic beliefs. Such accounts of religion, I will argue, raise problems that have not been adequately treated in current discussion of the role of religion in liberal society.


Program: Featured Lecture, "Through A Glass Dimly (Christian Knowing In A Pluralistic World).", Monte Cox Oct 2011

Program: Featured Lecture, "Through A Glass Dimly (Christian Knowing In A Pluralistic World).", Monte Cox

William M. Green Distinguished Christian Lecture Program

Program for the Thirty-Second Annual William M. Green Distinguished Christian Lecture Program with featured lecturer Dr. Monte Cox, Dean of the College of Bible and Religion, Harding University.


University Scholar Series: Danelle Moon, Danelle Moon Sep 2011

University Scholar Series: Danelle Moon, Danelle Moon

University Scholar Series

Daily Life of Women During the Civil Rights Era

On September 28, 2011, Danelle Moon spoke in the University Scholar Series hosted by Provost Gerry Selter at the Dr. Martin Luther King, Jr. Library. Danelle Moon is the Director of Special Collections & Archives, a Full Librarian, and Adjunct Professor of History at SJSU. In this seminar, she talks about her book, Daily Life of Women During the Civil Rights Era, which looks at the variety of women's experiences in promoting social justice and human rights into the United States from 1920 to the 1980s. It gives the audience a …


Reading 9/11 Through The Holocaust In Philip Roth’S The Plot Against America And Art Spiegelman’S In The Shadow Of No Towers, Stella Setka Sep 2011

Reading 9/11 Through The Holocaust In Philip Roth’S The Plot Against America And Art Spiegelman’S In The Shadow Of No Towers, Stella Setka

Re-visioning Terrorism

This essay argues that Philip Roth’s The Plot Against America and Art Spiegelman’s In the Shadow of New Towers open up new spaces for reading the trauma of 9/11 not simply as the tragic story of a single day in 2001, but as a traumatic event that shares referents with other catastrophes in history, most notably the Holocaust. Further, the author demonstrates that these works are more concerned with the politicization of 9/11 than they are with the terrorist attacks themselves.


Symbolic Violence As Subtle Virulence: The Philosophy Of Terrorism, Jonathan Beever Sep 2011

Symbolic Violence As Subtle Virulence: The Philosophy Of Terrorism, Jonathan Beever

Re-visioning Terrorism

Jean Baudrillard’s semiotic analysis of violence leads us to understand the form of violence as three-fold: aggressive, historical, and semiotically virulent. Violence of the third form is the violence endemic to terrorism. If violence has been typically understood as of the first two types, terrorism should be understood as the virulence of simulacra. The conflation of these types of violence explains the failure of militaristic responses to terrorism. This paper will explore Baudrillard’s conception of symbolic violence as the virulence of signs and help us come to terms with the semiotic foundation of terrorism.


Tele-Visioning Terror, Caroline Zekri Sep 2011

Tele-Visioning Terror, Caroline Zekri

Re-visioning Terrorism

This paper is devoted to the relationship between terrorism and media, with a special focus on the theoretical notions of “icon”, “mass” and “distance”. It aims to show how the phenomenon of modern terrorism calls into question the essence of modern democracies and their systems of information, based on the distance between vision and event.


Cinema, Systematic Terror, And The Aesthetics Of Passivity, Khatereh Sheibani Sep 2011

Cinema, Systematic Terror, And The Aesthetics Of Passivity, Khatereh Sheibani

Re-visioning Terrorism

My presentation explores the aesthetics of passivity in in Chronicle of a Disappearance (1996) by the Palestinian director Elia Suleiman and Taste of Cherry (1997) by Iranian film-maker Abbas Kiarostami. Both films employ non-actors, unconnected scenes, and disjointed narrative and discontinuous editing. They both employ similar cinematic and narrative techniques as by-products of wide-spread terror executed on social, political, and cultural levels. My presentation investigates the political and social restrictions in the late 1990s in Iran and the West Bank to show that similar forces under the reign of terror resulted in the aesthetics of passivity, muteness, and uncertainty in …


Marco Bellocchio's Buongiorno Notte And The Language Of Terrorists, Cosetta Gaudenzi Sep 2011

Marco Bellocchio's Buongiorno Notte And The Language Of Terrorists, Cosetta Gaudenzi

Re-visioning Terrorism

This essay investigates Marco Bellocchio’s Buongiorno, notte (2003), a movie which exploits language and soundtrack to fictionalize and revisit the historical 1978 kidnapping and murder of the Christian Democrat President Aldo Moro by the 1970s Italian left terrorist group Brigate Rosse. As I demonstrate, Bellocchio relies greatly on the language and soundtrack of Buongiorno, notte to convey his negative response to the BR’s kidnapping and murder of Moro, as well as to come to terms with his own political and cinematic past.


State Counter-Terrorism In Ancient Rome: Toward A New Basis For The Diachronic Study Of Terror, Ricardo Apostol Sep 2011

State Counter-Terrorism In Ancient Rome: Toward A New Basis For The Diachronic Study Of Terror, Ricardo Apostol

Re-visioning Terrorism

According to both Dionysios of Halicarnassus and Livy’s Ab Urbe Condita, in 460 BCE a rag-tag group of political exiles and rebellious slaves under the leadership of one Appius Herdonius occupied the Roman Capitol; after having slaughtered those who refused to join their cause, they sent out a list of demands: political exiles should be allowed to return; slaves must be freed; debts were to be abolished; and some redistribution of wealth would occur. If their demands were not met, they would join forces with foreign groups to overthrow the Roman state. Panic ensues in the city.

This (almost …


Arabs In Post- 9/11 Hollywood Films: A Move Towards A More Realistic Depiction?, Ouidyane Elouardaoui Sep 2011

Arabs In Post- 9/11 Hollywood Films: A Move Towards A More Realistic Depiction?, Ouidyane Elouardaoui

Re-visioning Terrorism

This essay looks at the way a number of post-9/11 Hollywood films attempts to offer an image more reflective of the real Arabs. Contrary to a wide range of Hollywood films that have perpetuated a racially prejudiced image of Arabs, I argue that post-9/11 films, such as Babel (2006), represent Arabs as simple human beings with commonplace problems and identifiable worries. In my paper, I address these questions: how did the events of 9/11 help to change Hollywood’s portrayal of Arabs in contemporary Hollywood cinema? How do these contemporary films attempt to break free from the classical stereotypes about Arabs? …


The Cultural Politics Of Wmd Terrorism In Post-Cold War America, Harold Williford Sep 2011

The Cultural Politics Of Wmd Terrorism In Post-Cold War America, Harold Williford

Re-visioning Terrorism

Terrorism’s definition is hotly debated and notoriously problematic. The resulting instability of counterterrorism and counterterrorist identity, however, is less often explored. This paper analyzes the prehistory of the War on Terror to explore how the meaning and associations attributed to terrorism by counterterrorists in the 1990s reflect the latter’s priorities, agenda, and anxieties. Prevalent ahistorical post-Cold War representations of terrorism involving weapons of mass destruction (WMD) as a “new” threat indicate that WMD-wielding terrorists functioned to justify the continued existence of the American national security state after the Soviet Union collapsed. Close readings of Rainbow Six, a Tom Clancy …


Fictions Of Counterinsurgency, Louise K. Barnett Sep 2011

Fictions Of Counterinsurgency, Louise K. Barnett

Re-visioning Terrorism

My essay examines the disconnect between theory and practice in the American response to terrorism, primarily by comparing the policies advocated in the revised U.S. Army/Marine Corps Counterinsurgency Field Manual (2006) with actual military practice in Afghanistan and Iraq. I refer to the official policies as "fictions" because they cannot be put into practice in any meaningful way: they create the illusion that military initiatives can effectively combat terrorism when their usual result is to breed more terrorism.


Historicizing The Present In 9/11 Fiction, Todd Kuchta Sep 2011

Historicizing The Present In 9/11 Fiction, Todd Kuchta

Re-visioning Terrorism

Reconfiguring the debate on the historical efficacy of postmodern fiction, novels inspired by 9/11 seek to view the present itself as history. McEwan’s Saturday, DeLillo’s Falling Man, and Hamid’s Reluctant Fundamentalist attempt to move beyond the view of history-as-text. Rather than evoking “the presence of the past,” they present characters trying to situate themselves in a new historical reality. Žižek’s account of Lacan illuminates DeLillo’s attempt to historicize the present, while McEwan gestures toward Foucault’s view of the present as exit. Only Hamid engages the historical potential of the present.


Forms Of (In)Visibility In Recent Spanish Films On Basque Terrorism, Jaume Martí-Olivella Sep 2011

Forms Of (In)Visibility In Recent Spanish Films On Basque Terrorism, Jaume Martí-Olivella

Re-visioning Terrorism

This essay explores the omnipresence of the subject of (Basque) terrorism in Spanish political discourse and media representations in ways that construct the average citizen as both victim and voyeur of a terrorist subject always already rendered invisible either by its reduction to a legal “bare life”or by its figuration in terms of the unspeakable. My analysis centers on Jaime Rosales’ Bat Buruan/Tiro en la cabeza/Bullet In The Head,2008, arguably the most radical and unsettling of the Spanish cinematic figurations of the terrorist subject to date, where the spectator is forced to occupy such a paradoxical position as both …


Female (Em)Bodied Justice: Terrorism, Self-Sacrifice, And The Joint Primacy Of Gender And Nationality, Renee Lee Gardner Sep 2011

Female (Em)Bodied Justice: Terrorism, Self-Sacrifice, And The Joint Primacy Of Gender And Nationality, Renee Lee Gardner

Re-visioning Terrorism

In The Terror Dream, Susan Faludi asserts that instead of processing the events of 9/11 – what they might reveal about our culture, how we might thoughtfully grieve them and respond to those who perpetrated them – Americans reverted to a 1950s style domesticity, with the media representing men as heroic rescuers and women as victims of terrorists, in need of rescuing. This is ironic in that the majority of that day’s casualties were men, and the attacks themselves were perpetrated within our commercial and governmental centers. Yet much of the literary fiction that has emerged from 9/11 can …


The Privilege Of Ambivalence: Saturday’S Henry Perowne On The ‘War On Terror’, Jax Lee Gardner Sep 2011

The Privilege Of Ambivalence: Saturday’S Henry Perowne On The ‘War On Terror’, Jax Lee Gardner

Re-visioning Terrorism

This essay considers the relation between personal privilege (class, race, nationality, sex) and political ambivalence toward the Iraq war as it manifests in the protagonist of Ian McEwan’s Saturday. Henry Perowne “feels culpable somehow, but helpless too” in his shifting opinions of the coming invasion. Throughout the text we are shown Henry’s multiple perspectives regarding Iraq. Such ambivalence is, in itself, a form of complicity in war. Henry neither tangibly opposes the actions of the government (as the protesters do), nor does he consider sacrificing any of his creature comforts in support of the war (as the soldiers do). I …


Terrorism As Communication In Gregor Schnitzler’S Was Tun Wenn’S Brennt (2001) And Leander Scholz’S Rosenfest (2001), Sandra Dillon Sep 2011

Terrorism As Communication In Gregor Schnitzler’S Was Tun Wenn’S Brennt (2001) And Leander Scholz’S Rosenfest (2001), Sandra Dillon

Re-visioning Terrorism

This essay explores the connection of terrorism to communication, specifically to illocutionary and perlocutionary acts in Gregor Schnitzler’s Was tun wenn’s brennt and Leander Scholz’s novel Rosenfest. One cannot deny that violence plays an important role in German narratives about terrorism; however, the main focus of the works analyzed here is communication, which the narrative structure, the role of the spectator or reader and the main characters within the novel illustrate.


Regarding Terror: The German Autumn And Contemporary Art, Fabian Winkler Sep 2011

Regarding Terror: The German Autumn And Contemporary Art, Fabian Winkler

Re-visioning Terrorism

This paper explores strategies and positions in contemporary art that have been at the center of many debates surrounding the 2005 exhibition Regarding Terror: The RAF-Exhibition at KW Institute for Contemporary Art in Berlin. It discusses artworks that aim to go beyond the criticism of sensationalism, or historicization and glorification of traumatic social events, such as the crimes of the Red Army Faction in Germany. By emphasizing the power of art to transform and change audience members are enabled to shape more individual and nuanced perspectives on some of the forms of terrorism today.


Metaphors For Terrorism In German Media Discourse, Monika Schwarz-Friesel, Helge Skirl Sep 2011

Metaphors For Terrorism In German Media Discourse, Monika Schwarz-Friesel, Helge Skirl

Re-visioning Terrorism

Abstract concepts such as terrorism are often expressed and conceptualized via metaphors, especially in the mass media discourse. In cognitive linguistics, the role of metaphors in describing emotional states is widely recognized, but the emotional content of metaphors not referring to emotions, but to abstract concepts, remains an important subject deserving research. In our paper, we want to show how terrorism is metaphorically characterized in German media discourse in the aftermath of the terrorist attacks September 2001. Based on extensive data from German newspapers, our aim is to reveal the complex conceptualization involved, focusing on the persuasive aspect of information …


Writing Victims: Post-Terrorist Fiction(S) In The Basque Country And Spain, Roland Vazquez Sep 2011

Writing Victims: Post-Terrorist Fiction(S) In The Basque Country And Spain, Roland Vazquez

Re-visioning Terrorism

This paper examines the recent evolution of fiction in and about the Basque Country. I focus on depictions of the victims of ETA’s violence, and literature that documents their plight in the genres of the novel and short story. One trend is the movement away from “terrorist” and toward “victim” as the narrative focus. Another is an art increasingly in service to a political agenda. Although much of this corpus focuses on everyday details richer than those found in the mass media, social-scientific literature, or victim testimony, these forms often blur in their rhetorical styles.


The Invention Of Modern State Terrorism During The French Revolution, Guillaume Ansart Sep 2011

The Invention Of Modern State Terrorism During The French Revolution, Guillaume Ansart

Re-visioning Terrorism

This essay discusses three aspects of the Terror (September 1793–July 1794): (1) The Institutions of the Terror: The Committee of General Security, the Committee of Public Safety, and the Revolutionary Tribunal; (2) the Theory of Terror: The unity and indivisibility of the people, the category of enemy of the people, and the concept of Revolution as a state of war against aristocratic/foreign conspiracies; (3) the Language of Terror: The Terror is also a performative language, a language which embodies terror by aiming to silence all debate. In this sense, the language of Terror is Terror itself.


Terrorist Or Victim? Comparative Analysis Of The Characters In Jess Walter’S The Zero And Khaled Khalifa’S In Praise Of Hatred, Chloé Tazartez Sep 2011

Terrorist Or Victim? Comparative Analysis Of The Characters In Jess Walter’S The Zero And Khaled Khalifa’S In Praise Of Hatred, Chloé Tazartez

Re-visioning Terrorism

The characters of Jess Walter’s novel and Khaled Khalifa’s are built as figures of terrorist or victim. According to Bertrand Gervais’ theory, a figure is first of all an object of obsession. The characters of these novels obsess us, questioning our cultural references which permit us to define who represents the terrorist and who represents the victim. Both novels play with these categories, underlining the manipulations of the images through various discourses. This questioning of usual conceptions is built through the use of lost characters, unable to communicate or simply live. These characters illustrate a crisis of the contemporary imaginary …


Nationalism, Alterity, And Cognitive Studies In Mohsin Hamid, Laila Halaby, And Jess Walte, Aaron Derosa Sep 2011

Nationalism, Alterity, And Cognitive Studies In Mohsin Hamid, Laila Halaby, And Jess Walte, Aaron Derosa

Re-visioning Terrorism

This essay explores the metaphoric construction of the terrorist Other in 9/11 scholarship and literature. While academics demand an ethical engagement with Arab and Muslim Americans, they unwittingly reify a binary distinction of Other-Same that triangulates terrorist identity through ordinary Arabs and Muslims. Looking at Halaby’s Once in a Promised Land and Walter’s The Zero, I suggest an alternative metaphor for terrorism not as a regional or religious population, but as an internal impulse that dwells within us all. Doing so more ethically and productively aligns terrorism with the threat to global security in the post-9/11 era.


Terror In The Old French Crusade Cycle: From Splendid Cavalry To Cannibalism, Sarah-Grace Heller Sep 2011

Terror In The Old French Crusade Cycle: From Splendid Cavalry To Cannibalism, Sarah-Grace Heller

Re-visioning Terrorism

It is worth examining memories of the crusading experience in discussions of terrorism in history as well as the current political situation. The main piece of propaganda that linked Osama Bin-Laden to the 9/11 attacks, the “World Islamic Front Statement urging Jihad Against Jews and Crusaders,” evoked a Muslim memory of the crusades largely forgotten in the West. The works of the Old French Crusade Cycle are unique texts remembering and fantasizing the encounter with Muslims and other “others” in the Mediterranean. Composed by Graindor de Douai between 1190 and 1212, they recounted the First Crusade (1095-1099) in the …