Open Access. Powered by Scholars. Published by Universities.®
Articles 1 - 6 of 6
Full-Text Articles in Arts and Humanities
America's Next Top Model Magnified, Nina Violi
America's Next Top Model Magnified, Nina Violi
Capstone Showcase
America's Next Top Model was a reality television show that aired from 2003 to 2018 and the show gave women (and men in the later seasons) a chance to become models and be trained by the best in the business. While the show looked like a positive experience from the viewers' perspective, there were many situations when the models were put in uncomfortable situations. The show is related back to the feminism theory.
Girls Can’T Like Star Wars: An Analysis Of Feminism Within Fandoms, Julia Neff
Girls Can’T Like Star Wars: An Analysis Of Feminism Within Fandoms, Julia Neff
Capstone Showcase
Finding the intersection between feminist theory and fandom theory, this paper analysis how women are regarded within a fandom community by their peers and how they are dismissed in a societal context. This paper specifically compares what is "accepted" by society about young women being a fan of a boy band versus an adult man as a fan of a sports team.
The Evolution Of Revenge: Genre, Feminist Theory And Jennifer’S Body, Sophia Birks
The Evolution Of Revenge: Genre, Feminist Theory And Jennifer’S Body, Sophia Birks
Capstone Showcase
The representation and proliferation of violence against women in media, when applying genre theory, reflects the social climate of rape culture and the social response to sexual violence. Looking at the Rape-Revenge genre through the scope of Feminist Theory, the only way to reintroduce female agency into a trauma led narrative is to reclaim the tropes used to perpetuation female exploitation and a popular culture ambivalent to male on female violence. Within this subversion and deconstruction, a genre benefiting from female trauma finally includes an honest artistic retelling of that female experience. With the intention of the creator in line …
Luce Irigaray, Radical Feminism, & The Me Too Movement, Allie Nye
Luce Irigaray, Radical Feminism, & The Me Too Movement, Allie Nye
Capstone Showcase
Luce Irigaray, a French feminist theorist, used her writing as a tool to further the postmodern feminist movement and her theory of sexual difference. Her work highlights the divergence from traditional, modernist thought and the dream of a well rounded western society that is grounded in the recognition of sexual difference. The #MeToo Movement, the defining feminist movement of present day, proves Irigaray’s point of a need for the recognition of sexual difference. The importance of women being able to speak their mind is one the foundations of Irigaray’s work and a pillar of the #MeToo Movement. Moving beyond the …
Wonder Woman: Classical Hero, Modern Superheroine, And Feminist Figure, Victoria A. Karnes
Wonder Woman: Classical Hero, Modern Superheroine, And Feminist Figure, Victoria A. Karnes
Celebration of Learning
Wonder Woman, an Amazonian princess and superheroine who has been inspiring women since her comic debut in 1941. From her origins to the villains she faces, Wonder Woman’s stories and character are wrapped up in allusions to famous myths and figures of Greek and Roman literature. In my Senior Inquiry, I investigate Wonder Woman’s Classical connections and compare the ancient portrayal of Amazonian women to their portrayal in the comics and the recent films Wonder Woman (2017) and Justice League (2017). Also, in my Senior Inquiry, I analyze Dr. William Marston’s complicated and problematic feminist views which inspired his creation …
Long May She Reign: A Rhetorical Analysis Of Gender Expectations In Disney’S Tangled And Disney/Pixar’S Brave, Caitlin J. Saladino
Long May She Reign: A Rhetorical Analysis Of Gender Expectations In Disney’S Tangled And Disney/Pixar’S Brave, Caitlin J. Saladino
Graduate Research Symposium (GCUA) (2010 - 2017)
This project addresses messages about gender expectations in Disney princess narratives. The two films included in my project are Tangled (2010) and Brave (2012), which feature the most recently inducted princesses to the marketed Disney Princess line (Rapunzel and Merida, respectively). Using genre as an organizing principle, I argue that Rapunzel and Merida are different from the past Disney princesses (Snow White, Cinderella, Ariel, Jasmine, etc.) because their narratives reflect new ideas about gender expectations in modern society. The central tension appearing in both films is the opposition between the image of woman as traditional, domestic, and dependent and woman …