Arts and Humanities Commons^™

Gordon Parks: “Homeward To The Prairie I Come” Digital Exhibition Catalog, Aileen Wang, Mark Crosby, Linda Duke, Katherine Karlin, Cameron Leader-Picone, Sarah Price, Karin Westman

NPP eBooks

This open access digital exhibition catalog is part of the Kansas State University (K-State) Gordon Parks Project, initiated by the Marianna Kistler Beach Museum of Art and K-State English. It presents new research about Parks’s activities in Kansas based on materials found in participating Kansas institutions, including 128 curated photographs donated by Gordon Parks to K-State. The contributions in this volume illuminate Parks’s relationship to his home state of Kansas as a source of reference and inspiration. They debunk the myth that Kansas was merely the place where Gordon Parks was born before moving on to greatness elsewhere.

This book …

My Cup Runneth Over: The Evolution Of Acceptance In Sonny's Blues, Glynis M. Boyd

Undergraduate Research Posters

Literature Abstract

My Cup Runneth Over:

The Evolution of Acceptance in “Sonny’s Blues”

“Not everything that can be faced can changed. But nothing can be changed until it is faced”

James Baldwin

The greatest gift of literature is the mirror it provides for us to see ourselves both as we are and who we can be.

James Baldwin, one of the most prolific writers of the 20^th century, was a creative advocate of this method, as demonstrated in his writing. Sonny’s Blues, one of Baldwin’s most widely read and discussed short stories, asks the reader to consider provocative …

[Introduction To] From Within The Frame: Storytelling In African-American Studies, Bertram D. Ashe

Bookshelf

The book explores the written representation of African-American oral storytelling from Charles Chesnutt, Zora Neale Hurston and Ralph Ellison to James Alan McPherson, Toni Cade Bambara and John Edgar Wideman. At its core, the book compares the relationship of the "frame tale" - an inside-the-text storyteller telling a tale to an inside-the-text listener - with the relationship between the outside-the-text writer and reader. The progression is from Chesnutt's 1899 frame texts, in which the black spoken voice is contained by a white narrator/listener, to Bambara's sixties-era example of a "frameless" spoken voice text, to Wideman's neo-frame text of the late …