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Boundaries Of Modernity: Spanish Women Writers At The Turn Of The Twentieth Century, Carmen Arranz Jan 2010

Boundaries Of Modernity: Spanish Women Writers At The Turn Of The Twentieth Century, Carmen Arranz

University of Kentucky Doctoral Dissertations

Spanish women writers that establish their literary careers early in twentieth century find themselves at an interesting historical crossroads as the world changes from an agrarian to an industrial paradigm. On one hand, this change leads to a strong current of traditionalism, to which most male writers adhere, as it offers the attractive idea of return to a pre-modern simplicity; on the other, this change opens up possibilities for social improvement and participation for those groups traditionally excluded from power. Embracing this change poses the opportunity for female subjects to reshape fundamental structures of society and, in sum, eventually create …


La Mujer Se Va Pa’Bajo: Women’S Health At The Intersections Of Nationality, Class, And Gender, Mary Alice Scott Jan 2010

La Mujer Se Va Pa’Bajo: Women’S Health At The Intersections Of Nationality, Class, And Gender, Mary Alice Scott

University of Kentucky Doctoral Dissertations

This research utilizes an intersectionality framework to examine the complexity of social location and its effects on women's health. By examining connections among the state, processes of globalization, and the production of health inequalities for poor women in a rural community in southern Veracruz, Mexico, the research highlights the nexus of nationality, class, and gender. Four interconnected contexts are explored: (1) women's increasing paid and unpaid labor in the context of a poverty of resources brought on by sustained economic crisis; (2) the maintenance of reproductive labor as the responsibility of women; (3) the development of migrant "illegality" and its …


The Rhetoric Of Destruction: Racial Identity And Noncombatant Immunity In The Civil War Era, James M. Bartek Jan 2010

The Rhetoric Of Destruction: Racial Identity And Noncombatant Immunity In The Civil War Era, James M. Bartek

University of Kentucky Doctoral Dissertations

This study explores how Americans chose to conduct war in the mid-nineteenth century and the relationship between race and the onset of “total war” policies. It is my argument that enlisted soldiers in the Civil War era selectively waged total war using race and cultural standards as determining factors. A comparative analysis of the treatment of noncombatants throughout the United States between 1861 and 1865 demonstrates that nonwhites invariably suffered greater depredations at the hands of military forces than did whites. Five types of encounters are examined: 1) the treatment of white noncombatants by regular Union and Confederate forces; 2) …


Queer Appalachia: Toward Geographies Of Possibility, Mathias J. Detamore Jan 2010

Queer Appalachia: Toward Geographies Of Possibility, Mathias J. Detamore

University of Kentucky Doctoral Dissertations

Stereotypes about Appalachia abound through dubious and reductive representations of the ‘hillbilly’ icon. Sexuality and how it functions in Appalachia is usually cast from the outside as wild, violent, bestial, incestuous and generally base. Movies such as Deliverance and television shows such as The Beverly Hillbillies and The Dukes of Hazard render images of Appalachian sexuality as hyper-sexual, both naive and violent. These images of Appalachian sexual ignorance and violence that permeate popular culture have had problematic and reductive implications for rural gay/trans Appalachian folk. Mainstream gay culture has often used the perceived meanings of these images to circumscribe and …


Ecos Góticos En La Novela Y El Cine Del Cono Sur, Nadina Estefania Olmedo Jan 2010

Ecos Góticos En La Novela Y El Cine Del Cono Sur, Nadina Estefania Olmedo

University of Kentucky Doctoral Dissertations

Latin American literary criticism has traditionally underestimated the significance of the Gothic aesthetic, in spite of the rich Gothic literary tradition of Latin America. Specifically in the Southern Cone - the focus of my research - there is a particular recurrence and consumption of this genre, not only in literature but also in cinema, which has not been deeply analyzed. I argue that a close examination of the Gothic and Fantastic elements in these novels and films unveils anxieties, repressions and manifestations of social decay that underlie common codes of social decency and the conventions of maintaining an oppressive social …


Representación De La Violencia En La Novela Del Narcotráfico Y El Cine Colombiano Contemporáneo, Claudia Ospina Jan 2010

Representación De La Violencia En La Novela Del Narcotráfico Y El Cine Colombiano Contemporáneo, Claudia Ospina

University of Kentucky Doctoral Dissertations

This dissertation analyzes the representation of violence in Colombian novels and films from the last two decades of the XX century. Aided by current theories of violence and representation on the one hand, and an interdisciplinary methodology that analyses the phenomenon of the violence of drug trafficking from different perspectives on the other, my analysis examines the challenges and limits of literary and cinematic representation as it grapples with the extreme realities of life in Colombia’s major cities. The central body of my thesis focuses on three novels and two films, selected for the marked differences that inform their generic …


“I’Ll Fly Away”: The Music And Career Of Albert E. Brumley, Kevin Donald Kehrberg Jan 2010

“I’Ll Fly Away”: The Music And Career Of Albert E. Brumley, Kevin Donald Kehrberg

University of Kentucky Doctoral Dissertations

Albert E. Brumley (1905-1977) was the most influential American gospel song composer of the twentieth century, penning such “classics” within the genre as “Jesus, Hold My Hand,” “I’ll Meet You in the Morning,” “If We Never Meet Again,” “Turn Your Radio On,” and “Rank Strangers to Me.” His “I’ll Fly Away” has become the most recorded gospel song in American history with over one thousand recordings to date, and several of his works transcend cultural boundaries of style, genre, race, denomination, and doctrine. However, the racialized historiography of American gospel music has left Brumley—from America’s lesser-known white gospel traditions of …


Late Pleistocene-Early Holocene Colonization And Regionalization In Northern Perú: Fishtail And Paiján Complexes Of The Lower Jequetepeque Valley, Greg J. Maggard Jan 2010

Late Pleistocene-Early Holocene Colonization And Regionalization In Northern Perú: Fishtail And Paiján Complexes Of The Lower Jequetepeque Valley, Greg J. Maggard

University of Kentucky Doctoral Dissertations

Until relatively recently, the view of Late Pleistocene hunter-gatherers in the Americas was dominated by the “Clovis-first” paradigm. However, recent discoveries have challenged traditional views and forced reconsiderations of the timing, processes, and scales used in modeling the settlement of the Americas. Chief among these discoveries has been the recognition of a wide range of early cultural diversity throughout the Americas that is inconsistent with previously held notions of cultural homogeneity.

During the Late Pleistocene-Early Holocene, the development of widely varying economic, technological and mobility strategies in distinct environments is suggestive of a range of different adaptations and traditions.

It …


Challenges Of Technique And Interpretation In The Percussion Music Of Fredrik Andersson: A Performer’S Analysis, Kyle Manning Forsthoff Jan 2010

Challenges Of Technique And Interpretation In The Percussion Music Of Fredrik Andersson: A Performer’S Analysis, Kyle Manning Forsthoff

University of Kentucky Doctoral Dissertations

In the mid 1990s, Swedish composer Fredrik Andersson composed not everything which happens is in the newspaper (1993), the lonelyness of Santa Claus (1994), and imagine there was nothing (1996). All three pieces share a number of compositional and stylistic elements while emphasizing the capabilities of their respective instrumentations to create mysterious sonic worlds that are unique in the percussion idiom. By examining specific concerns of each piece in detail, an understanding of Andersson’s presentation of musical challenges will result. Acceptable solutions to such challenges will be examined and compared, based primarily on the author’s analysis and experience encompassing multiple …


Moroccan Women And Immigration In Spanish Narrative And Film (1995-2008), Sandra Stickle Martín Jan 2010

Moroccan Women And Immigration In Spanish Narrative And Film (1995-2008), Sandra Stickle Martín

University of Kentucky Doctoral Dissertations

Spanish migration narratives and films present a series of conflicting forces: the assumptions of entitlement of both Western and Oriental patriarchal authority, the claims to autonomy and self determination by guardians of women’s rights, the confrontations between advocates of exclusion and hospitality in the host society, and the endeavor of immigrant communities to maintain traditions while they integrate into Spanish society. Taking into consideration current theories of space, mobility, feminism, and assimilation, I center my analysis on four significant moments of migration: the inundation of Western media in other countries that inspires individuals to find alternatives to poverty and oppression; …


Dueling, Honor And Sensibility In Eighteenth-Century Spanish Sentimental Comedies, Kristie Bulleit Niemeier Jan 2010

Dueling, Honor And Sensibility In Eighteenth-Century Spanish Sentimental Comedies, Kristie Bulleit Niemeier

University of Kentucky Doctoral Dissertations

This dissertation explores the representation of dueling and honor in five theatrical works in order to answer one central question: How does the Golden Age concept of honor transform in the age of Enlightenment? This question may be broken down into specific inquiries, such as: 1) How is honor filtered through sentiment? 2) How did eighteenth-century ilustrados use theater to attempt to resolve the conflict between using violence to defend one’s honor and the Enlightenment ideal of avoiding excess? and 3) How did honor affect the private citizen and his relationship to the state in plays?

During the eighteenth century, …