Arts and Humanities Commons^™

Tied Together, Eiko Nishida

Theses and Dissertations

The paper is about a site-specific installation that questions a viewer’s norms and perspectives, through the use of multilingual newspapers as a sculptural material.

Water Gets Lost In The Sea, Sun Gets Lost In The Desert, Rocio Paz Guerrero

Theses and Dissertations

The absence of happiness, the absence of nature, the absence of justice, the absence of absence, which is presence. My desire is to make these voids visible and sensible by connecting to and with others, from our intimate and collective life experiences, with empathy, and by sharing. Through a hybrid of sculpture, installation, and performance, I move within this tense in-between space, asking myself about that void, if it is possible for it to be filled, or if it is perhaps too big, or if it is perhaps too late.

To Let The Shape Announce The Filling, Sydney Shavers

Theses and Dissertations

A hybrid text with reflections on confections, materiality, language, reality, virtuality, gourmand, celebrity perfume, olfaction, authenticity, cultural contamination, synesthesia, proprioception, positioning, navigating the gap, slippage, constellations, exhaustion, ontology, form, failure, and mindfulness.

Salt At Dawn, Salt In My Veins, Cecilia Hankyeol Kim

Theses and Dissertations

A contemplation on expanded time, over generations along my maternal lineage;

on being on the borders, embodying homeland;

on inheritance and shared labor;

occupying a void that is dense;

looking towards dawn.

Singing The Landscape: A Meditation On Song, Sound And Community At The Fall Line Of The James River, Sara Bouchard

Theses and Dissertations

I work in the medium of song. A multidisciplinary artist and composer, I make work that is immersive, time-based and often participatory. I interact with landscape and the complexities of American history, bringing into focus local ecologies through the lens of song.

This document accompanies my thesis performance The Sound of a Stone, an immersive exploration of song, language, ecology and locational listening performed in a 4-channel surround format. In the semi-improvised composition, I sample live vocals, mandolin and found natural objects in a combination of roots music traditions and experimental techniques. Utilizing the software Ableton Live to process …

Murmur/Murmuro, Paola M. Di Tolla

Theses and Dissertations

By using repetition or misplacing intonations and accents, etc. one can imitate the slipperiness of spoken language. However, it is the accidental slippage that I find most revealing and exciting because it allows for two conversations to exist in one. Once spoken language is transcribed as text, it is put through another filter and the risk of [accidental] slippage increases by a different measure. Fingers don’t keep up or autocorrect insists on taking matters into its own hands.

Psychic Fax On Vibrate, Received On Phantom Limbo, Jake Borndal

Theses and Dissertations

I offer a cloud of observations about language and art. I will prioritize my questions about how language operates in art, the way it functions within my own studio practice, and locate aesthetic interstices throughout. There will be insights gleaned from the various orderers of order (Lacan, Saussure) and orderers of disorder (Derrida, Agamben), walks in terra-incognita, and even some poetry on my part. I will take this chance to orient myself among different structures and deconstructions that have piledup around language, aesthetics and art.

Hissār, Sohail Abdullah

Theses and Dissertations

Hissaar is a noun and a verb, it is the periphery and the extremities, and the walls and the fortress. And it is to encircle, to wrap and to contain. This paper is an inexhaustive account of thoughts, experiences and lessons learned, of varying forms that influence my aesthetic sensibilities, my art-value system, and my art- ethical concerns. They provide for my art the impetus for its perpetual (and perhaps circular) journey. It is about finding connections between the fraying ends of free floating ideas. The following fragments explores how words make ideas, ideas make images, images make memory; memory …

White Sands, Laura Vitale

Theses and Dissertations

I’ve constructed a narrative thread that connects experiences, events, and artworks made during my time in graduate school. This narrative, which has the perspective of time, betrays the firsthand experience of wayfaring through the projects and places I describe. The narrative loosens as it approaches the present moment. Rather than to arrive at any conclusions, my goal for creating this narrative is to understand a tension between expectations: of systematic rationality and subjective knowledge, of play and display. I understand that my work productively fails to r-r-resolve contradictions about the way things are.