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Articles 1 - 16 of 16

Full-Text Articles in Arts and Humanities

Black And Silver Screens: Afropessimism And Filmic Appropriation In Contemporary Video Art, Madeleine A. Seidel May 2022

Black And Silver Screens: Afropessimism And Filmic Appropriation In Contemporary Video Art, Madeleine A. Seidel

Theses and Dissertations

This thesis looks at the video works of artists Ulysses Jenkins, Ina Archer, and Garrett Bradley and their appropriation of images of Black actors in Classic Hollywood films through the theoretical framework of afropessimism.


Memories As Old As Outer Space, Nicholas Benfey May 2021

Memories As Old As Outer Space, Nicholas Benfey

Theses and Dissertations

My paintings draw from personal memory, as well as the nostalgic longing and nightmarish foreboding of the irrational psyche. Cosmic ruptures, cliffs, cemeteries, and parking lots appear alongside snowglobes and canopy beds. I aim to suggest things to be wary of, while giving space for optimistic fantasy and reflective wonder.


Sara Rahbar And The Art Of Loving Otherwise, Michael Scott Lahti May 2021

Sara Rahbar And The Art Of Loving Otherwise, Michael Scott Lahti

Theses and Dissertations

Born in Iran and currently working in New York City, Sara Rahbar is a contemporary multimedia artist who gained some acclaim with her Flag series (2006-present), which was inspired by her experiences in the aftermath of 9/11. Many of these works merge Persian fabrics onto the American flag thus expressing her lived history and political views. To shed light on the political nature of Rahbar’s works writ large, I examine a textile from her War series (2009-2013), titled I Want to Shelter You (2013). Against a flat canvas bag, Rahbar attaches large-caliber bullet casings into a heart-shape to point out …


Layered Histories, Interpretive Desires, Rachelle Dang May 2018

Layered Histories, Interpretive Desires, Rachelle Dang

Theses and Dissertations

I aim to excavate source material from the past and reinterpret its significance in the present through art. I merge history with the contemporary through acts of appropriation and material exploration, creating conditions for the viewer to grapple with colonial legacies in an affective space of visual experience.


Painting, Geography, And The Body: Charting The First Two Decades Of Mary Corse’S Art, Sarah A. Meller May 2018

Painting, Geography, And The Body: Charting The First Two Decades Of Mary Corse’S Art, Sarah A. Meller

Theses and Dissertations

Mary Corse has always maintained her position on the periphery, and her work has generally been excluded from art historical scholarship. This study illuminates the ways in which the first two decades of Corse’s practice were in fact in dynamic dialogue with broader impulses and concurrent trends operating at the time.


Conscious Light, Jeremy Y. Langston Mar 2018

Conscious Light, Jeremy Y. Langston

Theses and Dissertations

Conscious Light is a supportive statement for an exhibition of paintings that employ reflective color, object placement, and imagined movement to create a phenomenological experience for the viewer. Color and light become actors on the world stage that is the painting surface.


Theory For A Starving Obese, Ishai Shapira Kalter May 2017

Theory For A Starving Obese, Ishai Shapira Kalter

Theses and Dissertations

Theory for a Starving Obese (2017) is both a book and an installation. During the years 2015-2017 I began writing Theory for a Starving Obese; a collection of essays and art criticism about exhibitions that took place in white cubes in New York. I was following my dissatisfaction, and hoped to delve deeper into the question “What is Contemporary Art?” At the end of a process, I sent seventeen envelopes to artists who exhibited solo shows in New York and whose works I have criticized. Each envelope consists of one digital drawing (שרבוט, pronounced Shirbut), DVD with the …


Horizon Of Possibilities: Artists And The City In Postwar Beirut, Tatiana Mouarbes May 2017

Horizon Of Possibilities: Artists And The City In Postwar Beirut, Tatiana Mouarbes

Theses and Dissertations

This thesis narrates a history of postwar cultural production framed by urban redevelopment in Beirut, Lebanon (1989-Present). Focusing on artists engagements with the city, this thesis demonstrates how artists thought through the legacies of war inflicted upon the beleaguered city of Beirut in order to construct livable futures.


Desire And Fantasy Between Commercialism And Personal Room, Yukimi Otagiri Dec 2016

Desire And Fantasy Between Commercialism And Personal Room, Yukimi Otagiri

Theses and Dissertations

I apply two aspects of my life history to my art; my childhood experiences and my advanced studies in sociology. My work therefore combines a highly personal reading of my experiences of social interactions and my ongoing analysis of the nature of capitalism and socialism, commodification and media, especially in regard to the experiences of women in particular and consumers in general.


Gender Politics, Presence And Erasure: Tattoo In In Pursuit Of Venus [Infected] And Les Sauvages De La Mer Pacifique, Emily Cornish May 2016

Gender Politics, Presence And Erasure: Tattoo In In Pursuit Of Venus [Infected] And Les Sauvages De La Mer Pacifique, Emily Cornish

Theses and Dissertations

This paper utilizes tattoo as a means for exploring the dialogue between contemporary Maori artist Lisa Reihana’s In Pursuit of Venus [infected] and Joseph Dufour’s nineteenth-century decorative wallpaper Les Sauvages de la Mer Pacifique. I argue that the tattooed body constitutes a re-insertion or re-infection within the pictorial program of In Pursuit of Venus [infected]. As such, tattoo becomes one focal point which allows us to work through four themes investigated by these two artworks: gender identity and ambiguity vis a vis practices that concern bodily adornment, the mutability of looking practices from one culture to another, encounters between different …


Thinking Bodies And Sensational Minds: Affect And Embodiment In Contemporary Art, Sandra Burke May 2014

Thinking Bodies And Sensational Minds: Affect And Embodiment In Contemporary Art, Sandra Burke

Theses and Dissertations

The human subject is profoundly interdependent, in relation to other people and to the surrounding environment, both “natural” and technological. Western dualistic thinking creates bounded and oppositional categories and generates a conception of human subjects as autonomous, self-sufficient beings that are transparent to themselves and in control of self, other, and world. This contributes to the ongoing inequalities in society and supports normative hegemony. This dissertation argues that it is imperative to insist on the intersubjective, permeable, and contingent qualities of existence. While this project is preceded by a great deal of theoretical criticism of Western metaphysical dualism, we must …


Using Contemporary Art To Guide Curriculum Design:A Contemporary Jewelry Workshop, Kathryn C. Smurthwaite Dec 2013

Using Contemporary Art To Guide Curriculum Design:A Contemporary Jewelry Workshop, Kathryn C. Smurthwaite

Theses and Dissertations

There is currently need for reform in art programs of all kinds, in regards to use of and focus on contemporary art and current practices. Teaching about art of our time and place enables students to understand and make connections to their world, and facilitates art making that is creative and relevant. This thesis describes theory and rationale for basing curriculum on contemporary art practices and presents a jewelry workshop, for all skill levels, that teaches contemporary art themes and practices. There are two units. The first teaches metal texturing, shaping and simple soldering skills while, focusing on art that …


Sedimenting Solidarity: Signs From The Madison Protest, Melissa Deann Seifert May 2013

Sedimenting Solidarity: Signs From The Madison Protest, Melissa Deann Seifert

Theses and Dissertations

The 2011 Wisconsin protest inspired the wide ranging production of handmade and commercially-produced signage. Five hundred signs were collected and preserved by the Wisconsin State Historical Society and others were obtained by the Smithsonian Museum of American History. Art historians and prominent art institutes have dismissed the aesthetic qualities of handmade signs, instead cataloging them as ephemeral historical artifacts. I argue that signs work similarly to other art forms in the modern era, such as advertisements and poster art, which have gained scholarly attention. This project uses the Madison protest as a case study in order to track the often …


Query: How Does The Never To Be Differ From What Never Was?, Robert Scott Whipkey Apr 2013

Query: How Does The Never To Be Differ From What Never Was?, Robert Scott Whipkey

Theses and Dissertations

The feeling of a narcotic cannot be put to words, just as the sensation one receives from her or his favorite artwork is impossible to record. Equally, both these delicacies of modern existence must be sought out. The user/viewer only gets a tiny taste and must therefore keep coming back for more. Utopia may be an unrealistic construction of culture, but I would posit the idea the both narcotics and art strive to give us just that – however tiny a taste. This paper addresses the intersections of visual art, drugs, anti-hero worship and contemporary representations of Romanticism throughout the …


Beyond The Threshold: Allusions To The ÒrìsÀ In Ana Mendieta's Silueta Series, Latricia M. January Jan 2007

Beyond The Threshold: Allusions To The ÒrìsÀ In Ana Mendieta's Silueta Series, Latricia M. January

Theses and Dissertations

The Cuban-born artist Ana Mendieta (1948-1985) created the Silueta Series during the 1970s and ‘80s. It consists of earth-body works in situ featuring the silhouette of the artist's body fashioned from mud, plants, rocks, gunpowder and other materials. Underlying the creation of the Silueta Series is Mendieta's belief that the elements are sentient and powerful beings. This perception is particularly strong in the Afro-Cuban religion Santeria, a creolized form of the Òrìsà tradition of the Yoruba of West Africa introduced to the Americas during the trans-Atlantic slave trade. While scholars have noted Mendieta's incorporation of Santeria in her art, a …


The Other Side Of The Fence, Benjamin S. Jones Jan 2006

The Other Side Of The Fence, Benjamin S. Jones

Theses and Dissertations

I pull from what I see in my urban surroundings. There is always a sense of dread fused with optimism that prevails. Is it beautiful? Fragments of low-riders and tricked-out cars become symbols of desire and the glowing red lens of a stop light becomes a Cyclops poised to defend his garden. Candy-coated, blooming, dripping and seductively slick confronts you with the obvious warning: STOP! You could be next… …The grass really is greener on The Other Side of the Fence. At least until winter comes.