Arts and Humanities Commons^™

The Performing Female Body: The National Theatre Frankenstein As Performance Art, Hannah Mahrii Gunson

Theses and Dissertations

The National Theatre's Frankenstein is not the first time Shelley's novel has been adapted for the stage, but it is the first time a stage adaptation has returned the popular story to its source material's feminist themes. Departing from the iterations that portrayed Victor Frankenstein as a Byronic hero, Nick Dear's adaptation has re-designed Frankenstein to be misogynistic and calloused. His new nature is best observed in the scene wherein Frankenstein presents the Woman-Creature he's built for his first Creature. She is naked, silent, submissive, and viciously dismembered at the end of the scene. While such submissiveness might justifiably be …

A Pedagogy Of Techno-Social Relationality: Ethics And Digital Multimodality In The Composition Classroom, Kristin M. Ravel

Theses and Dissertations

I bring together the relational ethics of feminist critical theory with approaches of multimodal rhetoric to examine the ethical implications of composing on social media platforms. Most social media platforms are designed to value consumerism, efficiency, quantity of web traffic, and constant synchronous response over concerns of responsible and critical communication. I propose a rhetorical approach of techno-social relationality (TSR) as an intervention against such corporate-minded design. Through this approach, I argue that civil engagement is not limited to people’s social responsibilities but rather is entwined in complex, material-technical contexts. By considering the responsibility of our machines as much as …

The Relationship To Architecture Is Not Insignificant, Rachel Hillery

Theses and Dissertations

Working with writing, psychology, photography, and architecture, I develop texts that are performed with custom-built furniture and objects in unexpected spatial conditions. The paper traces the development of my writing and performance and my explorations of power and gender dynamics.

Altar/Installations By Amalia Mesa-Bains In A Feminist Context, Carmen Del Valle Hermo

Theses and Dissertations

This thesis explores the path-breaking art installations and attendant writing of Amalia Mesa-Bains, who fused the home altar traditions of Mexican and Chicana women with contemporary considerations of identity politics and hybridity, naming the form domesticana. It situates her practice within a trajectory of feminist art.

"Buried...Like A Human Being" At The Milwaukee County Poor Farm Cemetery: A Bioarchaeological Approach To Defining Fetal And Infant Personhood Through Biological Development, Historical Discourse, And Diapering, Brianne Charles

Theses and Dissertations

The ambiguity of life is visible in the complex sets of beliefs that cultures develop around abortion, stillbirth, and neonatal death. This research grew out of ambiguities surrounding bioarchaeological methods of age estimation among fetal and infant remains and the need for additional lines of evidence to define what a prenatal or postnatal age contextually means, how these definitions were upheld or challenged, and what impact these definitions had on the mortuary treatment of these bodies.

Discernment between fetal and infant skeletal remains is important to forensic investigations and bioarchaeological questions of personhood, infant mortality, and maternal health. However, skeletal …

Becoming A Culturally Relevant Feminist Teacher: An Autoethnography Of An Exchange Student, Astri Napitupulu

Theses and Dissertations

This thesis recounts the journey of an exchange student at a public university in Central Illinois on becoming a feminist teacher. By reflecting on her experiences as a Master’s student in the United States and high school teacher in Indonesia, the author unpacks her journey on becoming a feminist teacher. The author argues for the need of a feminist lens to understand the White supremacist heteropatriarchal capitalist system that is also infused in United States educational system. Finally, this research contends for a culturally relevant feminism as viable in her home institution in North Sumatra, Indonesia.

Behind Closet Doors: Horror And Dislocation In The Queer Closet, Corey C. Allen

Theses and Dissertations

“Behind Closet Doors: Horror and Dislocation in the Queer Closet,” is composed of a collection of sculptures, videos, and sound works that are directly associated with themes of horror and anxiety derived from the precarious space of the queer closet as detailed in this thesis of the same name.

Deconstructing The Image Of Woman: Video Portraiture And Women’S Performance For The Camera 1972-1980, Olivia Gauthier

Theses and Dissertations

This thesis examines key examples of video portraiture, a subgenre of 1970s video art in the United States. Through the examples three aesthetic categories are defined: mirroring, masquerade, and disrupting the male gaze. Video portrait works are framed by goals of the Women’s Liberation Movement and Second Wave Feminism.

Heartmtndemon: Mourning Ritual, Alison M. Kizu-Blair

Theses and Dissertations

Using performance, video, and installation, I explore the horrors of contemporary culture as well as horrors of the past. Research into my family's internment in the Heart Mountain concentration camp weaves into a narrative about Asian stereotypes, self-identification, and contemplation about the best course of action moving forward.

In A Building, A Stairwell, A Room Speaks, Tsz Wai Wallis Cheung

Theses and Dissertations

Working toward a personal definition of womanhood while progressing with my research in feminist discourse, I frame biographical events alongside the intricate use of language surrounding feminist theory. Experimenting with material specificities that speak to my personal narratives and cultural significance, my work seeks to address the interlacing operations of subjectivity expanding on the intersection of class, gender and race.