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Articles 1 - 5 of 5
Full-Text Articles in Arts and Humanities
The Twilight Zone: The Confluence Of Childhood Scenes And Future Anxiety, Jongwon Bae
The Twilight Zone: The Confluence Of Childhood Scenes And Future Anxiety, Jongwon Bae
Theses and Dissertations
Jongwon Bae’s paintings reflect his childhood memories as an archive that is to be repressed until it manifests itself in uncertain ways as it becomes confluent with the anxiety about the future.
Maybe That's What It Means, Anael Berkovitz
Maybe That's What It Means, Anael Berkovitz
Theses and Dissertations
Anael Berkovitz explores personal and collective memory through the use of storytelling and interpretation. Focusing on how identity is shaped by stories, her three part video details the nomadic nature of her own family, the obfuscation of language in translation and the incorporation of an invasive species into a culture.
A Chair In The Woods, Victoria Dolloff
A Chair In The Woods, Victoria Dolloff
Theses and Dissertations
Victoria Dolloff's MFA Thesis considers traces of play and perception in the development of her artwork, exploring the idea of reorientation through subtleties of the absurd. Her installation Untitled (Landscape) questions object as place and place as memory utilizing fragmentation as reconstruction.
The Fractured Memory Of A Mind’S Eye, Russell G. White
The Fractured Memory Of A Mind’S Eye, Russell G. White
Theses and Dissertations
The work I create is informed by questioning reality/identity, the fractalizing planes
of existence our essence occupies, and the artifacts of memory experience navigating
through space time. While existing in this realm of oversaturated media and neon
glow, I question the effects of pervasive data systems overloading or programming the
mental software we possess. My work includes humor as a means of exploring these
conventions while also displaying psychedelic surrealist imagery to help break away
from the conscious prison this existence births our concept apparatuses within.
Restoration, Shannon M. Slaight-Brown
Restoration, Shannon M. Slaight-Brown
Theses and Dissertations
The marks I make in clay have different characteristics, and the physical mark of one’s fingertips or visual record of the hand is personal and intimate. This visible activity is the evidence of my constant presence and control within each object. Its repetitive meditation produces a private relief from my persistent anxieties. This exploration for me is not only visual, but also physical. This is the start of my infatuation with the idea of pattern. It has its own discrete visual language and modes of communication; and through my research I am developing a method of intercommunication.