Arts and Humanities Commons^™

Glaze Exploration Via Nostalgic Locations, Robert A. Williams

Theses and Dissertations

In my art practice, collecting materials from personally significant locations has become a way to subtly reconnect people with places, nature, natural materials and processes. I produce well-made objects, with the end goal of allowing the viewer to feel and interact with traditional forms of beauty through craft, which is increasingly rare in our mechanized world. Raw materials are a direct link to nature and earth, a link which people in general can benefit from in essential ways. The processes of collecting and using naturally occurring materials to form links between objects and places resembles human relationships, and the connections …

Painting, Geography, And The Body: Charting The First Two Decades Of Mary Corse’S Art, Sarah A. Meller

Theses and Dissertations

Mary Corse has always maintained her position on the periphery, and her work has generally been excluded from art historical scholarship. This study illuminates the ways in which the first two decades of Corse’s practice were in fact in dynamic dialogue with broader impulses and concurrent trends operating at the time.

A Familiar House, William Lenard

Theses and Dissertations

The landscapes of my home in Connecticut are important to me. When I was young, I went to the woods for seclusion and comfort. While I wandered through the woods, I discovered a passion for storytelling. Now that I no longer live in New England, I miss the familiar landscapes of home. As a way to portray my sentiment, I write poetic narratives and create objects to illustrate natural landscapes.

I combine my interests of classic Americana art and literature with brutalist architecture and modern furniture to create immersive installations. I work with concrete and hardwood to materially bridge the …