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Full-Text Articles in Arts and Humanities
How To Forget, Jesse D. Hoyle
How To Forget, Jesse D. Hoyle
Theses and Dissertations
How To Forget was born from a need to give tangible form to the psychic residue left behind by a life lived. Through the use of silk-screening of red clay mud onto ink-jet photographs, archival textiles, and site-specific installations, I attempt to tie and/or divorce myself from my own and my family's extended history and examine the function of memory within the dynamics of the archive. How To Forget takes a non-linear, non-chronological approach to this examination, compressing decades of time and space through the manipulation of the archive and my own self-portraiture, designed specifically to deny myself from its …
Dulce Sueños De Tierra, Sweet Dreams Of Earth, Jordany Genao
Dulce Sueños De Tierra, Sweet Dreams Of Earth, Jordany Genao
Theses and Dissertations
Jordany's paper congregates their archival research into an art practice that examines the decolonial impulse to excavate the self and produce autonomy. Using ceramics to reference and re-animate Taino ritual objects found in museums, resulting in alternative museology, their work seeks to honor Caribbean ancestors by subverting colonial history.
For What Is A Man?: Towards Languaging Contemporary Dance In A Black, Queer, Male-Presenting Body, Thomas Ford
For What Is A Man?: Towards Languaging Contemporary Dance In A Black, Queer, Male-Presenting Body, Thomas Ford
Theses and Dissertations
This paper examines Queering Blackness: Solo on a Theme of Reconciliation, a performance event that invokes movement, spoken text, projections and sound to explore the mechanisms of identity. Engaging performance, Black, queer and dance studies, the paper contextualizes cultural identity markers, towards an understanding of what it means to be Black, queer and male-assigned in Black spaces.
Someone Will Remember Us / I Say / Even In Another Time, Paul Anagnostopoulos
Someone Will Remember Us / I Say / Even In Another Time, Paul Anagnostopoulos
Theses and Dissertations
Paul Anagnostopoulos’s paintings and vases use mythological melodrama in a contemporary context to portray vivid images of queer life in the wake of homophobic erasure and tragic loss. “someone will remember us / I say / even in another time” traces his aggregate interests in Greco-Roman cultures and art history.
Spectrum Of Shit, Hannah Hiaasen
Spectrum Of Shit, Hannah Hiaasen
Theses and Dissertations
Contending with the loss of a parent to a mass shooting in their workplace, a newsroom, I find myself suspended in time, in an office. Post-its, fans, button-ups, snow globes, clipboards, reporters notebooks, scrap paper, jot downs, keyboards hold me up. I crave the comfort of repetitive cumulative hand work. Quilting, weaving, and cutting away help me breathe, haptically process and memorialize these grieving objects, this grieving person. Weed-wacking towards intimacy, my work employs a range of materials to mourn the mundanity of a workday, fantasize transformative justice, and steward embodied grief to the surface. My only speed is slow-- …
Some (Im)Material Girls, Living In (Im)Material Worlds, With Seeds, Stars, And Shit, Matthew Weiderspon
Some (Im)Material Girls, Living In (Im)Material Worlds, With Seeds, Stars, And Shit, Matthew Weiderspon
Theses and Dissertations
This writing situates material and gestural vocabularies cultivated in my artwork in relation to my lived experience; primarily my rural upbringing in Colorado. Scattered floor dispersals, calling sounds, and bodily movements desire reconsiderations of hope in precarity through a disorientation of place, association, scale, and language.
Heavy Hold: A Physical Score, Alexandra Velozo
Heavy Hold: A Physical Score, Alexandra Velozo
Theses and Dissertations
This document is a collection of essays, stories, and fictional interviews that are in conversation with my performance, teaching, and sculpture practice. My research and work considers chronic illness, disability, the historic cultural connection between swamplands and illness, the medical industrial complex, medical theater, the medical gaze, disabled performers, metatactile space, sensory learning, and access.
Promiscuous Waves, Xuan Zheng
Promiscuous Waves, Xuan Zheng
Theses and Dissertations
For the project, I invited friends, lovers, and mentors to share their experiences and memories of cruising in public spaces. Growing up in China, I never had the chance to publicly discuss my concerns with my sexuality, and the sense of liberation in the West had always served as a source of hope. Only after I came to the United States, did I realize that the liberation was nothing more than an illusion. I made two road trips across America to take photographs and embrace a sense of freedom, but on the trips, I ended up having sex with many …
Ghost Signs Are More Than Paintings On Brick, Eric Anthony Berdis
Ghost Signs Are More Than Paintings On Brick, Eric Anthony Berdis
Theses and Dissertations
My work embraces a maximalist aesthetic that incorporates, archival research, personal secrets, and pubescent gay boy glamour. I seek to create a stimulating yet jarring experience, while building a world that is both familiar and inherently strange to the viewer. Thrift store cast-offs, hobbyist craft supplies, and saturated drawings are reassembled into a cast of characters and costumes that balance on the line between ghosts, creatures, and friends. While we often think of costume and even art installations as meant to cover bodies and walls, my work tends to reveal more than conceal. I aspire through this work to shine …
^A Weather Of Her Wake—Should Something Be Missing?, Chip Chapin
^A Weather Of Her Wake—Should Something Be Missing?, Chip Chapin
Theses and Dissertations
Conciliating an economics of care, support, and desire through the languages of state control, commodity, and shared resources ^A Weather of Her Wake confronts unspoken exchanges endemic to relationships in capitalist society, choreographing relationships that invites both performer and audience to negotiate architectures charged with intimate memory.
Work And Work, Rebecca M. Baldwin
Work And Work, Rebecca M. Baldwin
Theses and Dissertations
work and Work chart tracks my work/job and my Work/art to see how one can change the other.
Generative Movements, Cabbage Juice, & Habitats Of Selfhood, Jason Michael Rondinelli
Generative Movements, Cabbage Juice, & Habitats Of Selfhood, Jason Michael Rondinelli
Theses and Dissertations
The content of this essay is a reflection on my practice as an artist. A summary of text includes an analysis of my attraction to certain materials such as drywall, cabbage juice and coconut oil, all materials are the extensions of my memory, intention and pleasure. From warm memories of bathhouses and the flesh of others to managing illness at home, my artwork distills a lived experience into material reality. These materials take the shape of sculptural networks that serve as biographical biomes. The architectural and organic components of the work are sourced from my own experience and the surreal …
The Wild Beasts, Peter Cochrane
The Wild Beasts, Peter Cochrane
Theses and Dissertations
The Wild Beasts springs from my desire to thank my ever-expanding queer chosen family and mentors for their strength. Working through the often violent and othering aspects of the lens and photographic histories I create floral portraits responding to each person’s being and our relationship. Using the 19th century, 8x10 large format view camera—the same used by colonialists and ethnographers to “capture” the divinity of Nature—I erect each as a traditional still life studio setup at the threshold between the natural world and that constructed by humans. These environments speak both to the character of each friend and also to …
A Spectacle And Nothing Strange, Taylor Z. King
A Spectacle And Nothing Strange, Taylor Z. King
Theses and Dissertations
Working through methods of abstraction and comedic mimicry I choreograph awkwardly balanced sculpture with objects of adornment as a means to defuse personal sensitivities surrounding my experiences of gender, desire, and home. The research that follows is concerned with the adjacent, the in between, above and underneath, because I feel that this kind of looking means that you are, to some degree, aware of what lies at the edges. Maybe this is what Gertrude Stein means to act as though there is no use in a center—because this concerns a way of relating, though there are many things in the …
Private Rainbows, Mikey F. Estes
Private Rainbows, Mikey F. Estes
Theses and Dissertations
I make art that refers to how the self is mediated through structures, objects, and images — a kind of self-portraiture that circles around its subject, reflecting a state of simultaneous formation and disintegration. Over the past few years, I have used my iPhone as a tool to make images of everyday life. As the user of this device, I am defined by both my presence and absence. I am interested in the process of locating the self within the scattered yet ordered space of the screen.
Welcome To My Dream – Quasi Queer Fiction, Christian A. Rogers
Welcome To My Dream – Quasi Queer Fiction, Christian A. Rogers
Theses and Dissertations
Roseate and bodacious, the hand formed surfaces of Christian Rogers' paintings explore gay culture and history though a quasi-fictional lens. While utilizing folk like imagery, Christian depicts dramatic moments of love, lust, sex and violence as he takes us to queer realms.
Bodies In Repose, Christopher Aque
Bodies In Repose, Christopher Aque
Theses and Dissertations
This paper examines my artistic practice and its intersection with histories of homosexual desire and exclusion, contemporary surveillance, political complicity, and the legacies of Minimalism. As the cultural landscape has shifted post-AIDS, so too have the strategies to police, regulate, and control bodies.
Navel Gazing, Andrew J. Macasil
Navel Gazing, Andrew J. Macasil
Theses and Dissertations
The purpose of this project is to present work that disrupts the heteronormative binary that has dominated the representation of the human form in painting. The navel is employed as a bodily metaphor to address the universality of unique bodily experiences, which are tied to one’s identity.
A Performative Script: Play With(In) Me, Erik Patton
A Performative Script: Play With(In) Me, Erik Patton
Theses and Dissertations
Patton continues his interest in the body, its relation to material, the notion of abstraction (specifically related to queerness), and the phenomenological with this performative script. Enter the bath first; you must wash your dirty asshole, as you shat only two hours ago. Collect your body in the Silver Pond.