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Full-Text Articles in Arts and Humanities
Shōjo, Kawaii, And Yōkai Iconographies In Chiho Aoshima's Strawberry Fields And How They Relate To Contemporary Gender Dynamics In Japan, Neo Sim Yee
Theses
This paper analyzes the shōjo, kawaii, and yōkai iconographies in Chiho Aoshima’s digital painting Strawberry Fields and examines how they relate to contemporary gender dynamics and anxieties in Japan. The painting bears the artist’s distinctive, characteristic style, which includes elements that are childlike and monstrous, cute and dark. The work, rich in layered context, simultaneously reminisces about the innocence and freedom of adolescence, and critiques the prominent the unequal, rigid, and highly restrictive gender roles dictated by the Japanese patriarchal system. The distinct two halves of Strawberry Fields depict the dichotomous vision of Japanese women—innocent and girly versus defiant and …
Rooted In Meaning: Plant Iconography On Nasca Polychrome Ceramics, Amanda G. Lange
Rooted In Meaning: Plant Iconography On Nasca Polychrome Ceramics, Amanda G. Lange
Theses
This thesis explores the Nasca use of plant iconography as part of their polychrome ceramics produced at the end of the Early Horizon around 100 BCE to those produced in the beginning and middle of the Early Intermediate Period circa 1to 450 CE. During this time the religious site of Cahuachi was in use as a pilgrimage center as well as the production center of polychrome pottery. The Nasca created their colorful ceramics here to distribute to visiting pilgrims during times of festival or ritual. The culture’s iconography has been studied extensively, most of which focuses on the forms of …
Cult Of Propaganda: Monastic Dominance As Displayed In Canterbury Cathedral's Saintly Iconography, Jon Talvin Breazeale
Cult Of Propaganda: Monastic Dominance As Displayed In Canterbury Cathedral's Saintly Iconography, Jon Talvin Breazeale
Theses
This thesis examines the iconography in the windows of the Early English saints Dunstan and Alphege as depicted in England’s Canterbury Cathedral. In the windows of St. Dunstan, one can see how the saint saves the monarchs from the flames of hell. It also shows what can happen to those that would question or challenge the authority of the Archbishop of Canterbury. The windows of St. Alphege show a dedicated man of the church ready to give his life to help save the town’s people from an unruly group of invaders. These windows were added to the eastern arm of …
Cross-Cultural Currents And Syncretism In Early Modern Opossum Iconography, Deniz Martinez
Cross-Cultural Currents And Syncretism In Early Modern Opossum Iconography, Deniz Martinez
Theses
Opossums (Order Didelphimorphia) are marsupial mammals endemic to the Americas. They are also the first marsupials Europeans ever encountered, over a century before any Australasian species. Because of their unique marsupial characteristics, opossums have historically been viewed as an “anomalous” animal form across both Indigenous American and European cultures, and thus developed a rich and complex transatlantic cultural history. By tracing the development of opossum imagery through the millennia, one can uncover clear patterns of how their distinct features became embedded in iconographies relative to biogeocultural sphere, and how certain iconographic conventions were transmitted through various media both within and …