Arts and Humanities Commons^™

Embodiments Of Shape: Cubes And Lines And Slender Gilded Thongs In Picasso, Duchamp And Robbe-Grillet, Emma Kafalenos

Studies in 20th & 21st Century Literature

An account, from several perspectives, of a structural type exemplified by Pablo Picasso's Les Demoiselles d'Avignon (1907), generally considered the first Cubist painting; Marcel Duchamp's Nu descendant un escalier (1912), and Alain Robbe-Grillet's La Maison de rendez-vous (1965). To compare contemporary texts to paintings that arose in the moment immediately preceding the full achievement of the non-representational suggests that both incorporate trivial—and even popular—elements because they are so eminently cuttable. In each work, the decomposition of objects to their pieces shifts interest from paradigm to syntagm, while retaining sufficient reference to paradigm to embody syntagm, to make structure perceptible. All …

Peter Handke's Kaspar: The Mechanics Of Language—A Fractionating Schizophrenic Theatrical Event, Bettina L. Knapp

Studies in 20th & 21st Century Literature

Theatre, for Handke, has neither object nor subject. concepts, values, functional systems of signification, verifiable contents are non existent in Kaspar. Words alone are of import; they alone create reality.

Words, therefore, and not subjective evaluations of them, are acceptable to Handke, Comparisons, associations, metaphors, or references prevent people from dealing directly with the object itself (the signified), inviting them to have recourse to a "system of differences," to use Derrida's expression, thus contrasting or modifying one with the other. Evaluation breeds buffers and hierarchies; it encourages people to rank or compute ideas, notions, or feelings, and therefore …