Arts and Humanities Commons^™

"I Am Not A Prisoner Of War": Agency, Adaptability, And Fulfillment Of Expectations Among American Prisoners Of War Held In Nazi Germany, Jessica N. Greenman

Student Publications

In war memory, the typical prisoner of war narrative is one of either passive survival or heroic resistance. However, captured service members did not necessarily lose their agency when they lost their freedom. This study of Americans held in Germany during the Second World War shows that prisoners generally grounded themselves in their personal and national identities, while compromising ideas of heroism, sometimes passing up opportunities for resistance in order to survive.

Cives Arma Ferant: Reconstructing Infantry Combat And Training In The European Theater Of Operations, Phil R. Kaspriskie

Student Publications

A common theme in memoirs, oral histories, and other sources dealing with servicemen in World War II seems to be a focus on the experience of combat. Training, particularly individual training, is rarely discussed beyond a cursory mention, and if it is discussed at all, the overwhelming tendency is to paint a picture of half-trained cannon fodder, at best.

This paper’s goal is twofold: First, explore methods of instruction at the individual and unit levels, and explain the reasoning behind the evolution of training as the Army Ground Forces’ understanding of contemporary warfare changed; second, provide a case study at …

The National Intelligencer Validating Cowardice: How A Washington D.C. Newspaper Redefined Defeat Into Republican Victory, Wesley C. Cline

Student Publications

The fall and burning of Washington D.C. without substantial resistance by the American army and militia was initially an obvious disgrace, however the widely read Washington based newspaper, The National Intelligencer, sought to rewrite this story of defeat into a narrative highlighting republican virtue. Utilizing preexisting stereotypes perpetuated in their paper of British soldiers acting immoral, the staff of The National Intelligencer articulated that the men defending Washington had to return to their individual homes on account of the impending barbarism and savagery of the British invaders, therefore vindicating the militiamen of their lack of resistance and praising their virtuous …

“Strike Up” And Mobilize The Band: Musical Activities In The United States Military During World War Ii, Max R. Bouchard

Student Publications

After the United States’ entry into the Second World War, music was one of the most prominent forms of art and popular entertainment to be repurposed by the federal government as part of the mobilization for war. The military implemented numerous music programs produced and consumed by a wide range of service personnel. These activities functioned as a means of building morale among military and civilian audiences, both on the domestic home front and in foreign nations, and disseminating an image of American culture that reinforced a set of values integral to the war effort. In order to present this …

The Office, Jessie Anderson, Lauren Sasha Clemmer, Caitlyn Denning, Sara Ferrufino, Daniel Greco, Joshua Harris, Amber Kier, Erika Queme, Sarah Rosa, Hannah Russell, Webb Smith, Katelyn Takacs, Emily Wallis, Chase Alex Watkins, Jordan Wright, Megan Zewe, Courtney Wooten

Student Publications

This newsletter was created by the Fall 2016 Honors English Class from Stephen F. Austin State University. Throughout the semester students were asked to define and interpret the terms "work" and "labor." Through our individual research on different aspects of work and labor, we hope to expand the general spectrum of what encompasses these topics. Works and labor are two important aspects of our culture. They are umbrella terms that encompass many occupational fields and serve as a uniting factor in modern-day society. Aspects of work and labor are observable in an assortment of environments, whether it be through schoolwork …