Arts and Humanities Commons^™

Pirates And An Acadian Huguenot, Elizabeth Starkey

Seaver College Research And Scholarly Achievement Symposium

A discussion of a piracy trial in 1726 Boston and an Acadian merchant.

Alien Lands, Carissa Mosley

Seaver College Research And Scholarly Achievement Symposium

Alien Lands has been an academic year-long study and cross-media art endeavor, researching the history of palm trees in Los Angeles and documenting their current presence. I photographed and made videos of the palm trees in Los Angeles and ended the project with a ceremonial installation/performance, grieving the colonial history and unsustainability of palm trees by ironically commemorating them. This body of work is meant to provoke discussion of palm trees' iconicization, their ubiquitous invisibility in our environment, their colonial history, and their likely nonexistent future.

Standing Up For Standing Rock: Environmental Racism In Modern America, Lizzy Lebleu

Seaver College Research And Scholarly Achievement Symposium

In this essay, I explore the implications of environmental racism among our national and global neighbors.

Life At The Meridian: The Subjectivity Of Ethics In The Works Of Albert Camus And Friedrich Nietzsche, Clancy E. Robledo

Seaver College Research And Scholarly Achievement Symposium

This paper endeavors to respond to the questions: can ethics can be unbound from its traditional rootedness in religious systems? If so, what contributions did Nietzsche make to liberate value from the shackles of Western morality? To what degree is Camus one of the “new philosophers” Nietzsche calls for in On the Genealogy of Morals?

In an attempt to demonstrate that ethics can and do exist vividly in the realm of the non-religious, this paper will begin by illustrating the metaphysical door Nietzsche opens through his use of aphorisms in Thus Spoke Zarathustra and his investigation of the history …

“Against The Ebony Of Her Skin”: The Impact Of Harlem Renaissance Blues Culture And Literature On The Development Of Womanism, Maia Y. Rodriguez

Seaver College Research And Scholarly Achievement Symposium

This paper will investigate the ways in which the music and writers spurred by the explosion of African American culture that was the Harlem Renaissance were responsible for propagating the rhetoric and fresh representations of African American womanhood that would later be incorporated into the theoretical framework of black feminism championed by critics like bell hooks and brought into fruition as the recognizable school of womanism by Alice Walker. I will argue, using the literature of “proto-feminist” Harlem Renaissance writers Langston Hughes and Zora Neale Hurston as well as the literature of womanist writers like Walker, that without the Harlem …