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Tracing Trans Bodies In Neobaroque Literature, Huber David Jaramillo Gil
Tracing Trans Bodies In Neobaroque Literature, Huber David Jaramillo Gil
Publications and Research
This document briefly explores the ways in which trans people have been written through Baroque aesthetics in the social and cultural imaginary of Latin America, despite the various unjust forces that have attempted to make them invisible and exclude them from the national narrative. The differences between Severo Sarduy’s Neobaroque, Néstor Perlongher’s Neobarroso, and Pedro Lemebel’s Neobarrocho are analyzed, while exploring their individual limitations and potentialities for voicing the joys and pains of being trans in an exclusionary society.
Seropositivo: Queer Solidarity & Survival In Severo Sarduy’S Fiction, Huber Jaramillo Gil
Seropositivo: Queer Solidarity & Survival In Severo Sarduy’S Fiction, Huber Jaramillo Gil
Publications and Research
With the onset of the HIV epidemic, to prevent transmission, the Cuban government aggressively tested its sexually active population, sending infected people to live in quarantined sanitariums. It is in these establishments, in which an HIV-ridden Sarduy sets his last novel, entitled Pájaros de la playa (1993). Even as the reader witnesses the degradation and disintegration of sickened bodies, which the Nation rejected and discarded, Sarduy provides gender and sexual dissidents with a vision of themselves that does not compromise their queerness when confronting institutions of power. Instead, through subversion, appropriation and solidarity, he enacts a creative exploration of existence …