Arts and Humanities Commons^™

Multiversal, Amy Catanzano

Poetry

Multiversal, the second book by Amy Catanzano proposing a theory of quantum poetics, invites readers to explore the intersections between language, nature, science, and consciousness. Multiversal takes its name from the “multiverse,” a science fiction concept that has become an accepted theory in physics. It suggests that reality comprises multiple dimensions in space and time. In form and content, this collection takes novel approaches to the materiality of language itself, to the spacetime of poems.

From the Foreword by Michael Palmer:

Amy Catanzano offers us a poetic vision of multiple orders and multiple forms, of a fluid time set loose …

Corinna A-Maying The Apocalypse, Darcie Dennigan

Poetry

Corinna, A-Maying the Apocalypse simultaneously celebrates and laments that “we are but decaying.” Betraying a love of old poems and symbols and new words and forms, these are poems where “the moon’s spritzing its perfumes and the phlegm is thick and fast” over cities and Starbucks and suburbs. The poet is in love with the rhythm of the man-made world, and “the rhythm is so strong sometimes / it blows up the room.”

Crocus, Karin Gottshall

Poetry

The poems in Crocus take as their starting points the interior universes created by myth, art, and memory, and through the exploration of these terrains create new ways of understanding the ordinary. Finding voice through both lyric and narrative approaches, Gottshall's poems are filled with complex music, unexpected imagery, and the mysterious interplay between the physical world and that of the imagination.

"These are lyrics that briefly and beautifully change our view of the world. In this effort, they do a quietly wild, beguilingly sudden work of making us rethink the ordinary before we can help ourselves, followed by the …

Natural Trouble, Scott Hightower

Poetry

Natural Trouble continues Scott Hightower’s investigation begun in Tin Can Tourist. Themes of inheritance extend through changes of landscape and bad weather to hungers, urgencies, inequities, and bereavements. Hightower also reminds us that the practice of writing is at the core of democracy: poetry seeks a foundation in the truth of the individual, guaranteed and restored through the integrity of language.

Tin Can Tourist, Scott Hightower

Poetry

A world of history is a world of destinations and possibilities. In Tin Can Tourist Scott Hightower draws from a legacy larger than the limits of personal history, body, and brand. From the harsh Protestant landscape of his native central Texas to the pageantry of the historical architecture of St. Maria in Trastevere, Rome, he persues the limit of the poet. Where exactly does one begin and the world start? Hightower reflects a world containing AIDS and cancer, Caravaggio and van der Werff. Nature, interpersonal relationships, and the culture of the world—from simple to extraordinary—are all fair game. His partaking, …