Arts and Humanities Commons^™

By Word Of Mouth: Historical Performance Comes Of Age, Ingrid E. Pearson

Performance Practice Review

Since Clive Brown’s 1991 accusation that many twentieth-century manifestations of historical performance lacked an appropriate degree of musical sensitivity, the historical performance movement has truly come of age. In the arena of Western Art music, historical performance is now an essential component of musical training and education. Successful performers must be able to seamlessly function across the widest possible range of musical styles, accommodating an equally wide gamut of tastes, both individually and collectively.

In 1982, nine years earlier, Walter Ong’s Orality and Literacy: The Technologizing of the Word explored differences between oral and literate cultures. Of particular interest to …

"Interpreting Mozart: The Performance Practice Of His Piano Pieces And Other Compositions" By Eva Badura-Skoda And Paul Badura-Skoda, Andrew Willis

Performance Practice Review

Willis reviews and critiques Eva and Paul Badura-Skoda's 2009.

"Mendelssohn In Performance" By Siegwart Reichwald, David Montgomery

Performance Practice Review

Montgomery reviews and critiques Reichwald's work.

"The Rosary Cantoral: Ritual And Social Design In A Chantbook From Early Renaissance Toledo" By Lorenzo Candelaria, Kenneth Kreitner

Performance Practice Review

Kreitner reviews and critiques Candelaria's book.

"Performance Practice: Issues And Approaches" By Thomas Watkins, Roland Jackson

Performance Practice Review

Jackson discusses and critiques Watkin's book.

What Can The Organ Partitura To Tomás Luis De Victoria’S Missae, Magnificat, Motecta, Psalmi Et Alia Quam Plurima Of 1600 Tell Us About Performance Practice?, Noel O'Regan

Performance Practice Review

Article written by Noel O'Regan

"The Clarinet" By Eric Hoeprich, Colin Lawson

Performance Practice Review

Lawson discusses and critiques Hoeprich's book on the history of the clarinet.

"The End Of Early Music: A Period Performer's History Of Music For The Twenty-First Century" By Bruce Haynes, Roland Jackson

Performance Practice Review

Jackson critiques and discusses Haynes' book on the history of early music performance.

Consequentialism About Historical Authenticity, Aron Edidin

Performance Practice Review

The historical authenticity movement arrived on a wave of polemical prose, and was met by a similarly energetic polemical response. The controversy has persisted to the present day.

"Monsieur De Saint Lambert: A New Treatise On Accompaniment." Trans. And Ed. By John S. Powell, Charlotte S. Mattax

Performance Practice Review

Reviews and critiques Powell's translation and editorial work on Lambert's Accompaniment Treatise.