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Articles 1 - 4 of 4
Full-Text Articles in Arts and Humanities
"The Performance Of The Basso Continuo In Italian Baroque Music" By Tharald Borgir, John Walter Hill
"The Performance Of The Basso Continuo In Italian Baroque Music" By Tharald Borgir, John Walter Hill
Performance Practice Review
Hill discusses and reviews Borgir's 1987 book.
The Present Position Of Authenticity, Robert Donington
The Present Position Of Authenticity, Robert Donington
Performance Practice Review
"Though there continues to be lively debate as to how historically correct performances of early music can or should be, the success of so-called authenticity in today's musical culture is undeniable.(Zohn, Steven)"
Concerning The Performance Of Mozart's Concert Arias K. 294 And K. 528, Nicole Baker
Concerning The Performance Of Mozart's Concert Arias K. 294 And K. 528, Nicole Baker
Performance Practice Review
Vocal treatises of the 18th c. and recent research suggest that Mozart's concert arias should be embellished with restraint. Appropriate ornaments include turns, filling-in patterns, appoggiaturas, and short cadences at elongated fermatas. Two arias--Alcandro lo confesso...Non so d'onde viene, K.294, and Bella mia fiamma...Resta, o cara, K.528--are discussed in more detail.
A Response From The Custodians: More Thoughts On The Stanford Temperaments, Robert Bates, Kimberly Marshall
A Response From The Custodians: More Thoughts On The Stanford Temperaments, Robert Bates, Kimberly Marshall
Performance Practice Review
"Mark Lindley's suggestions for modifying the temperaments of Stanford's Fisk organ, abstracted as RILM 7410, are helpful, although other solutions may be more desirable. A third temperament for French music might be added to the organ's meantone and well-temperaments.(Zohn, Steven)"