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Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Christine Lowentrout

Publication Year

Articles 1 - 9 of 9

Full-Text Articles in Arts and Humanities

Grace And Goetia: Magic As Forced Compensation In All Hallows Eve, Bernadette Bosky Apr 1986

Grace And Goetia: Magic As Forced Compensation In All Hallows Eve, Bernadette Bosky

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Contrasts the free exchange and substitution of Williams’s principle of co-inherence with the forced exchange of magic, as practiced by Simon the Clerk in All Hallows’ Eve. Previously appeared as “Grace and Goetia: Magic as Forced Compensation in Charles Williams’ All Hallows’ Eve.” Mythcon XVI, Wheaton College, Wheaton, IL, 1985. Ed. Diana Pavlac: Mythopoeic Society, 1985. 15–30.


Quenti Lambardillion, Paul Nolan Hyde Apr 1986

Quenti Lambardillion, Paul Nolan Hyde

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Discusses and translates the Elvish “Lúthien’s Song” in The Lays of Beleriand.


Dance As Metaphor And Myth In Lewis, Tolkien, And Williams, Peter Schakel Apr 1986

Dance As Metaphor And Myth In Lewis, Tolkien, And Williams, Peter Schakel

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Guest of Honor address at Mythcon 16. Notes the occurrence of images of dance, including the cosmic dance, and their metaphorical usage. Concentrates on Lewis but includes examples from Tolkien and Williams. Previously appeared in Mythcon XVI, Wheaton College, Wheaton, IL, 1985. Ed. Diana Pavlac. Altadena: Mythopoeic Society, 1985. 5–14.


Tales Newly Told, Alexei Kondratiev Apr 1986

Tales Newly Told, Alexei Kondratiev

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

No abstract provided.


The Masque Of The Silmarils [Drama], Sarah Beach Apr 1986

The Masque Of The Silmarils [Drama], Sarah Beach

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

No abstract provided.


Saruman, ‘Sharkey,’ And Suruman: Analogous Figures Of Eastern Ingenuity And Cunning, J. S. Ryan Oct 1985

Saruman, ‘Sharkey,’ And Suruman: Analogous Figures Of Eastern Ingenuity And Cunning, J. S. Ryan

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Speculates about linguistic connotations of Saruman-Sharkey, especially Suruman (vassal of an ancient Assyrian king) and various etymologies of “shark.”


Letters From Hell: The Symbolism Of Evil In The Screwtape Letters, Nancy-Lou Patterson Oct 1985

Letters From Hell: The Symbolism Of Evil In The Screwtape Letters, Nancy-Lou Patterson

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Analyzes in detail the symbols of evil in The Screwtape Letters. Lewis presents evil as various forms of the privatio boni, or absence of good.


A Retelling Within A Myth Retold: The Priest Of Essur And Lewisian Mythopoetics, Peter J. Schakel Dec 1983

A Retelling Within A Myth Retold: The Priest Of Essur And Lewisian Mythopoetics, Peter J. Schakel

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Asks why Lewis felt the myth of Cupid and Psyche needed to be retold. The story told by the Priest of Essur is a “middle step” between the original myth and Lewis’s recasting of it, in which the incomplete pagan notion of sacrifice gives way to the fullness of that theme in Christianity.


The Figure Of Taliesin In Charles Williams' Arthuriad, Richard Woods Apr 1983

The Figure Of Taliesin In Charles Williams' Arthuriad, Richard Woods

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Discusses Taliesin as a historical personage and as a legendary and mythological figure, and specifically the sources for Williams’s portrayal of Taliesin in his Arthurian poetry. Speculates on why Williams chose Taliesin as the “romantic focus” of his poems, how he conceived his role, and why he departed from traditional sources.