Arts and Humanities Commons^™

Debunking The Curse Of Ham And Its Generational Impact On The Black Race, Fraendy Clervaud

Masters Theses

The so-called curse of Ham became a major issue for Christian Theology and apologetics. The false interpretation claimed that the Black race were to be enslaved. Therefore, these individuals were subjected to inhuman treatment through the institution of slavery for generations. Many believed that those from Africa did not receive Christianity until after they were kidnapped from their homeland. The false narrative that slavery introduced them to Christ is disingenuous. That is because Christianity prevailed in Africa even before it did in Europe. Individuals from African contributed immensely to the history and theology of Christianity. Three of the major Christian …

The Voice Of The Other: The Influence Of Capitalism On The Representation Of Gender And Race In Western Classical Music, Marie Comuzzo

Masters Theses

This thesis argues that in order to understand the non-representation of women and BIPOC in the Western musical canon, the analysis of their cultural musical production and reception must start in early modern period, a time heavily influenced by the establishment of capitalism. Intertwining political feminist studies, critical race theory and musicology critique, I argue that the witch hunts and the inhumane colonial practices in Africa and the America (fundamental to establish capitalism as a global system), had an important role in shaping Western musical culture as homogeneous and monolithic. Thus, I first trace the change in female customs in …

“Yes, My Career Would End”: How The Existence Of Illicit Digital Media May Inhibit Women From Participating In Politics, Esther Afrakoma Appiah Dwaah

Masters Theses

The challenges faced by women in their quest to be equal participants with men in politics is not hidden. This study set out to examine how women may be restrained from rising to the highest offices in politics amidst fear of their existing nude contents that exist digitally. The body and sexuality of women have countlessly been employed as a tool to keep them out of political participation. Relying on data gathered through interviews with twenty four respondents, the study confirmed that women who have their illicit digital media in existence are less likely to take lead roles in politics …

Temembe And Sven: The Ethics Of Racist Mirth, Stephen Wilke

Masters Theses

You walk past a crowd of people at a bar, grouped around one person. He’s in the middle of telling a joke, the kind you wouldn’t tell your parents but is often told in the amenable company of close friends. You realize that the butt of the joke, the punchline, assumes that people of color are lazy and entitled. This is not an assumption you agree wit, but you find yourself with a feeling of mirth while scoffing at the comedian. His timing is well executed, and the turn of phrase is witty. The joke was racist, and yet emotionally …

He Rode Alone: Francis Scott Key As An Advocate For Freedom, Jonathan A. Richie

Masters Theses

Recently Francis Scott Key and the Star Spangled Banner have come under increasing historical scrutiny. Claims and allegations of racism and hidden meanings behind the poem have abounded and even led to statues being torn down across the nation. But what is the truth? In reality Francis Scott Key's record on race and slavery is dramatically more complex than the critics would suggest. Indeed, Key spent nearly 40 years of his life advocating in court for the freedom of slaves in Washington DC.

The Color Line In Communism: The East German Ministry Of Culture’S Portrayal Of Paul Robeson’S State Visit, Colin J. Rensch

Masters Theses

During the 1950s and 1960s, the Cold War, the American Civil Rights movement, and anticolonialism combined to create a complex political, social, and economic landscape and a division of the globe into the so-called first, second, and third worlds. It is within this context that African American performer and activist Paul Robeson traveled to the GDR for an official visit in October 1960.

This visit was highly significant in light of the oppression Robeson had experienced at the hands of the US State Department. In response to Robeson’s communist sympathy, the State Department had revoked Robeson’s passport in 1950, and …

Wanderers Of Empire: The Tropical Tramp In Latin America, 1870-1930, Jack Werner

Masters Theses

U.S. public and private imperial interests confronted the problem of labor and labor power in the late nineteenth and early twentieth century as the U.S. empire expanded into Latin America and the Caribbean. The question of how to make an empire work spurred the creation of new labor regimes reliant on black West Indians who traveled to work in the Panama Canal Zone and on United Fruit Company (UFCO) banana plantations. Just as importantly, new labor regimes engendered new categories for troublesome laborers. One of these classifications, “tramp,” surfaced in the United States after the U.S. Civil War as a …

Color-Blind Stancetaking In Racialized Discourse, Abigail Christine Tobias-Lauerman

Masters Theses

In this thesis, I examine how language constructs and constrains racialized discourse in post-Jim Crow contemporary America. Drawing on rhetorical and sociolinguistic work set forth by Booth, Shotwell, Bonilla-Silva, Omi and Winant, and others, it is apparent that racial organization— and racial identities and categorization— in the US is reliant upon specific markers that signify racial meaning. Such markers are assimilated into wider, unconscious discourse through what Shotwell and Booth describe as seemingly inherent— yet ultimately constructed— matters of “common sense,” and are expressed through evaluative stance acts. I explore the origins and construction of these markers and the relationship …

Laughing At Ourselves: Music And Identity In Comedic Performance, Peter Trigg

Masters Theses

Standup comedy actively performs and engages with constructions of self and social identity, especially in terms of ethnic difference and the negotiation of American race relations. Musical comedy, wherein standup comedians perform song onstage, represents one facet of this expression that configures musical texts and expectations in the service of cultural observation and critique. Bo Burnham and Reggie Watts characterize two disparate approaches to the practice based on their aesthetic tastes, existential anxieties, and racial experiences. The two present their respective identities onstage in relation to a changing American political landscape of the early 21st century that has seen widespread …

"The Fate Which Takes Us:" Benjamin F. Beall And Jefferson County, (West) Virginia In The Civil War Era, Matthew Coletti

Masters Theses

This thesis analyzes the editorial content of a popular regional newspaper from the Shenandoah Valley, the Spirit of Jefferson, during the height of the Civil-War Era (1848-1870). The newspaper’s editor during most of the period, Benjamin F. Beall, was a white, southern slaveholder of humble origins, who spent time serving in the Confederate military. Beall, however, had also quickly established himself as one of the preeminent Democrats in his home county of Jefferson, as well as both the Shenandoah Valley and the new state of West Virginia. Beall firmly believed in the institution of racial slavery and fought to …

"Favorite Of Heaven": The Impact Of Skin Color On Atlantic Ethnic Africans In The Eighteenth Century, Kimberly V. Jones

Masters Theses

No abstract provided.

“I Guess Someone Forgot To Ask Us If We Wanted To Be America’S Diversity Mascots”: The Identity Journey Of Transracial, Transnational, Korean Adoptees, Molly Jin Ah Rigell

Masters Theses

Korean, transracial, international adoptees (TRIAs) have been given an opportunity to tell their stories in the anthologies Seeds of a Silent Tree, Voices from Another Place, and More Voices. Through an examination of twelve stories from these three anthologies, I pinpoint issues that are faced by TRIAs who were raised in white families, and the significance these issues hold. I also discuss the unique perspectives displayed in each anthology, and the overall view of racial identity that can be observed through the study of a unique community. Through their status as in-between races and cultures, Korean, transracial, international adoptees can …

Who Supports Labor? The Intersection Of Race And Skill In Union Campaigns, Zachary Joseph Mckenney

Masters Theses

In the past half century, there has been an unprecedented decline in labor union membership, organizing ability, political effectiveness and strike activity in the United States. As a result, the ability of labor unions to influence the debate on labor standards and social reforms has experienced a significant decline. Using a mixed method approach, this research explores differences in attitudes and orientations towards labor unions across racial groups in the United States as well as organizational strategies and capacities of a labor union in a right-to-work state. Although African Americans and Latinos have been discriminated against at the hands of …

Dual Frames: A Content Analysis Of Wbir-Tv's 6 P.M. Coverage Of The Christian-Newsom Murder Trials, Laura Elizabeth Headlee

Masters Theses

Early on the morning of January 7, 2007, University of Tennessee student Channon Christian and her boyfriend Christopher Newsom disappeared from the parking lot of a Knoxville apartment complex. According to police reports and court documents, the couple was carjacked, kidnapped, and subjected to hours of physical and mental torture before they were killed. Five people were arrested in the following weeks in connection with the crimes – four black men and one black woman. Both Christian and Newsom were white. The unusual circumstances of these crimes and the racial divisions between the victims and perpetrators drew a lot of …

Remediating Blackness And The Formation Of A Black Graphic Historical Novel Tradition, Adam Kendall Coombs

Masters Theses

This study attempts to establish the cross-currents of African American literary traditions and an emerging African American graphic novel aesthetic. A close analysis of the visuality foreground in the visual/textual space of the graphic novel will provide insight into how the form of the graphic novel reconciles and revises more traditional textual literary elements. Such motifs and tropes as the visuality of slave portraiture, Gates’ trope of the talking book, and the paradox of invisibility/visibility within African American creative registers will be used to highlight the creative tradition inaugurated by the African American graphic novel. Each of these elements generally …