Arts and Humanities Commons^™

Half Dawn, Catherine Ashley

Masters Theses

By presenting these words on paper, I have given entry into a microcosm of recent research, questions, and creative explorations. There is potential for disconnection when trying to turn your head inside out and present it in a way that feels beautiful for other people. I’m trusting the moments of authenticity I’ve found in my wandering. Segue. Relationship. Gesture. Illusion. My musings all stem from notions of temporality. Time dances on the farthest ends of both immensity and desolation. I’ve spent stretches of time asking the people, texts, and experiments around me to define time in a way that I …

Snowstorm, Caleb Shafer

Masters Theses

This thesis explores the connection between memory and place-building, focusing on how personal narratives and physical models compress details to reveal their core essence. Memories serve as a bridge between time and space, allowing for a non-linear experience of time and offering a unique perspective on the existence and transformation of places. Although this compression involves some loss, it generates new narratives and insights into life while examining the power structures and cultural systems inherent in representation.

I Am Becoming., Dai Asano

Masters Theses

This is a collection of essays documenting my grappling with the idea that time is always in motion. When you say now, it is not now anymore, but we are still in now, a new now. How can I stay in the now without being swept away by the current of time? Describing a film by Ozu Yasujiro, Deleuze writes, “The vase in Late Spring is interposed between the daughter’s half smile and the beginning of her tears. There is becoming, change, passage. But the form of what changes does not itself change does not pass on. This is time, …

Perform—Produce, Rebecca Wilkinson

Masters Theses

Perform — Produce defines graphic design as a discipline rooted in work rather than a process that springs forth spontaneously from the creative imagination.

Perform — Produce is driven by strict constraints and machine-like craft, employing outdated tools and the physical body in processes of making that are stubbornly slow.

Perform — Produce deploys performance as a tactic to expose the otherwise invisible labor of design, and to reveal the ways design acquires value.

Perform — Produce proposes a new organizational model that integrates live happenings, cross-disciplinary exchange, and self-publishing to consider not just the product of design but also …

Movement, Mechanization, And Coexistence, Yukyung Chung

Masters Theses

A movement is a tool that expresses the subject I pursue, ‘mechanization of human beings’. There are many technologies that replace humans these days, such as artificial intelligence. This makes me skeptical and afraid of being replaced as an artist in the future. Paradoxically, people, including myself, are enthusiastic about it, indicating that we do embrace the mechanization process as a society.

I will reveal this phenomenon of coexistence by demonstrating the possibility that machines cannot replace us, through motion experiments where rules increase, first starting with the reliance on intuition. I will explore not only the things that machines …

Superbland, Dougal Henken

Masters Theses

"A thin wafer is placed in the mouth of a kneeling woman and becomes flesh. A man masturbates quietly in a darkened room to a 3D model of a popular film actress. A car drives through an abandoned town and decelerates as it approaches a sign reading “Slow Children Playing.” A man fastidiously mows an artificial lawn while watching the sun dip low over a vast desert horizon. Superbland opens up new paths in understanding graphic design within the realm of the hyperreal. It begins with a study of simulation in graphic design contexts, building upon established forms of meaning-making …

Pace/Place/Space/Tempo—The Choreography Of Equity And Expressions Of Black Living, Vessna Scheff

Masters Theses

My skin is natural. My skin is political. My hair is natural. My hair is political. My speech is natural. My speech is political. There’s no such thing as apolitical.

My current interdisciplinary practice in painting and performance focuses on how Black diasporic identities hold, create, and process subsistence narratives. For this research, I am asking the questions: What role does pace play in resistance strategies and how can it be communicated through tempo? How are unspoken histories conveyed through movement, silence, the glance of an eye, fat crackling in a cast iron, pushing play on a walkman, and seeds …

The Great Delusion, Beth Johnston

Masters Theses

The climate crisis is a wicked problem that poses many obstacles for action and understanding. This thesis is a non-linear accumulation of academic essays, interpolated with lists, anecdotal observations, data, and artwork that together explore the entanglements and complications of the climate crisis and my journey in making artwork as a response to those complications. The thesis surveys six bodies of artwork created over the course of graduate school, which use photography, sculptural installation, performance, and video to illustrate various topics and methodologies. Grounded in research on environmental justice, this essay explores temporal disjunctures, climate data encounters, the decolonization of …

A Performance Of Disease And Its Cures: Lovesickness In Medieval Iberia, Lillian B. Sanders

Masters Theses

In the context of late medieval Iberia, lovesickness as a real disease was both treatable and threatening to one’s lived experience. Different forms of lovesick cures, from both learned and vernacular healers, arose from the Galenic regime of the humoral body. Cures such as charms, mixtures, and verbal expressions helped heal lovesick patients, as is shown in the archive through sources like remedy books and literary texts depicting lovesick affliction. Much of the current scholarship on lovesickness focuses on medieval medicine through the archive. Through the lens of performance studies, I argue that medieval Iberians enacted cures on lovesick patients …

Sometimes Like Butterflies, Edward Steffanni

Masters Theses

Perhaps the most radical thing to do is to embrace the tension, being between the heavens and earth. Maybe regardless of identity, sometimes the earth is not enough but there are moments I’ve experienced where the distance between heaven and earth blurs. These are instants where my troubles do melt like lemon drop: the smell of freshly cut hay in a field nearby, seeing a baby goat’s tail wiggle while he nurses his mother, or making love behind the barn. These are moments on earth when something else comes into focus.

The Reenactment : "Object" As Performance, Yue Jiang

Masters Theses

Throughout history, women have endured many obstacles placed upon them in both the private and public spheres. Women are pressured to achieve an ideal beauty standard and the expectation to fulfill the obligation of traditional domestic roles. As a 23-year old Chinese woman who daily faces these pressures, I intentionally critique them using my body as the site and the pressure as subject. Through acts of performance, using handmade and mass-produced objects consumed daily by women, I highlight the insidious pressures and expectations placed upon women’s bodies. By utilizing the format of photography to document the discomfort of “wearing” or …

The Body Extended, Yi Yang

Masters Theses

The book isn’t meant to have a center. The book is not meant to be read in order.

A book is made up of different dates and different speeds.

The chapters of the book delve nonlinearly into a range of philosophic, scientific, and political subjects connected by threads of ideas that go off in different directions at different speeds and different intensities.

Accompanying my research, memories, and project documentation, I record personal anecdotes that reflect my passion and my obsessions, as well as lay the foundation for the included work.

The book is a map book, a roots book, an …

Community, Harana & Karaoke: Towards A Theatrical Design, Ryan Diaz

Masters Theses

Community, Harana, & Karaoke: Towards a Theatrical Design explores graphic design’s potential as theatrical staging for building community and practicing the difficult and complicated art of loving others through performance.

Studying graphic design as harana, the traditional Filipino custom of romantic serenade, offers a framework to view both mediums as social architectures that propose and transform proximities of relation between people. As in harana, graphic design facilitates in naming, grounding, and organizing social relationships; in taking these affective environments as content and form, both arts align with the nature of performance and staging. Through practice, research, and abstraction, the graphic …

The Broken Thought Machine [Broh-Kuhn Thawt Muh-Sheen], Michael Dispensa

Masters Theses

A bulky, inflamed, excess volume of overactive targeted neuron choking nonsense that profits off creating fear-induced high-speed bowel movements.

My current work seeks to create space for intrusive thoughts and images that repeat, disturb, distress, and contaminate. The source of these intrusions is called the Broken Thought Machine(BTM). I use multimedia practices of drawing, sculpture, performance, and video to unearth the origins and properties of the BTM to then perpetuate its product to an absurd degree. This obsessive reiteration brings negativity to a threshold where horror and detachment can spontaneously metamorphose into humor and compassion.

The BTM can be an …

Float I;, Zihan Iris Li

Masters Theses

The digital world is just another reality, alongside all the other parallel universes. It is similar to dreams, reflect- ing our fear and desire. When we are not conscious, the particles from our mind will travel freely and construct dreams. While in virtual space, digits are those wandering particles which form the world and are partially controlled by our minds. What is interesting is that no one in those realities will question the logic and behaviours, even though some of them are ridiculous, if you think carefully when you are awake in this physical world. We do find things go …

Breaking The Fourth Wall, Esther Elizabeth Karram

Masters Theses

This creative, non-fiction thesis is written in memoir form and analyzes how a person perceives reality, how that perception is broken, and how a person copes with the limitations of a new reality. In examining my life, I came to realize that many of my performative tendencies stemmed from a desire to be loved and the belief that love was contingent upon perfection. What follows is my struggle to try to maintain that perfection, the failure to do so, and the slow acceptance of being an imperfect person in an imperfect world.

Anachropomorphism!, Carson Evans

Masters Theses

Folks, the Truth is hard to know—if can be known at all.¹ Conventional Western wisdom tells us: stick to the facts. (I’m looking at you, Enlightenment.) We privilege the written word as an objective and reliable vehicle for communication. Useful, yes, but we over-rely. I counter with this: bodily performativity and purposeful inaccuracy that produces, paradoxically, narrative accuracy. These methods roil in our gut or tug at our heartstrings—instead of recoiling, we should embrace them.

I like to unpack “the stories we tell ourselves,”² our personal and societal mythologies, with a particular eye to how the past plays a role …

Shakespeare In South Africa: An Examination Of Two Performances Of Titus Andronicus In Apartheid And Post-Apartheid South Africa, Erin Elizabeth Whitaker

Masters Theses

The works of William Shakespeare are wide and universal. His work has been and is still consistently performed in numerous countries and venues across the globe. This thesis focuses on two performances of Titus Andronicus, one of Shakespeare’s most controversial plays, in South Africa. One performance, directed by Dieter Reible in 1970, was produced during apartheid. The second, directed by Gregory Doran, was performed in 1995, just after the end of apartheid. These performances of Titus not only show the versatility and universality of Shakespeare’s work, but the complexity of audience reception and directorial intention in different political landscapes. …

The Spatiality In Storytelling, Xiang Yu

Masters Theses

Theatre has always been played a irreplaceable role in people’s lives, even nowadays where people have multiple choices for entertainment. Some theater architecture has also become the symbol of the city, such as Paris Opéra and Sydney Opera House. By taking a close look at various case studies, one will understand how the theatre architecture corresponds with their city representing its history, culture and visions for the future.

The development of my thesis is based on the integration of the ‘space’ of storytelling and the space of design. Will the quality of space bring out the memories that have been …

Summoning The Body That Acts, Brendan M. Mccauley

Masters Theses

Seven series of artworks; painted, drawn and performed. These works are presented as affective incorporation exercises, that test modes of aesthetic communication in response to varying political contingencies. The constitutive processes used to develop the work also function as a methodology for my own political radicalization. As an artist I am wagering how to talk, as an activist I am preparing to act. The artworks discussed occur at the crossroads of these desires as enactions of futurity within the subjunctive mood.

Mindful Theatremaking: Reflections Of A New Brain And Dead Man's Cell Phone, And The Art Of Applying Mindfulness In A Directorial Process, Glenn W. Proud Iii

Masters Theses

In this thesis, I seek to answer if applying the art of mindfulness to my directorial process can provide a greater experience of satisfaction and promote stronger effectiveness in the level of communication and cooperation amongst the collaborative artists in our theatremaking process, compared to previous departmental productions.

This thesis will explore my journey and cultivation of mindfulness from both a personal and artistic perspective. I define the mindfulness-based principles of Mindful Decision Making, Mindful Listening & Loving Speech, and Shifting Negatives to Positives, and provide case studies of their application in my two production processes William Finn’s A New …

A Lighting Design Concept For The Lighting For William Shakespeare's: The Merchant Of Venice, Michael Blagys

Masters Theses

I designed the lighting for William Shakespeare's complex piece, The Merchant of Venice, which was produced by the UMass Amherst Theater Department. In this thesis paper, I will discuss the creative process from start to finish, including relevant lighting paperwork and production photographs.

An Orchid In The Land Of Technology: Embodied Presence In A Mediatized World, Kevin Dodd

Masters Theses

This thesis applies the Aesthetic philosophy of John Dewey to the current discourse about mediatization and performance in an effort to explain how a Deweyan conception of embodied aesthetic experience can contribute to meaningful experience and human flourishing in a mediatized culture. The relationship between live presence and technological mediatization is often characterized as oppositional. Through an explication of the process of mediatization and manifestations of presence, this relationship can instead be viewed as reciprocal. An overview of Dewey's theories of experience and aesthetics refutes dualistic thinking and demonstrates how faculties of perception can be engaged and our capacity for …

Preserving Dance Forms In India Through Education And Performance: A Curriculum For Bollywood Dance, Kimberly Martin

Masters Theses

This project is a practical curriculum of Bollywood dance that can be used to assist in the preservation of dance forms in India through education and performance. The goal of this curriculum is to systematically equip dancers of all ages with the basic knowledge and experiences needed to excel as dancers and choreographers of Bollywood dance. This will be achieved through practical experience that is built from the basics of Bollywood dance and founded in classical tradition and theory as presented in Bharat Natyam. This curriculum is broken up into four sixteen-week semesters and covers a series of steps, basics …

“Can The Circle Be Unbroken” : An Ensemble Of Memory And Performance In Selected Novels Of Lee Smith, Jessica Frances Hoover

Masters Theses

This project combines performance studies and memory studies to the analysis of three of Lee Smith’s southern Appalachian novels in order to open the texts to broader understandings of Smith’s use of oral performance forms, such as ballads, music, and storytelling, in her characters’ transmissions of tradition. The approach draws on performance work by Joseph Roach and collective memory theory by Maurice Halbwachs to create a lens through which to add to existing Smith scholarship centering on feminist readings and women’s authorship. This blended approach allows room to analyze the oral performance forms so central to Smith’s work and their …