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Masters Theses

Ceramic sculpture

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Mars Is For Fags, Justin Quaid Grubb Jun 2021

Mars Is For Fags, Justin Quaid Grubb

Masters Theses

The overarching theme dealt with in my work relates to the Space Age - specifically the predictive futuristic approach to product design and the pop culture that came out of the movement. During this time, technological advancements permeated American culture. Manufactures made the future accessible to everyone and futuristic living became symbolic of innovation, progress, and prosperity. A blueprint for a futurist suburban utopia was forged and the American people were ready to embody the new “American Dream.” Residential Mid-Century Modern architecture emerged as the new site for this dream and along with it came a new way of life. …


Under / Over Looked, Kopal Seth May 2020

Under / Over Looked, Kopal Seth

Masters Theses

Across the stages of migration, I have confronted emotional and social complexities. The farther I am from my roots, the more I want to strengthen my connection to India. Through a process of observation and reflection on every day, grows the desire to house a cultural identity within my work. Here, encounters between past, present and future layer atop history and memories.

To reclaim the kindred character of the craft culture of my country, I rediscover those values that resonate within me through recontextualised forms, clay acts as my drawing tool to outline social structures, psychology, traditions and nostalgia.


In The Flesh, Courtney Sierra Johnson May 2020

In The Flesh, Courtney Sierra Johnson

Masters Theses

This thesis is written in two parts:

Part one discusses the history of artistic swimming and its correlation to understanding the fluidity of gender. I adapt the analysis to interpret the underlying theme of critical theory. Tying to my work, I use the notion of the fountain to justify the theory of abjection towards the body and the suppression of natural bodily behaviors within society. Furthermore, the fountain explores water as a symbolic place of equality and gathering.

Part two was written during quarantine of the Coronavirus pandemic. It describes my inability to complete my original thesis and how my …


The Movement In Nature : Deep Missing, Missing You From Far Away, Chia-Chi Wu May 2019

The Movement In Nature : Deep Missing, Missing You From Far Away, Chia-Chi Wu

Masters Theses

The Movements in Nature

Soft waves, soft clouds, soft grass,

In the ocean, in the sky, on the ground. Mellow, smooth, satisfying,

No sharpness, no harm, just round circles.

Imagination of the mixture of the nature.


In-Between Places, Jonah Fleeger May 2019

In-Between Places, Jonah Fleeger

Masters Theses

I am an emerging artist originally from Northwest Indiana. I attended a small boarding school called Verde Valley School, in Sedona, Arizona, which is where my love for pottery first started. I received my BFA in ceramics from The School of the Art Institute of Chicago. After college I was fortunate enough to find studio space and work at the Lillstreet Art Center, where I was a teacher, teaching assistant and glaze maker. Since then I have completed post-baccalaureate programs at The University of Colorado Boulder and Northern Arizona University in Flagstaff, Arizona. This book is a presentation of myself …


Train Boy, Shannon Gross May 2019

Train Boy, Shannon Gross

Masters Theses

This thesis tells the story of the author's interactions with the hallucinatory figure of Train Boy.


Throngs, Yinan Chen May 2019

Throngs, Yinan Chen

Masters Theses

Ceramic is an important element of my artworks. It is a material with strong bearing capacity, and at the same time, it is a tool with the attribute of nature and social function, for the similarity with humans can be found in it. Thanks to its characteristics, I am able to transform the forms, colors, and quality to complete my works. Collected from nature, carved with human hands, the clay is cultivated and my expectation of the outside world is satisfied.


Castles In The Sky, Iva Milovanović Jun 2018

Castles In The Sky, Iva Milovanović

Masters Theses

I was born and raised in the city of Belgrade. From the 1950’s till the beginning of 1990’s it was the capital city of the Socialist Federal Republic of Yugoslavia. From the 1950’s until the 1980’s Yugoslavia experienced a financial and thus architectural boom. The president Josip Broz Tito financed construction of WWII Memorials to demonstrate the strength of the socialist republic throughout the Balkans. These giant memorials, along with most of the architecture of Belgrade from that time, were built in brutalist style. Brutalism signified power, progress and a forward moving country.

However, when I was born a new …


On The Edge Of Being, Zoe Gross Jun 2018

On The Edge Of Being, Zoe Gross

Masters Theses

On the Edge of Being represents a focused exploration of clay, craft, femininity, fragility, and self-care. The title is hopeful. It represents a certain radical gentleness with myself and with my work. It reminds me that as hard as I try, there is always room to grow and improve. It is also a bit of a joke with myself; I am rarely satisfied.

I began this body of work as a way of rejoicing in the tamped down impulses of my early artistic career. I wanted to infuse my work with magic: color, texture, pattern, flowers, frills, lace, kitsch and …


Very-Asian Variation, Nicholas Oh Jun 2018

Very-Asian Variation, Nicholas Oh

Masters Theses

Nicholas Oh is a Korean American Artist currently working in Providence.

Oh graduated from San Francisco State University and he is currently a graduate student at Rhode Island School of Design.

He focuses on creating clay sculpture and mixed media installation that deals with race and identity as a Korean American in America.

Oh has done residencies at Shigaraki Ceramic Cultural Park, Japan and Anderson Ranch Arts Center, Colorado and has shown at Mills College Art Museum in California, Milwaukee Art Institute in Wisconsin, American Museum of Ceramic Art and Pence Gallery in California.


Ouroboros, Christopher Dove Drury Jun 2018

Ouroboros, Christopher Dove Drury

Masters Theses

Art is communication.

Objects are for making and giving.

Life is to be loved with others.

I work directly and swiftly with material to mark time and labor.

This is a pathway to resolve suffering, to be present.


Wielding Daggers : The Female Uncanny, Stephanie E. Hanes May 2017

Wielding Daggers : The Female Uncanny, Stephanie E. Hanes

Masters Theses

This thesis document is a compilation of personal essays that analyze aspects of visual culture and philosophy. I am greatly interested in how this analysis is related to women bodies; the nude in western art has a long history of being constructed for the male gaze. This significance of the identification of women with the body exposes women in our culture to learn their own particulars for self surveillance. By looking into the mirror, what is reflected back? With these essays, I am opening myself to the unknown and the unknowable, revealing the paradox of feminist and philosophical scholarship. When …


Breathe, Iggy Choi May 2017

Breathe, Iggy Choi

Masters Theses

Everything around us is interesting, but we Keep so busy we miss out what is importance. When we first get a gadget we get excited for few months, but soon we lose interest and seeking for something new and cooler. We are constantly hurt, tired, stressed, overwhelmed, but we are not aware because we are so focused on the future. We need to reset to get back on our track. We need to stay aware and remember our first excitement in order to refresh our purpose and focus. Life would be better if we step back, breathe, and notice what …


In The Marketplace, Anina Major May 2017

In The Marketplace, Anina Major

Masters Theses

The decision to voluntarily establish a home contrary to the location in which I was born and raised (The Bahamas) motivates me to investigate the relationship between self and place. To further explore my own migration and the emotional complexities that surface, with a desire to fabricate terms of cultural integrity and its defining influence. To express poetically the kindred ideals that resonate from home and intertwine those values to cultivate moments of reflection and acceptance. To promote encounters between past, present and future by weaving the memories of my own background and experiences, consequently unveiling a rich culture composed …


Empathic Exchange, Yu-Jung Kim May 2016

Empathic Exchange, Yu-Jung Kim

Masters Theses

My work explores the empathy existing between humans and animals. It is possible for humans and animals commune empathically by staring at one another. With empathy, human and animal connection can be built; comfort and healing can be found through this form of exchange. Non-verbal communication with animals may not often be thought about seriously. I aim to share the experience of empathy, comfort and power of healing through communication with animals I have felt, and to awake people with similar experiences in their memory through my works.

As a child, I thought I could not be truly understood by …


Memory: Tangible Decay & Growth, Rebecca J. Buglio May 2016

Memory: Tangible Decay & Growth, Rebecca J. Buglio

Masters Theses

What if the objects we had as children grew up with us and showed the decay, alterations, and new growth that occurred to us?

Natural sciences focus, in part, on the endless cycle of growth and decay. Through researching this topic, the question of current versus past arose to question how the mind evolves with age. As a ceramic artist, clay offers a memory through touch by taking the shape and form the creator wills it to have while still able to have movement and force of its own through the molecular makeup and processes it goes through in firings. …


The Self Reconfigured, Soe Yu Nwe May 2015

The Self Reconfigured, Soe Yu Nwe

Masters Theses

In my work, I explore different ways of narrating my experience of alienation, confusion, pain, and psychological confinement as a cultural outsider. I seek to create narrative spaces that explore the spatial relationships between the fragmented and dislocated self with the surrounding environment along with a yearning for connection. I convey these experiences through the use of symbols (house, shrine, vessel, and snake) as metaphors for the self. As a third generation Chinese immigrant in Myanmar, I look back to Buddhist and Animistic practices in my native country, in addition to Chinese cultural practices, for inspiration in my work. The …