Arts and Humanities Commons^™

“Taming The Maternal”: Mother-Women And The Construction Of The Maternal Body In Harriet Jacobs, Kate Chopin, And Evelyn Scott, Kelly Ann Masterson

Masters Theses

From the nineteenth century to the present day, constructions of motherhood have often run counter to the best interests of women. The repression of desire and sexuality necessitated by ideals of motherhood and maternity are detrimental to women’s awareness of and authority over their own bodies. The physical body, then, becomes problematic for these women, who find themselves trapped within bodies that are expected to behave according to popular ideals of True Womanhood. A rupture occurs between body and mind – a rupture that often results in (sometimes literal) destruction.

The fiction of women writers during the nineteenth and early …

"Petticoat Gunboats": The Wartime Expansion Of Confederate Women's Discursive Opportunities Through Ladies' Gunboat Societies, Cara Vandergriff

Masters Theses

This study represents a feminist historiographical recovery of the discursive practices of Confederate women in Ladies' Gunboat Societies in the Civil War South, with particular attention to the rhetoric of club formation, epistolary writing, and networking through national newspapers. A turn toward an examination of process-oriented rhetoric as supported in the work of Andrea Lunsford and Robin Jensen provides a robust framework for the methodology of recovery of non-traditional rhetorical texts in this project. As we explore these process-oriented texts, we discover the material motives Confederate women had for contributing to the war effort in an unprecedented way: the construction …

Women As Victims In Tennessee Williams' First Three Major Plays, Ruth Foley

Masters Theses

Although Tennessee Williams does not openly champion the rights of women in his plays, he presents strong cases against their social alienation in a harsh and brutal world governed by men. Williams' emotional leanings, sensitivity, and intuition enable him to see life through women's eyes. In The Glass Menagerie, A Streetcar Named Desire, and Summer and Smoke, Williams astutely sounds the battle cry for women to fight against male oppression. He shows how Amanda Wingfield, Laura Wingfield, Blanche Dubois, Stella Kowalski, and Alma Winemiller are held hostage to the rules governing patriarchal society and become unhappy marginalized victims. The self-contained …