Arts and Humanities Commons^™

Can’T Stop Coyote, Tala Worrell

Masters Theses

I work hard to keep language out of my studio. Language reminds me of my mom’s voice, people telling me what to do, not having the right accent, critiques, criticism in general, mis-truths, and never being good enough. Language is the material of my thoughts, and most of my thoughts, or the ones on a constant loop anyhow, are all those voices over and over again.

Painting is where I get to be me, with myself, and in my body. Painting is my home, family, refuge, and best friend. I’m not looking at myself from the outside, no one can …

Mending What’S Invisible, Chaehee Yoon

Masters Theses

A written thesis to accompany the M.F.A. Exhibition Mending What’s Invisible, in which the artist’s personal experiences and memories explore the cultural identities and femininity in Korea and the US. These identities are explored by using traditional Korean motifs, embroidery patterns, and the visual images of the artist's childhood photographs in the projects of “Reconnecting of Nostalgia” and “Mutating”. Also the visual clips of the artist's hometown is demonstrated in the video project “Things I hated” that discusses criticalities of Korean cultures and a sense of nostalgia for childhood in Korea. The project comes out of a personal need to …

The Beauty Of Collision, Yixuan Pan

Masters Theses

As a Chinese artist living in the United States, I’m researching the integration of Eastern and Western aesthetics, as well as the loss of identity that can occur when visual cultures begin to assimilate. My work endeavors to locate the connection between Eastern and Western arts through my own memories and experiences. From the age of five, I have studied calligraphy and traditional Chinese painting with my grandfather, who was a calligraphy professor. Today, I use the shapes of traditional Chinese hand fans as symbols of youth, drawing from memories of my mother and grandmother brandishing the fans to help …

Hain't, Jarrett Key

Masters Theses

Jarrett Key’s thesis book examines their journey towards understanding their freedom through three lenses: Survival, Transformation and Celebration. Through pointed excavation of the oral histories and lost stories of their upbringing in rural Alabama, their work presents critiques of the historical conditions that sowed the seeds of their contemporary personhood, while simultaneously creating spaces to celebrate beauty, joy, and survival. The objects Key builds perform their freedom and are crafted from materials that reference pieces of their own personal narrative. Highlighting works from Leaving the City (oil paintings on cement), the Hot Comb (forged black steel sculptures), and Slave Ship/ESP …