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Full-Text Articles in Arts and Humanities

Green + White = Pink, Dora Chen Jun 2023

Green + White = Pink, Dora Chen

Masters Theses


My thesis seeks to explore the unknown forces that are constantly shaping our lives. I am intrigued by the intangible connections that link people, objects, and places together, and how they manifest across space and time. As a ceramicist emphasizing both interiority and tactility, my work will dissect layered ideas of closeness and disruption in order to reveal a nuanced understanding of how we exist in perpetuity with what can’t be seen. I wish to explore this topic through carefully directed installations that emphasize intimacy and engagement among audience members. Through inspiration from my past experience, childhood memories, as well …


Spaces Of Wait And Their Weight, Eman Alhashemi May 2023

Spaces Of Wait And Their Weight, Eman Alhashemi

Masters Theses

i have been exploring, researching and observing what influences affect a space within the traditions, rituals, food, thoughts and behavior. what happens when that space of comfort disappears and changes? through a series of work that waits, melts, merges, and exaggerates in am attempt to find its place. as i borrow objects and movements from daily life observing my surroundings and extracting mundane things that take on different forms whether exaggerated or unidentifiable. this recent culmination of work over the two years at risd look at objects and spaces of waiting, discomfort, longing and sharing. our behavior is affected by …


Mixed Messages, Hannah Duggan Jun 2022

Mixed Messages, Hannah Duggan

Masters Theses

The bodies of work that I have created during graduate school stem from my interest in mass media, culture studies and spectatorship in the digital era. My research engages digital technology and media studies to consider the ethics and ambivalence associated with spectatorship. Using traditional art mediums, I explore social and digital media, revealing tensions through representation and materiality. This translation from digital to analogue media is pivotal in all my work. Handmade objects introduce slippage and meaning as they break from the limiting format of the screen. This thesis will explore the research and content that inspired the creation …


Fableware From The Garden Of The Grotesque, Matt Becker Jun 2021

Fableware From The Garden Of The Grotesque, Matt Becker

Masters Theses

In biology, a chimaera is created when two zygotes collide at an early stage of development, resulting in a unique creature containing two distinct sets of genes. The name is borrowed from Greek mythology where chimaeras are fire-breathing monsters born with the mixed attributes of lions, snakes, and goats. As creatures of myth, chimaera represent a narrative union of disparate parts; a collision of the fantastic and the mundane.

Clay can be used to explore this dichotomy, utilizing its ability as a mutable canvas to embody a vast range of visual vocabularies while referencing its rich history and placing new …


Beauty Still Lives Here: Narratives Of Radical Self-Love, Deshun Peoples Jun 2021

Beauty Still Lives Here: Narratives Of Radical Self-Love, Deshun Peoples

Masters Theses

This exhibition is primarily concerned with the act of taking up physical and socio-political space. Through the use of form, design, color, and installation this work places various histories and traditions of both ceramics and resistance in communication with one another. The red, black, and green of Marcus Garvey’s 1920 Pan-African/Black American flag are proudly displayed against a warm, calm, pale green backdrop to highlight the importance of mental health in all endeavors, especially in the emotionally taxing labor of social, political, and economic protest in the battle for humanity, life, civil rights, equity, access, and decision-making power.


A Journey To The Deep Self, Fengkun Yu Jun 2021

A Journey To The Deep Self, Fengkun Yu

Masters Theses

Filling the empty corners and walls with my favorite stuff in my house is essential for me to feel secure. Thus, I make pieces that I imagine being surrounded by the best collection by placing and organizing them in a touchable distance, such as wall shelves or bookshelves in my own space. I feel both physically and mentally comfortable with the atmosphere that these objects create and convey to me as a relatively sensitive and introverted person.

The state of being free from agitation and disturbance to me is the prerequisite to conduct studio practice. Being able to focus on …


Control Theory, Colin Yoon Jun 2021

Control Theory, Colin Yoon

Masters Theses

When people feel that everything is out of control, their natural response would be to turn to a designated space to manipulate anything within it, whether a physical environment or a digital platform. This book expresses the comforts of order and predictability in response to the chaos and confusion that emerged from the train wreck known as 2020. After everything that has happened, it’s understandable that people want to have some semblance of control over something in their lives, as predictability makes them feel safe, intelligent, and powerful.


This Trash Is Someone Else's Problem, Lauren Goodman Jun 2021

This Trash Is Someone Else's Problem, Lauren Goodman

Masters Theses

This Trash is Someone Else’s Problem reimagines object design practices through a decolonial lens that embraces responsive approaches to the local environment and the communities that steward it. It advocates for design justice and social equality. The physical work was developed from discarded scraps of industrial waste harvested from the Providence area, such as wire fencing, oil drums, rebar and steel tubing. It was created without the use of expensive tools, machinery and materials in favour of a less extractive approach to design. In conjunction with the studio work is a series of community gatherings focused on low-fi ceramic pit …


With Eyes Unclouded, Tiffany Tang May 2020

With Eyes Unclouded, Tiffany Tang

Masters Theses

Tiffany is interested in creating purposeful connections and direct relationships through this vehicle of functional work. The scale of the work is made for the tabletop, asking to be handled and enjoyed. Her work takes a lot of time. Everything she does to the piece has a purpose. There are many stages in the process, and each informs what the next step will be, leading to the work existing as an accumulation of experiences. The use of colors and patterns are a form of inviting joy into the work. Blue greens, dark teals, serenity blues, pastel pinks, rosy quartz, palest …


The Movement In Nature : Deep Missing, Missing You From Far Away, Chia-Chi Wu May 2019

The Movement In Nature : Deep Missing, Missing You From Far Away, Chia-Chi Wu

Masters Theses

The Movements in Nature

Soft waves, soft clouds, soft grass,

In the ocean, in the sky, on the ground. Mellow, smooth, satisfying,

No sharpness, no harm, just round circles.

Imagination of the mixture of the nature.


In-Between Places, Jonah Fleeger May 2019

In-Between Places, Jonah Fleeger

Masters Theses

I am an emerging artist originally from Northwest Indiana. I attended a small boarding school called Verde Valley School, in Sedona, Arizona, which is where my love for pottery first started. I received my BFA in ceramics from The School of the Art Institute of Chicago. After college I was fortunate enough to find studio space and work at the Lillstreet Art Center, where I was a teacher, teaching assistant and glaze maker. Since then I have completed post-baccalaureate programs at The University of Colorado Boulder and Northern Arizona University in Flagstaff, Arizona. This book is a presentation of myself …


Train Boy, Shannon Gross May 2019

Train Boy, Shannon Gross

Masters Theses

This thesis tells the story of the author's interactions with the hallucinatory figure of Train Boy.


Throngs, Yinan Chen May 2019

Throngs, Yinan Chen

Masters Theses

Ceramic is an important element of my artworks. It is a material with strong bearing capacity, and at the same time, it is a tool with the attribute of nature and social function, for the similarity with humans can be found in it. Thanks to its characteristics, I am able to transform the forms, colors, and quality to complete my works. Collected from nature, carved with human hands, the clay is cultivated and my expectation of the outside world is satisfied.


Wielding Daggers : The Female Uncanny, Stephanie E. Hanes May 2017

Wielding Daggers : The Female Uncanny, Stephanie E. Hanes

Masters Theses

This thesis document is a compilation of personal essays that analyze aspects of visual culture and philosophy. I am greatly interested in how this analysis is related to women bodies; the nude in western art has a long history of being constructed for the male gaze. This significance of the identification of women with the body exposes women in our culture to learn their own particulars for self surveillance. By looking into the mirror, what is reflected back? With these essays, I am opening myself to the unknown and the unknowable, revealing the paradox of feminist and philosophical scholarship. When …


Breathe, Iggy Choi May 2017

Breathe, Iggy Choi

Masters Theses

Everything around us is interesting, but we Keep so busy we miss out what is importance. When we first get a gadget we get excited for few months, but soon we lose interest and seeking for something new and cooler. We are constantly hurt, tired, stressed, overwhelmed, but we are not aware because we are so focused on the future. We need to reset to get back on our track. We need to stay aware and remember our first excitement in order to refresh our purpose and focus. Life would be better if we step back, breathe, and notice what …


Between Material And Landscape, Martin Mcdermott May 2016

Between Material And Landscape, Martin Mcdermott

Masters Theses

Clay is a binary material. It is soft and malleable and yet becomes as hard as rock when subjected to immense heat. Its responsiveness to manipulation makes it well suited to recording touch in landscapes of surface. Its versatility makes it the ideal material for expressing other types of antipodal concepts: dark and light, banal and profound, temporary and durable. The sculptural objects in this body of work represent many of these contrasts through an investigation of various historical concepts within a broad definition of landscape art. The hollow clay “rocks” reference caves and grottos through apertures in the surface …


Empathic Exchange, Yu-Jung Kim May 2016

Empathic Exchange, Yu-Jung Kim

Masters Theses

My work explores the empathy existing between humans and animals. It is possible for humans and animals commune empathically by staring at one another. With empathy, human and animal connection can be built; comfort and healing can be found through this form of exchange. Non-verbal communication with animals may not often be thought about seriously. I aim to share the experience of empathy, comfort and power of healing through communication with animals I have felt, and to awake people with similar experiences in their memory through my works.

As a child, I thought I could not be truly understood by …


Memory: Tangible Decay & Growth, Rebecca J. Buglio May 2016

Memory: Tangible Decay & Growth, Rebecca J. Buglio

Masters Theses

What if the objects we had as children grew up with us and showed the decay, alterations, and new growth that occurred to us?

Natural sciences focus, in part, on the endless cycle of growth and decay. Through researching this topic, the question of current versus past arose to question how the mind evolves with age. As a ceramic artist, clay offers a memory through touch by taking the shape and form the creator wills it to have while still able to have movement and force of its own through the molecular makeup and processes it goes through in firings. …


The Self Reconfigured, Soe Yu Nwe May 2015

The Self Reconfigured, Soe Yu Nwe

Masters Theses

In my work, I explore different ways of narrating my experience of alienation, confusion, pain, and psychological confinement as a cultural outsider. I seek to create narrative spaces that explore the spatial relationships between the fragmented and dislocated self with the surrounding environment along with a yearning for connection. I convey these experiences through the use of symbols (house, shrine, vessel, and snake) as metaphors for the self. As a third generation Chinese immigrant in Myanmar, I look back to Buddhist and Animistic practices in my native country, in addition to Chinese cultural practices, for inspiration in my work. The …