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Full-Text Articles in Arts and Humanities
Review Of Nagihan Haliloğlu’S Narrating From The Margins: Self-Representation Of Female And Colonial Subjectivities In Jean Rhys’S Novels, Lee Garver
Lee Garver
Book review of: Narrating from the Margins: Self-Representation of Female and Colonial Subjectivities in Jean Rhys’s Novels by Nagihan Haliloğlu. 222 pages, 2011, $64.00 USD (hardcover) Amsterdam, Rodopi
Review Of "Bernard Shaw And Gabriel Pascal." Edited By Bernard F. Dukore., Lee Garver
Review Of "Bernard Shaw And Gabriel Pascal." Edited By Bernard F. Dukore., Lee Garver
Lee Garver
Dr. Lee Garver's review of Bernard Shaw and Gabriel Pascal. Edited by Bernard F. Dukore. Volume 3 of Selected Correspondence of Bernard Shaw. Toronto: University of Toronto Press, 1996. Pp. 224. $40.00.
Coming In From The Margins: Reappraising And Recentering Katherine Mansfield, Lee Garver
Coming In From The Margins: Reappraising And Recentering Katherine Mansfield, Lee Garver
Lee Garver
Review essay of three volumes pertaining to the works of Katherine Mansfield.
Hulme Among The Progressives, Lee Garver
Hulme Among The Progressives, Lee Garver
Lee Garver
Dr. Lee Garver's contribution to: Comentale, Edward P., and Andrzej Gąsiorek. T.E. Hulme and the Question of Modernism. Aldershot, England: Ashgate, 2006.
Review Of Martha Fodeski Black’S Shaw And Joyce: “The Last Word In Stolentelling.”, Lee Garver
Review Of Martha Fodeski Black’S Shaw And Joyce: “The Last Word In Stolentelling.”, Lee Garver
Lee Garver
Dr. Lee Garver's review of Shaw and Joyce: "The Last Word in Stolentelling." Martha Fodasky Black. Gainesville: University of Florida Press, 1995. Pp. 445. $49.95.
The Political Katherine Mansfield, Lee Garver
The Political Katherine Mansfield, Lee Garver
Lee Garver
Ideologies that have been superseded by more enduring political discourses and literary figures who have been succeeded by greater authors are frequently relegated to the footnotes of cultural scholarship. But sometimes these lesser-known subjects of literary history, properly attended to, provide unique opportunities for a richer understanding of aesthetic developments. The study of British modernism, in particular, can benefit from a willingness to examine forgotten political-cultural relationships. Indeed, the period's extreme ideological complexity and cross-fertilization has served to mask the important political roles played by less celebrated artists in the formulation of modernist aesthetic doctrine. This is particularly true of …