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Articles 1 - 10 of 10
Full-Text Articles in Arts and Humanities
Eggs, Hair, Seeds, Milk, Patrick West
Eggs, Hair, Seeds, Milk, Patrick West
Landscapes: the Journal of the International Centre for Landscape and Language
Short story
Mount Keira By Night, Frank Russo
Mount Keira By Night, Frank Russo
Landscapes: the Journal of the International Centre for Landscape and Language
Poem: Mount Keira by night
Summer On The Swan River, 1953, Lawrence A. Smith Mr
Summer On The Swan River, 1953, Lawrence A. Smith Mr
Landscapes: the Journal of the International Centre for Landscape and Language
Memories of the Swan River, Perth, Western Australia, 65 years ago.
After Rain, Louise Boscacci
After Rain, Louise Boscacci
Landscapes: the Journal of the International Centre for Landscape and Language
Amidst climate chaos, words gather as a tipping point in after-affect. On January 4, 2020, the massive Currowan bushfire in New South Wales crossed the Shoalhaven River and raced into the Wingecarribee district of the Illawarra region south of Sydney. After two weeks of emergency warnings, a new preternatural “catastrophic” danger rating, watch and act alerts, and heatwave temperatures, the fire front arrived on a blunt southerly gale in the evening. Climate breakdown had delivered locally and personally. The next day, light rain, more drizzle than shower, visited the home fireground.
Looking For Marianne North, John Charles Ryan
Looking For Marianne North, John Charles Ryan
Landscapes: the Journal of the International Centre for Landscape and Language
This poem reflects on the life of peripatetic botanical illustrator Marianne North (1830-1890) who travelled to Southwest Australia in 1880.
Critically Imagining A Decolonised Vision In Australian Poetry, Cassandra Julie O'Loughlin
Critically Imagining A Decolonised Vision In Australian Poetry, Cassandra Julie O'Loughlin
Landscapes: the Journal of the International Centre for Landscape and Language
Postmodern ecocriticism, given its broad range of perspectives, offers an agreeable platform for articulating a new, advanced and inclusive framework for a decolonising theorisation of literature and the environment. This article seeks to identify Australian Western decolonising poetry that sits in harmony with Indigenous aural and literary versions of communicative engagement with Country. The concept of human embeddedness in ecological relationships and biological processes as part of a complex matrix of interdependent things is embraced. In particular this article focuses on inclusivity and interconnectedness of all life forms to illustrate aesthetic and conceptual interfaces between Aboriginal Australia and Western poetics. …
The Dancing Between Two Worlds Project: Background, Methodology And Learning To Approach Community In Place, Anindita Banerjee, Shaun Mcleod, Gretel Taylor, Patrick L. West
The Dancing Between Two Worlds Project: Background, Methodology And Learning To Approach Community In Place, Anindita Banerjee, Shaun Mcleod, Gretel Taylor, Patrick L. West
Landscapes: the Journal of the International Centre for Landscape and Language
This article recounts the history to date of the Dancing Between Two Worlds (DBTW) project, which was initiated by a team of artist-scholars at Deakin University in 2018. DBTW’s brief was to engage the Indian community living in the western fringes of Melbourne in a project on civic belonging, cross-cultural artistic identity, and the performance of outer-suburban Indian diaspora. Working with the creative and community energies that are activated at the intersection of the creative arts and demographically inflected place, the Deakin researchers collaborated with local artists with an Indian background on a major performance in late 2019: …
Landscape Theology: Exploring The Outfields Of The Telemarkian Dream Song, Thomas Arentzen
Landscape Theology: Exploring The Outfields Of The Telemarkian Dream Song, Thomas Arentzen
Landscapes: the Journal of the International Centre for Landscape and Language
The article explores the Norwegian ‘national ballad’ Draumkvæde (the Dream Song) in Maren Ramskeid’s version. This work has traditionally been interpreted as a folklore adaptation of medieval visionary literature such as the Vision of Tundale, related to Dante Alighieri’s Divine Comedy. The ballad, however, lacks demons and devils and infernal torture – it is even almost completely devoid of human beings. Instead it tells of a corporeal encounter with an imagined natural landscape. This dreamscape of the song is intimately intertwined with the local terrain of the singer. Maren Ramskeid engaged her own landscape in Telemark, the …
Issue Introduction Volume 10, David Gray
Issue Introduction Volume 10, David Gray
Landscapes: the Journal of the International Centre for Landscape and Language
Issue Introduction and Editorial for Volume 10, Issue 1.
Complete Issue 1, Volume 10, David Gray
Complete Issue 1, Volume 10, David Gray
Landscapes: the Journal of the International Centre for Landscape and Language
Complete Issue 1, Volume 10