Arts and Humanities Commons^™

Effects Of Music Instruction For 3-4-Year-Old Children On Cognitive Development And Spatial Skills, Veronica Perez Espinosa

LSU Master's Theses

The impact of music instruction on child cognitive development has been examined by researchers in many contexts, but not as often in very young children. The purpose of the present study was to investigate the effects of music instruction on the spatial and cognitive skills of preschool children ages 3-4. Participants in the study were 68 three- to four-year-old students who received weekly music instruction at a private school in South Louisiana. Of the 68 participants, and using a quasi-experimental design, 30 students in three intact classes were randomly assigned to receive a movement song treatment and the other 38 …

Emily Somebody: A Chamber Opera In Three Acts, Rodrigo Afonso Salles Camargo

LSU Master's Theses

Emily Somebody is a chamber opera in three acts that tells the story of the friendship between the American poet Emily Dickinson and the man that would become her first editor, Mr. Thomas Higginson. This story, for me, is ultimately about a poet (or an artist) in the process of finding not only her own voice but also discovering what poetry and art mean to her, in the most genuine way, and standing up for these beliefs and values. All the lyrics used in this work are from Emily Dickinson’s poems and letters exchanged between her and Mr. Thomas Higginson.

The Perceptions, Experiences, And Stories Of Tied-Migrant Music Educators: How The Personal And Professional Blend, Rachel K. Broyles

LSU Master's Theses

Centering around the purpose of examining the lived experiences and perspectives of self-identified tied-migrant music educators and how the transitory aspects of their personal lives impact their professional careers, this phenomenological case study discusses the findings of both a review of literature and completed original research utilizing two participants who are tied-migrant spouses in the music education field and examine their stories. For this study, tied- migrant spouses are defined as persons who are married to individuals who frequently relocate due to their professional occupation (Mincer, 1978). Participants include tied-migrant military spouses and tied-migrant civilian spouses.

Specific research questions include: …

Use Of Rhythm Video Games As A Tool For Rhythmic Listening In Elementary School Music Students, Jennifer Webber

LSU Master's Theses

This posttest-only control group study sought to examine how rhythm video games, through the use of the rhythm game Rhythm Heaven, affect the rhythmic skills of elementary music students, in order to determine if rhythm video games are acceptable supplementary materials for aiding beginning music students in learning rhythm. Research questions were 1) Are participants who receive the rhythm game treatment able to reproduce rhythms more accurately than participants who do not do not receive the treatment? 2) Can participants who play a rhythm game more accurately imitate longer rhythms than those who do not play a rhythm game? 3) …

Teachers' And Students' Perceptions Of Goal Orientation Theory In Secondary Instrumental Music Classrooms: A Case Study, Carlye Mcgregor

LSU Master's Theses

Goal orientation theory (Ames, 1992; Blumenfeld, 1992) is a cognitive theory that identifies how goals affect motivation in students. The benefits of mastery goal orientation — aspects of instruction which support the connection between effort and achievement — on student motivation and participation have been well-documented. Researchers (Ames & Archer, 1988; Patrick, et al., 2001) found students can pick up on goal cues and identify traits of each theory apparent in their classroom. Teachers communicate their values through goal structures, and student motivation can be improved by consistent goal structures, or negatively affected by misaligned goal structures (Ames & Archer, …

The Early Lieder Of Josephine Lang: A Comparative Study, Rachel E. Cisneros

LSU Master's Theses

Josephine Lang's contribution to nineteenth-century song has been increasingly recognized in recent scholarship. This is largely because of Harald Krebs’s and Sharon Krebs's groundbreaking book, Josephine Lang: Her Life and Songs (2007). In their book, Krebs and Krebs draw information about Lang’s life from two early biographies, the first written during Lang’s lifetime by Ferdinand Hiller and the second written after her death by her son Heinrich Adolf Köstlin. Primary sources fill in the gaps that these two nineteenth-century biographies left open. For example, the letters between Lang and her correspondents also reveal much about her social reputation, financial hardships, …

Bassoon Concerto: Color & Light, Aaron Alonso Gonzalez

LSU Master's Theses

The Bassoon Concerto: Color & Light, is about light, color, childhood, introspection, and the sense of freedom that one may experience in the spectrum of life. The first movement is about the light in the goodness of all humanity. The second movement is about being lost in color, trying to find its path back to the light. The last movement is about finding the light again in the brushstrokes of an aurora. An aurora is a Spanish word that, according to the Royal Spanish Academy dictionary, is a rose-colored light that immediately precedes sunrise and the beginning or early stages …

Looking Down From The Top Of A Redwood Tree, Keri Pertuit

LSU Master's Theses

“Looking Down from the Top of a Redwood Tree” was a collaboration with my brother, Fabein Miguel Disedare. From the onset of this project, I reached out to him about the possibility of him creating the poetry, functioning as the lyrics of this piece. When working with Fabein, he suggested the topic of global warming, and we agreed to incorporate this theme through the telling of a story from the perspective of Redwood Tree located on the California coast. This song cycle follows the story of a family of trees inhabiting the coastline, their struggles with deforestation, their lack of …

Developing Student Agency In The Choral Classroom: A Case Study, Danielle E. Laird

LSU Master's Theses

This multiple-case study sought to describe how student agency is cultivated within two high school choir programs. Research questions were: (a) In what ways did participating teachers incorporate student agency? (b) How did their students describe their experience? (c) What opportunities/difficulties emerged when students assumed leadership and decision-making roles? (d) Why do participating teachers offer these to students? (e) How do opportunities for student agency serve student learning and program goals? Data collection included semi-structured teacher interviews in two stages, as well as a student questionnaire. Other data included choir handbooks, student leadership information, social media presence, and classroom signs. …

"The Rest Is Lagniappe": The Female Secondary Band Director Experience In Louisiana, Margaret M. Webb

LSU Master's Theses

The purpose of this case study is to examine the experience of female secondary band directors in southeastern Louisiana. Six female band directors in Louisiana were interviewed using video-conferencing. Of the six, four were middle school directors and two were high school directors. The semi-structured interviews took place in three phases: 1) musical influences and experiences from birth through college, 2) early teaching experience, and 3) current teaching experience. Data analysis included four phases of coding; open, axial, closed, and selective. Coding uncovered multiple themes in the findings. Themes were categorized as the following: (1) Becoming a Band Director, (2) …

Amour Symphony Thesis, Vanessa C. Williams

LSU Master's Theses

The word Amour means love. Amour Symphony represents God's love to me. Each movement represents growing up as a Christian under the Love of God. Amour Symphony is a four movement symphony for full orchestra. Each movement follows the traditional movements of a symphony. Movement I is Sonata Form. Movement II is Theme and Variation Form. Movement III is Minuet and Trio Form. Movement IV is Sonata Form.

Emergent Formal Functions In Schubert's Piano Sonatas, Yiqing Ma

LSU Master's Theses

Drawing on the work of Janet Schmalfeldt and William Caplin, I explore the way in which emergent formal function determines our perception of form in four piano sonata movements by Schubert: D.840, D.845, D.850 and D.894. Janet Schmalfeldt adapts the notion of formal function to directly address the dialectic between “being” and “becoming,” approaching formal function from a phenomenological perspective. Building on her work, I define emergent formal function as a formal function that is conditioned by how the listener’s expectations change. It is an important analytical tool that helps us understand how and why Schubert’s sonata forms depart from …

String Quartet No. 1 "Lanterns", Austin A. Franklin

LSU Master's Theses

String Quartet No. 1 “Lanterns” was inspired by a poem written by the American poet, novelist,

and short story writer Stephen Crane entitled “Each Small Gleam was a Voice”. In my

interpretation, this poem creates a world in which sight and sound are intrinsically linked,

connected by our inability to perceive either independently from the other. Throughout the

poem, Crane continuously creates a world in which sounds are only capable of being described

through the use of color. One line in particular, “Little songs of carmine, violet, green, gold.”, is

repeated several times throughout the poem. In “Lanterns” each of …

Verifying Modeling And Audiovisual Stimuli As Strategies For Mastering Guedes Peixoto's Maracatú, Rodrigo Clementino Diniz

LSU Master's Theses

ABSTRACT

Literature has been saying that auditory Modeling can be a useful tool in order to develop or broaden musical interpretive ideas. In the same way, literature ventilates that audiovisual stimuli can be applied to musicians in order to raise emotions that some scholars consider as indispensable when it comes to deliver expressive musical communications. More specifically, research in the Music Performance field points out that Modeling and Audiovisual stimuli are useful strategies in the learning process of building up a musical interpretation, both, fostering expressive tools for aiming musical performance.

This research is intended to empirically verify the applicability …

The Stanocola Refinery Band: Industry, Tradition, And Community, Katlin L. Harris

LSU Master's Theses

Following World War I, many American businesses began to sponsor musical ensembles to promote their commercial interests and boost the morale of their workers. Although these industry-sponsored ensembles were created to serve the needs of businesses, they often played vital roles in their communities. One such ensemble was a wind band in Baton Rouge, Louisiana, affiliated with the Standard Oil Company of Louisiana (known as “Stanocola”). The Stanocola Band (1919–1950) made its first public appearance in 1920. Under the auspices of the oil refinery in Baton Rouge, the band thrived throughout the Great Depression and World War II, only disbanding …

Phoenix For Orchestra, Niloufar Iravani

LSU Master's Theses

Phoenix for Orchestra consists of three movements of Life, Death, and Rebirth each presenting specific thematic and rhythmic elements. A variety of modes and textures are presented to depict mythology of the legendary bird phoenix as a tone poem. The first movement, Life, comprises five sections labeled as Sky, Sun, Beauty, Dignity, and Immortality. Each section features specific motives, structures, and textures. The second movement, Death, consists of three sections labeled as Fire, Destruction, and Grief and is based on the twelve-tone and whole tone collections. The third movement, Rebirth, comprises three sections labeled as Transformation, Renewal, and Immortality. The …

"La Llorona": Evolución, Ideología Y Uso En El Mundo Hispano, Raquel Sáenz-Llano

LSU Master's Theses

This thesis studies the evolution, ideology and use of the myth of La Llorona through time in the Hispanic World. Considering this myth as one of the most known traditional narratives of the American continent, I begin by providing visual, ethnohistorical and ethnographical insights of weeping in Mesoamerica and South America and the specific mention of a weeping woman in some Spanish chronicles to say how western values were stablished in “the new continent” through this legend. I suggest that during the postcolonialism the legend did not tell anymore about a mother that cries and search a place for their …

An Oral History Of Marching Band Traditions At Historically Black Colleges And Universities, Claire Milburn

LSU Master's Theses

This study investigated the development of marching band traditions at Historically Black Colleges and Universities (HBCUs), as told through the rivalry between Southern University (SU) and Jackson State University (JSU). Marching bands at HBCUs developed a distinct style where pageantry is a priority. These bands have similar pre- and post- game traditions, and an overall spirit of fierce competition. This study is an oral history account taken from interviews with influential band directors from these programs. Band directors from JSU include Dowell Taylor, Paul Adams, Lewis Liddell, and Lowell Hollinger. These band directors all have established reputations as innovators and …

Carlos Puebla And The People's History Of The Cuban Revolution (1956-1980), Juan Rodríguez-Cepero

LSU Master's Theses

The Cuban Revolution was one of the most important events in 20th century Latin American history. The unlikely success of revolutionary heroes such as Fidel Castro and Ernesto “Che” Guevara inspired not only similar movements throughout the region, but an entire generation of artists and musicians. One such artist was Cuban singer-songwriter Carlos Puebla. A long-time critic of Batista and his corrupt administration, Puebla set to music the ideals that the Revolution sought to build a new Cuba upon. In a country which

most of the population was illiterate until 1961, the music of artists such as Puebla served as …

Evolving Performance Practice Of Debussy's Piano Preludes, Vivian Buchanan

LSU Master's Theses

Between 1910 and 1912 Claude Debussy recorded twelve of his solo piano works for the player piano company Welte-Mignon. Although Debussy frequently instructed his students to play his music exactly as written, his own recordings are rife with artistic liberties and interpretive freedom. Interestingly, many of the interpretive gestures that Debussy employs in these recordings are consistent with playing techniques utilized by French Baroque keyboardists. This paper will situate Debussy’s own performance in this Baroque playing style. I will first discuss the recording technology used by Welte-Mignon to establish the reliability of these recordings. By studying harpsichord manuals, I will …

Homenajes: Finding Spanish Identity In Falla's Orchestral Suite, Leanny Munoz

LSU Master's Theses

Using biographical criticism, this thesis examines Manuel de Falla’s Homenajes (1939) as a reflection of the composer’s views of Spanish identity on regional, national, and international levels. Falla completed Homenajes—a four-movement orchestral suite dedicated to Enrique Fernández Arbós, Claude Debussy, Paul Dukas, and Felipe Pedrell—in Argentina. He began the work in Spain in 1938, during a period of great personal and political disturbance. In 1939, Manuel de Falla left Spain following the end of the Spanish Civil War, which cemented the regime of Francisco Franco. The Francoist regime notoriously aimed to homogenize Spanishness within the country, in part by …

Requiem For Orchestra And Choir, Luciano Vaz Correa

LSU Master's Theses

Five Movements of a Requiem is a composition for orchestra, solo soprano, solo alto, solo tenor, solo bass and choir, and is approximately 20 minutes in length. To compose it, I’ve studied many different requiem masses from Renaissance polyphony to our days, works from Tomás Luis de Victoria’s Missa Pro Defunctis to Schnittke’s Requiem. In this study, I’ve tried to understand which techniques they used in their compositions, and how these techniques could be useful on helping me to express my own music. In Christian liturgy, Requiem masses are offered for the dead and the name is derived from the …

Symphony No. 1, Jingyu Xu

LSU Master's Theses

Abstract

Symphony No.1, created on December 10, 2017. It was finally completed on February 1, 2018. This is a music representation of the environment using music. The composer of this symphony believes that at present it is a world of diversity, many different environmental factors and many different music senses and imagination are different. We can’t just stick to traditional music research and modern music research. The author of this music thinks that should complement each other and merge them totally different music materials, representing the three different styles of music materials, representing the three different styles of modern, national …

Charting A Path: How A Group Of Urban Elementary Music Teachers Understand Their Career Decisions, Joseph J. Casselberry

LSU Master's Theses

This qualitative study was an investigation of the career journeys of two elementary music teachers employed in a large urban district. The study also examined the job changing experiences of eight other elementary music teachers in the same district. Perceived employment considerations (factors that are weighed when considering working at one school over another), and the detailed employment experiences of two of these teachers, were explored in order to better understand teacher mobility and attrition. An open ended electronic questionnaire was sent to all 28 elementary music teachers employed by the district. Two teachers were later purposefully sampled from the …

Song And Russian Futurism: The Early Vocal Works Of Nikolay Roslavets And Arthur Lourié, Savanna Rigling

LSU Master's Theses

This thesis analyzes Nikolay Roslavets’s Four Compositions for Voice and Piano and Ar-thur Lourié’s Azbuka and Corona Carminum Sacrorum, all works written during the height of the composers’ involvement with the Russian Futurist movement. These works represent oppo-site means of compositional experimentation. Lourié used Russian folk influences to stretch the limits of tonality through the use of peremennost’. Azbuka and Corona Carminum Sacrorum contain equal tonal centers of A minor and C major with secondary harmonic areas of E minor and G major. Roslavets, however, invented his own system of composing with synthetic chords to free himself from past artistic …

The Sketches For Mendelssohn's Paulus, Op. 36, Karl Joseph Simmerman

LSU Master's Theses

Felix Mendelssohn Bartholdy’s Paulus, Op. 36 (1836) is one of the most important nineteenth-century contributions to the oratorio genre. Current scholarly understanding of the oratorio’s creation rests on three dissertations: Stuart Douglass Seaton identified, transcribed, and discussed some of the sketches for Paulus; Siegwart Reichwald examined the extant autographs for Paulus; and Jeffrey S. Sposato thoroughly documented the collaborative compilation of the libretto. None of these studies, however, provides a thorough examination of all the sketches for Paulus.

This study constitutes the first complete transcription of the sketches for Paulus, basing its methodology on the transcription practices …

On The Use And Development Of The Pentatonic Scale Through The Works Of Antonín Dvořák, Andrew W. Brinkman

LSU Master's Theses

Concepts related to style change have been discussed thoroughly by theorists such as Leonard Meyer and others. In the case of Czech scholar, Antonín Dvořák, this change relates directly to his pentatonic style. While many musicologists suggest that the composer's travels to the United States in the early 1890's had a profound effect on the birth of his pentatonic style, this thesis posits that Dvořák's pentatonicism is apparent from even his earliest works. In examining evidence of this pentatonicism it becomes clear that, for Dvořák, there are two types: thematic and cadential. Thematic pentatonicism arises from themes of works or …

Character Studies Of Time: A Two Movement Work For Orchestra, Crystal Darcell Birdsong

LSU Master's Theses

The idea behind The Character Studies of Time: A Two Movement Work for Orchestra should be reminiscent of, and is inspired by the character pieces of Robert Schumann’s Carnival. Although the works of Robert Schumann are originally short piano solos, the spirit of the character piece and all that it entails could be found throughout The Character Studies of Time. This symphony does not follow a strict form of 19th century writing, although the elements of romanticism can be found throughout the piece. The “characters” as they relate to time are quite literally “night” and “day.” The individual titles are …

From Distant Shores, Jamie Laurance Phillips

LSU Master's Theses

From Distant Shores is a three movement symphony for full orchestra. Each movement follows an ABA form, with an initial statement of important thematic material, followed by a development section, and some restatement of the original material to complete the movement. The composition is divided into the following movements: Adagio, Largo, and Allegro.

A Critical Examination Of The Rehearsal Frame Model, Allison Elise Carroll

LSU Master's Theses

The purpose of this study was to evaluate the practical adequacy of Duke’s (1994) rehearsal frame model as a “middle ground” perspective sequential outline of rehearsal events that lead to positive musical change. Observation and video recording of three accomplished high school band directors’ rehearsals generated data that allowed for a comparison between the model and actual practice. Results suggested that all parts of the original model need not be present, nor must they occur in the originally stated order for rehearsal frames to take place and direct students toward positive musical change. An amended model of the rehearsal frame …