Arts and Humanities Commons^™

Building The Church Of San Vitale In Ravenna, Italy, Sally S. Morgan

LSU Master's Theses

This thesis uses the evidence concerning the design and building of the Church of San Vitale in Ravenna to reconstruct, as far as it is possible, the sequence of decisions, activities, and methods that led to the construction of the church, made of bricks and mortar, and whose interiors are covered by glorious colored mosaics and marbles. The historiography on the Church of San Vitale begins with the historian Agnellus, who wrote the Liber pontificalis ecclesiae Ravennatis in the 830s to 840s. According to Agnellus and other sources, the Church of San Vitale was founded by Bishop Ecclesius around 525, …

Becoming Avian: Amazonian Featherworks From The John P. O’Neill Collection, Madeline R. Blanchard

LSU Master's Theses

In 1998 ornithologist John P. O’Neill donated an ethnographic collection of 434 objects he was gifted from researcher Charles Fugler or purchased from persons in Pucallpa, Peru, during his time there studying Amazonian birds. I evaluate 18 feathered objects. According to O’Neill, the cultures responsible for the items are the Cashinahua, Aguaruna, Achual, and Arawak. Eighteen of these items are beautifully crafted arrangements of feathered clothing and objects. The collection includes five headdresses, five bouquets, a hat, a necklace, three tassels, a backrack, a scarf, and a hair tie.

The objects and the seventeen species of bird used are active …

Androgynous Figures On Etruscan Cista Handles From Praeneste, Melanie Naples

LSU Master's Theses

Muscular women and effeminate men adorn the lids of Etruscan Cistae found in Praeneste (modern Palestrina, 23 miles southeast of Rome, Italy). Cistae (Latin plural of cista) are storage containers used by the Etruscans for women’s beauty items. This thesis focuses on the androgynous, mostly nude, figures that serve as handles and are often displayed in pairs. These pairs frequently depict a man and a woman together and androgynous qualities are usually emphasized on the female figures. Discussions of the androgynous body in the ancient world have centered around Greece and Rome. Only recently (Sandhoff 2007, 2009, 2011), scholarship has …

Queer Bodies: Homoeroticism, Sensuality, And Erotica In Postmodern Fine Art Photography, Rosa Michel Pace

LSU Master's Theses

The queer body– describes the sum of assumptions and biases attributed to queer people, whereby a person’s own queer identity or expression is overshadowed by the generalizations, (mis)perceptions, and stereotypes that society imposes on that individual. Central to the scope of this thesis is the reality whereby the ostracization of queer people involves the association between the very body of the queer person with sexual acts deemed both deviant and immoral by a cis-heteronormative society. Society renders the queer body as pejoratively deviant simply on the basis of its existence alone, where any form of varied gender or sexual expression …

Non-Destructive Trace Element Analysis Of Burials From Moho Cay, Belize, April Alyce Walton

LSU Master's Theses

The study of skeletal material macroscopically and microscopically can yield a plethora of information about interments’ lives. Studying bones at an elemental level can provide further details regarding dietary habits, residency, and migration patterns, which are important areas of research for Maya archaeology. Currently, research on bone composition is conducted through destructive methods, especially for archaeological bone. The use of non-destructive methods for testing bone composition such as with a portable x-ray fluorescence machine can also be suitable for the study of archaeological bone. This study has two main goals: to understand the interments' lives through strontium trace element and …

Ancient Pottery Making At Cerro San Isidro, Nepeña Valley, Peru, Kaitlyn M. Lowrance

LSU Master's Theses

Located in the Nepeña Valley of north-central Peru, Cerro San Isidro was first documented in the 1930s when the valley was initially surveyed. While numerous sites along the valley, particularly those located in the lower valley, have been extensively researched since this initial survey, members of the Proyecto de Investigación Arqueológica Cerro San Isidro (PIACSI) conducted the first formal excavations in 2019. My thesis project analyzes the ceramic artifacts – in particular pottery fragments – from that field season in order to evaluate continuity and change in morphological and technical styles from the Early Horizon through the Late Intermediate Periods …

Joseph Ducreux And The Physiognomical Millieu, Josiah Phelps

LSU Master's Theses

Joseph Ducreux was an eighteenth-century artist from Nancy, France, whose grimacing self-portraits made their way into to the Parisian Salons during the age of the French Revolution. His self-portraits showcased himself in a state of yawning, state of laughing, state of self-confidence, and state of fear. This series is believed to derive from his study of physiognomy and his knowledge of physiognomical studies by such Enlightenment scholars as Johann Kasper Lavater. It will contextualize Ducreux’s his oeuvre of self-portraits and his commercial portraits including those previously executed for the French court, with the influence of the pseudo-science of physiognomy. The …

The Stylistic Development Of Jean Despujols (1886-1965), Kelly M. Ward

LSU Master's Theses

This thesis is the first comprehensive scholarly analysis of the life and most extant works by Jean Despujols. The French and later naturalized American painter, writer, poet, philosopher, deep-thinker, and mystic was best known for his Neoclassical and academic style. This thesis briefly discusses the artist’s beginnings as a young painter at the School of Fine Arts in Bordeaux and in Paris, his sketches in the trenches of the First World War, his time at the Villa Medicis after winning the distinguished Rome Prize, and his paintings and thoughts as a philosopher and political writer throughout his life. An outstanding …

Joseph Ducreux And The Physiognomical Millieu, Josiah Phelps

LSU Master's Theses

Joseph Ducreux was an eighteenth-century artist from Nancy, France, whose grimacing self-portraits made their way into to the Parisian Salons during the age of the French Revolution. His self-portraits showcased himself in a state of yawning, state of laughing, state of self-confidence, and state of fear. This series is believed to derive from his study of physiognomy and his knowledge of physiognomical studies by such Enlightenment scholars as Johann Kasper Lavater. It will contextualize Ducreux’s his oeuvre of self-portraits and his commercial portraits including those previously executed for the French court, with the influence of the pseudo-science of physiognomy. The …

Sea-Level Rise And Settlement At Ta’Ab Nuk Na, Belize: Analyses Of Marine Sediment From The I-Line, 4m Transect, Conner B. Flynt

LSU Master's Theses

The ancient Maya of Mesoamerica created a culture with writing, religion, and vast trade networks. These trade networks are evident on the southern coast of Belize, where archaeologists have found sites dedicated to salt making. One of these sites, Ta’ab Nuk Na, was the subject of this thesis. Sediment and charcoal samples were collected from this site by the Underwater Maya Research Group led by Heather McKillop and E. Cory Sills. For my thesis research, I subjected these samples and components within them to loss-on ignition, radiometric dating, and microscopic analysis. Loss-on ignition was used to ascertain organic material percentage …

Recoding The Archive: Memory And Identity In The Photographic And Filmic Works Of Shirin Neshat, Shoja Azari, And Alia Ali, Olivia K. Johnson

LSU Master's Theses

Shirin Neshat, Shoja Azari, and Alia Ali are artists of Middle Eastern descent living and working in the United States, mainly in photographic and filmic modes. Neshat and Azari were born in Iran and immigrated to the U.S. amid the 1979 Iranian Revolution, which drastically changed the political and cultural landscape of the country. Ali was born in Yemen but her father is specifically South Yemeni and her mother Yugoslavian, two countries that no longer exist. As artists experiencing exile and diaspora, with complicated relationships to their home countries, their identities are muddled by hybridity and the struggle between being …

Bernard Palissy: Early Career - Securing Patronage And Mimicking Nature In A Moment Of Crisis, Karissa Bailey

LSU Master's Theses

Early in 1562, France was experiencing a state of high religious tension between Protestants and Catholics that would precipitate the outbreak of the Religious Wars on March 1. A week before, Bernard Palissy, a Huguenot potter, wrote a letter to his Catholic patron from prison inBordeaux where he was being held on charges associated with an iconoclastic incident in his home city of Saintes. This letter would later be published as a dedication letter for the pamphlet Architecture et Ordonnance, which featured the description of a grotto commissioned by Anne de Montmorency, Palissy’s patron, seven years earlier. This thesis analyzes …

Patronage, Audience And Ownership Of The Psalter Of Blanche Of Castile, Blair C. Gallon

LSU Master's Theses

The so-called Psalter of Blanche of Castile (Psautier latin dit de saint Louis et de Blanche de Castille, Bibliothèque nationale de France, Bibliothèque de l’Arsenal, Paris, MS 1186 réserve) is a well-preserved illuminated manuscript made in Paris in the first half of the thirteenth century. As a devotional book, it witnesses the concerns of a thirteenth century individual of high rank, most likely a woman. As its modern name indicates, scholars link its existence to the Queen of France Blanche of Castile (4 March 1188 – 27 November 1252; r. 1226-34, 1248-52). No firm documentation, however, attests to the circumstances …

Léon-Jean-Joseph Dubois, Antiquarian, Anna E. Dow

LSU Master's Theses

This thesis examines the life of Léon-Jean-Joseph Dubois (1780-1846), a French engraver, antiquarian, conservator, and restorer of antiquities. Dubois lived in Paris during the late eighteenth and early nineteenth centuries, in an era when Ancient Egyptian art and history became very popular. His life was overshadowed by the career of his friend Jean-François Champollion, the “Father” of Egyptology, who laid the foundations for the deciphering of Egyptian hieroglyphics in 1822. This thesis is the first to study Dubois, and the focus of this study will be on his life, his publications, his art, his relationships with other antiquarians, his museum …

Time In Giorgio De Chirico's Metaphysical Paintings, Ge Chen

LSU Master's Theses

Abstract

A subtle transformation in the fundamental cognition of a generation could trigger overwhelming ripples throughout the society. Time as an essential concept went through tempestuous changes in late nineteenth-century Europe because of the revolutionary development in railway system. Art world in cross-century Europe also witnessed unprecedented upheavals. Founder of Metaphysical Painting, Giorgio de Chirico was born to that age and was renowned for his complicated opinion towards modernism. This thesis intends to present how the change in the basic perception of time permeated the society, influenced ways of production, inspired art movements, and got reflected in art works.

Railway …

"La Llorona": Evolución, Ideología Y Uso En El Mundo Hispano, Raquel Sáenz-Llano

LSU Master's Theses

This thesis studies the evolution, ideology and use of the myth of La Llorona through time in the Hispanic World. Considering this myth as one of the most known traditional narratives of the American continent, I begin by providing visual, ethnohistorical and ethnographical insights of weeping in Mesoamerica and South America and the specific mention of a weeping woman in some Spanish chronicles to say how western values were stablished in “the new continent” through this legend. I suggest that during the postcolonialism the legend did not tell anymore about a mother that cries and search a place for their …

Fallen Fruit: How Social Practice Art Adapts To Success, Caroline Marie Giepert

LSU Master's Theses

This thesis will discuss the development of socially engaged art collective Fallen Fruit (active 2004 – present) in regards to their community-oriented projects, museum exhibitions, and recent online artwork Endless Orchard (2017). Fallen Fruit presents an interesting example of a social practice art group since they straddle both an activist agenda as well as the commercial world of mainstream institutions and the Internet. This paper will analyze the rationale for Fallen Fruit’s manner of adapting to commercial success by considering their progression from localized projects in the communities of Los Angeles to curated exhibitions in well-known museums and venture into …

In-Between: The Spaces Of Modernity, Elisa Fabris Valenti

LSU Master's Theses

During the past three years as a graduate student, I have experienced loneliness. Having recently emigrated from Italy, I have often asked myself why I am experiencing such hard times adjusting to a different country. My thesis explores this question. Referring to Marc Augé’s idea of non-place, I have chosen a geographical and spatial starting point to approach my work. Italian cities are built around the central piazza where social, political, and economic life revolves. In my thesis, I depict American spaces that lack specific location and create solitude within the urban corridors. Private feelings, such as loneliness, are paradoxes …