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Full-Text Articles in Arts and Humanities
Hemingway Drunk: A Study Of Prohibition, Medico-Legal Rhetoric, And The Autonomy Of Masculinity, Graham P. Studdard
Hemingway Drunk: A Study Of Prohibition, Medico-Legal Rhetoric, And The Autonomy Of Masculinity, Graham P. Studdard
Honors Undergraduate Theses
This thesis uses a combination of medical humanities, queer public theory, and literary analysis to showcase the uniquely American connections between alcoholism and masculinity in the literature of Ernest Hemingway. By situating both Hemingway and his characters within the medico-legal rhetoric of modernism’s famous Parisian Jazz-age, which occurred at the same time as American prohibition, I reveal changes in white American men’s relationships with gender, bodily autonomy, and the patriarchy that are often overlooked due to Hemingway’s publicly constructed masculine persona. My work provides new queer interpretations of The Sun Also Rises (1926) and the posthumous Garden of Eden (1986) …
Borrowing Time: The Classical Tradition In The Poetic Thoeries Of T. S. Eliot And Ezra Pound, Nicholas Odom
Borrowing Time: The Classical Tradition In The Poetic Thoeries Of T. S. Eliot And Ezra Pound, Nicholas Odom
Honors Undergraduate Theses
T. S. Eliot and Ezra Pound are two of the most prominent figures of Anglo-American modernist poetry, both having played central roles in the development of a distinct poetic style and atmosphere in the early 20th century by means of their publishing and editing the work of other poets as well as publishing their own poetry. However, Eliot and Pound have an interest in the classical world that is not clearly shared with the majority of other modernist poets, and this interest distinguishes the sense of "modernism" that Eliot and Pound promoted from that of other major modernists like …
'No Home Here': Female Space And The Modernist Aesthetic In Nella Larsen's Quicksand And Sylvia Plath's The Bell Jar, Julianna N. Cherinka
'No Home Here': Female Space And The Modernist Aesthetic In Nella Larsen's Quicksand And Sylvia Plath's The Bell Jar, Julianna N. Cherinka
Honors Undergraduate Theses
In her 1929 essay "A Room of One's Own," Virginia Woolf famously asserts that "a woman must have money and a room of her own if she is to write fiction" (4). This concept places an immediate importance on the role of the Modernist female subject as an artist and as an architect, constructing the places and spaces that she exists within. With Woolf's argument as its point of departure, this thesis investigates the theme of female space in two Modernist texts: Nella Larsen's Quicksand (1928) and Sylvia Plath's The Bell Jar (1963). The respective protagonists of Quicksand and …