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Articles 1 - 7 of 7
Full-Text Articles in Arts and Humanities
The Thematic Changes In Defa Cinema, David Hillman
The Thematic Changes In Defa Cinema, David Hillman
Honors Theses
This presentation examines the evolving themes in the films produced by the German Democratic Republic’s (GDR) film monopoly Deutsche Film-Aktiengesellschaft (DEFA) from its founding in 1946 through German Reunification in 1990. It analyzes ten films that span a variety of genres, including the ‘rubble films’ (Trümmerfilme), fairy tale films (Märchenfilme), and the GDR-American westerns (Indianerfilme). They are also reflective of the different periods of GDR politics in which they were made, such as the brief GDR ‘New Wave’, the banned films of the mid-1960’s, and the push for films addressing contemporary society (Gegenwartsfilme …
The Portrayal Of Race And Gender In Revolutionary Cuban Cinema, Sarah Bartley
The Portrayal Of Race And Gender In Revolutionary Cuban Cinema, Sarah Bartley
Honors Theses
Cinema has been one of the most useful tools to portray the political and social beliefs prevalent during a given point in history. Following the Cuban Revolution, once-marginalized communities were given far more opportunity to participate in education, in the workforce, and in society. Institutionalized racism and sexism were combatted as Fidel Castro’s major areas of focus after the Cuban Revolution’s 1959 victory. Class issues were improved as the wealth inequality that had defined pre-Revolutionary Cuba was minimized following the nationalizing of private property. Despite these improvements, however, there remained sentiments of dissatisfaction regarding social issues in Revolutionary Cuba, including …
Screening Revolution: Cinema As An Alternative Public Space During The Years Of Lead (1969 - 1994), Patrick Hayes
Screening Revolution: Cinema As An Alternative Public Space During The Years Of Lead (1969 - 1994), Patrick Hayes
Honors Theses
1969 to 1988 was a period of social and political unrest in Italy known as the Years of Lead. Within this political foment, leftist directors produced films that dealt with topics that were of concern to the Left such as the condition of factory workers and police corruption. This thesis explores the role of cinema within the public sphere, whether it acted as an alternative space, and whether its role changed over time. Influenced by neo- Habermasian theory, I hypothesize that cinema served as an alternative public space in which directors critiqued the environment which drove students and workers to …
Desecrate: An Original Feature-Length Screenplay, Justin Zorn
Desecrate: An Original Feature-Length Screenplay, Justin Zorn
Honors Theses
The basis of this creative project was to construct a feature-length, three-act screenplay in the mold of both the American Western genre and the modern road epic. The “road” genre, a staple of American cinema, is form of story in which one or two characters are confronted by situations that put them on journeys of Odysseus-like proportions during which they must overcome some fundamental issues in their respective lives. Following the examples of mainstream road epics such as Steven Spielberg’s Saving Private Ryan (1998) and the Cohen brothers O Brother, Where Art Thou? (2000), my screenplay incorporates the same three-act …
Graphic Design And The Cinema: An Application Of Graphic Design To The Art Of Filmmaking, Kacey B. Holifield
Graphic Design And The Cinema: An Application Of Graphic Design To The Art Of Filmmaking, Kacey B. Holifield
Honors Theses
When the public considers different art forms such as painting, drawing and sculpture, it is easy to understand the common elements that unite them. Each is a non-moving art form that begins at the drawing board. Using line, color and shape to evoke a particular response from audiences is what ties these fine arts together. Graphic design, however, tends to separate itself from the fine arts. Because of its later development in the art world, as well as, its operation within modern technological developments, graphic design is driven by the idea of communicating to large audiences. In this way, although …
Going To The Movies The Origins Of The American Cultural Experience, Phoebe Cooper
Going To The Movies The Origins Of The American Cultural Experience, Phoebe Cooper
Honors Theses
My thesis examines the cultural formation of the social experience of “going to the movies.” There is no doubt of a unique quality associated with going to the movies that holds a significant place in America’s cultural history. It is quite difficult to imagine life without movies. Their visually stimulating effects successfully captivate our minds and allow for a short period of solace from reality. Furthermore, there is something magical at work in the social tradition of going to the movies where the idea of sitting in a dark auditorium filled with strangers all sharing the same viewing experience. This …
Notes On The Politics Of The Auteur: Stanley Kubrick, Wes Anderson, And The Spectator, Michael Perreault
Notes On The Politics Of The Auteur: Stanley Kubrick, Wes Anderson, And The Spectator, Michael Perreault
Honors Theses
What is an author, and what does it matter? Questions about authority in the cinema have been the subject of debate since the late 1940s, when Alexandre Astruc posited the notion of the camera-stylo in France. A slightly reductive understanding of the term “auteur”—a term that Cahiers du Cinéma would later adopt—states that, with the shadow of the World War II era of censorship still looming in the 1950s, the many individual voices of the cinema needed to be both heard and promoted. Namely, the director should be regarded as (and should consider his or her primary objective to …