Arts and Humanities Commons^™

A Man Not A Monster : Reimagining Disability In Hollow Crown's Richard Iii, Taylor E. Uphus

Honors Theses

Traditional portrayals of William Shakespeare’s Richard III (1592) in film interpret Richard’s physical disability as an outward reflection of his evil. In recent years, disabilities studies scholars have reconsidered the historic association of Richard’s physical deformity with immorality. Unlike previous Richard III films, the BBC’s Hollow Crown: Richard III (Dominic Cooke, 2016) highlights Richard’s mental abuse and trauma. While the film does not shy away from Richard’s villainy, its more empathic depiction of Richard contests the one-dimensional stage and film representation of him as a conniving monster. Ultimately, this film presents Richard III to critique society’s treatment of disabled individuals.

"They Called Me Kimchi Breath" And Other Short Narrative Essays: A Study In Composing Asian-American Identity In Short Nonfictional Essays, Teddy Kim

Honors Theses

The heterogenous lifestyle of Asian-Americans is one of duality. For this ethnic group, personal identity is a mix between American standard practices and inherited Asian traditions. However, even if their cultural practices are primarily American, Asian-Americans are often “Otherized” and outcast when claiming an American identity, forcing them to be regarded as “just Asian.” As such, they are Americans being rejected by America, and as a result have no other place to call home . In this project, I seek to heal the strife this rejection creates, attempting to confront these tensions and resolve them. As a hyphenated American, I …

A Comparative Analysis Of National Identity Construction And Rhetorization In William Shakespeare's King Henry V And Aphra Behn' Oroonoko; Or, The Royal Slave, David Forner

Honors Theses

Positioned at the climax of both William Shakespeare’s King Henry V (1600) and Aphra Behn’s Oroonoko; or, The Royal Slave (1688) are dynamic calls for battle. While King Henry rallies his forces against the French, Oroonoko—an enslaved African prince—ignites a slave revolt against English colonial masters. This comparative analysis of the speeches’ rhetoric identifies three sets of similar appeals: to martial masculinity, honor as a moral code, and collective political identities. From Behn’s application of Shakespeare’s canonical rhetoric derives commentary on each rhetor’s ability to construct and rhetorize his national identity. Importantly, analysis reveals the impact of racialized difference on …

The Blame Game : Complicity And Rape Culture In Margaret Atwood's Novel And Hulu's Adapted Series The Handmaid's Tale, Hannah Gallant

Honors Theses

Margaret Atwood’s The Handmaid’s Tale (1985) and the Hulu award-winning televisual adaptation (2017-Present) portray a dystopic, theocratic regime known as Gilead. The regime’s focus on female bodies and reproduction exemplifies what feminist theorists call rape culture, a culture Gilead perpetuates through sexual violence, rape, and surveillance. Using critical race theory, media and close-textual analysis this project examines both works, arguing that complicity within the novel must be discussed in relation to rape culture and that while the series accounts for rape culture, it problematically manifests a type of feminism that privileges white women over women of color.

Where Was I Going? What Was The Point? Archetypes, Frame, And Social Transgressions In Ovid And Twain, Jessica Bates

Honors Theses

The sound of a narrator telling a story can be difficult to depict in written prose, and yet both Ovid and Twain capture the effect of an old man telling a story; Ovid through Nestor's Story in The Metamorphoses and Twain in "The Celebrated Jumping Frog of Calaveras County." They both use this framework to discuss the theme of social transgressions. I maintain that both Twain and Ovid use a variation on the wise-mentor archetype as a frame to discuss, through the use of satire, social transgressions which neither of their narrators condemn. I aim to explore Ovid and Twain's …

"The Beauty! The Beauty!": Colonial Literary Legacies And Conquering The Female Body In Junot Diaz's The Brief Wondrous Life Of Oscar Wao, Alexi Decker

Honors Theses

Junot Diaz's The Brief Wondrous Ufa of Oscar Wao includes a plethora of references to everything from classic literature to modem pop culture. However, Diaz ends his novel with a reference to Joseph Conrad's colonial novella Heart of Darkness, therefore inviting readers to view Oscar Wao through a lens of colonial literature. This in turn results in a reconsideration of the current critical consensus surrounding the text's treatment of sexuality and masculinity in the modern Dominican diaspora, specifically that of Oscar, the novel's titular character.

Inconnecting Oscar Wao to Heart of Darkness, I analyze the text's and characters's violence against …

Hollywood Dreams: Postcolonial Nationalism And Gender Oppression In Jessica Hagedorn's Dogeatersp, Andrei Wayne Kyrk Defino

Honors Theses

This paper addresses how gender, sexuality, and resistance affect personal and national identity construction in Dogeaters. This 1990 novel traces the lives of Filipino characters during President Ferdinand Marcos's dictatorial regime--a period that reshaped the Philippines' national identity. Using gender theory and nationhood studies, I highlight how women and queer individuals who challenge masculine norms attempt subversion by creating communities outside of patriarchal constructs but ultimately fail. Specifically, I read Joey Sands's and Daisy Avila's marginality and failure to comply with societal expectations as futile pushbacks against the larger system. Furthermore, their embrace and use of violence as a means …

Iago As Moral Other In Jonathan Munby's Production Of Othello (2016), Emma Magbanua

Honors Theses

Jonathan Munby produced a contemporary adaptation of Shakespeare's Othello at the Chicago Shakespeare Theatre in Spring of 2016. While continuing to utilize Shakespeare's language, Munby modernized Othello through the use of contemporary military costumes, props, accents, music, and dance. Munby did not limit his adaptation to solely visual and auditory aspects of Othello, but also took the liberty of contemporizing the principle of "otherness" in the play. This research explores the identification of Munby's character as Iago as "Moral Other," whose actions lead to the fall of his wife, Emilia, a fellow officer, Roderigo, Desdemona, and the protagonist, Othello.

In The House Of God: Divine Authority And The Collectivity Of Spiritual Experience In George Herbert's The Temple And Ralph Vaughan Williams' Five Mystical Songs, Nicole M. Hwang

Honors Theses

George Herbert's collection of poems, The Temple (1633), portrays a reciprocal relationship between the human and divine, suggesting that humans are to house the glory of God and abide in Him. He seeks to portray the soul's internal architecture, with an allusion to the human heart as God's dwelling place. He uses his poetry to explore this relationship to a coexisting God, and through the framework of human-as-temple, the theme of habitation becomes prominent in his work. In "Love (III)" from The Temple, Herbert illustrates this, showing that just as God dwells in our hearts, we also receive sustenance and …

You Tell The Tale: Interactive Retellings Of The Myth Of Orpheus, Christopher Mclean-Wheeler

Honors Theses

The thesis retells the myth of Orpheus and Eurydice in an interactive narrative style. The interactive medium encourages readers to take an active role in storytelling by deciding what the protagonist does at key moments in the plot; each decision branches out into alternate story paths, allowing the adaptation to draw from multiple versions of the myth, particularly Ovid's The Metamormopheses and Virgil's The Georgics. The content chosen for inspiration is based on how it can offer new interpretations of and insight into this retelling of the familiar story.

Look At That Little Macho: Surveillance And Hegemonic Masculinity In Junot DíAz's The Brief Wondrous Life Of Oscar Wao, Ludanne Francis

Honors Theses

No abstract available.

Of Mermaids, Metal, And Maine: An Illustrated Memoir, Mercedes Mclean-Wheeler

Honors Theses

This creative literary thesis consists of the first chapters of a memoir, offering readers a glimpse of my childhood world and self in rural Maine. The memoir's overarching theme is the interplay between person and place. The work also explores the ability of memory and imagination to shape perception. Included are several of my own drawings to help illuminate my imaginative and lived experiences, evoking the odd but artful whimsy of childhood. While still rooted firmly in memoir, the project draws from fantasy, magical realism, and graphica, reflecting modern literature's inclination to transcend traditional boundaries of genre and style.

That Glorious Fire It Kindled: Extremes Of (Un)Righteous Sexuality In Books I And Iii Of Spenser's Faerie Queene, S. Erin Mclean

Honors Theses

Edmund Spenser's epic romance, The Faerie Queene (1590, 1596), claims to glorify Queen Elizabeth I, but the author hides an underlying critique of the queen throughout the poem. At the same time that Spenser openly praises the English monarch, he also reveals the faults and contradictions present in her image through how he presents the main characters in the story. In Faerie Queene, Spenser establishes a sexuality spectrum that features the lechery of Redcrosse Knight and the hypersensitive purity of Britomart; this demonstrates the various extremes of immoral sexuality. Studying both these characters reveals that the success of each knight's …

Eve In The Image Of Man: Feminist Concerns In Paradise Lost, Katharine Van Arsdale

Honors Theses

John Milton’s epic poem Paradise Lost (1667) follows the story of creation, the transformation of Lucifer to Satan, and the eventual fall of humanity. Traditional readings of this poem that focus on Milton’s portrayals of Adam and Eve purport that the text presents an unflinchlingly misogynistic view of women. In Paradise Lost there is a definite gender hierarchy at work. This hierarchy is constructed by certain binaries that separate the world of the male from that of the female. Examples of these binaries are rampant throughout the text; men use reason, women do not. Men are strong and women are …