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Honors Theses

Music

Theses/Dissertations

Music theory

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Experimenting With Colors In Music: Making And Breaking Rules In The Butterfly Effect, Chloe King May 2023

Experimenting With Colors In Music: Making And Breaking Rules In The Butterfly Effect, Chloe King

Honors Theses

The following thesis is a culmination of four years of academic and musical development as a percussionist at the University of Mississippi. It offers a discussion and analysis of my original composition, The Butterfly Effect (2021-2023), exploring the compositional process from preliminary sketches to the finalized score. It also discusses the inspiration for composing an original work, the use of different music theory techniques relevant to an analysis of the work, and comparisons to relevant compositions throughout the history of Western music. The Butterfly Effect experiments with compositional techniques that often depart from established rules of harmony and counterpoint, a …


Compositional Craft And Theory Across Tonal Languages, Liam Butchart Jan 2018

Compositional Craft And Theory Across Tonal Languages, Liam Butchart

Honors Theses

This paper accompanies Liam Butchart's senior honors voice recital and his composition for the Colby Symphony Orchestra, Genevan Overture. The essay examines how form and cadence, two integral components of compositional craft, have been utilized by composers who either were included in the voice recital or were major influences on the composition. Specifically, the paper analyzes how different composers end their musical sentences similarly and differently through the lens of structurally-relevant cadences.


Some General Observations On Mass Composition In The Renaissance, Charles Lathan Hill Apr 1967

Some General Observations On Mass Composition In The Renaissance, Charles Lathan Hill

Honors Theses

As seen in the six Masses studied in this paper, the composition of a Mass presented a Renaissance composer with both problems and opportunities. Some of the problems encountered, as we have seen, were the clear declamation of the text, effective word-setting, the achievement of contrast and variety throught hte use of many devices, and an efffective means of unifying the work as a whole. The Mass cycle, in addition to enjoying veneration as a tradition, and depsite the problems which it held for a composer, offered him the chance to express himself and demonstrate his mastery of musical skills …