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Honors Theses

Feminist, Gender, and Sexuality Studies

Punk

Publication Year

Articles 1 - 3 of 3

Full-Text Articles in Arts and Humanities

The Role Of Women In Punk, Katherine Barner Jun 2015

The Role Of Women In Punk, Katherine Barner

Honors Theses

This thesis, entitled “The Role of Women in Punk,” is an interdisciplinary thesis of the Political Science and Anthropology Department of Union College. To come to the conclusions of this thesis, I read a variety academic papers and research; numerous books on theory, punk, and feminism; and performed fieldwork at punk concerts and original punk venues of the 1970’s in Albany and New York City. I combined my own findings from my fieldwork with the historical and theoretical analysis of other academics and writers. Through the combination of political/anthropological theory, historical analysis, and my independent fieldwork, I was able to …


A Zine Of One's Own: Diy And Alternative Expression Among The Beats And The Riot Grrrls, Lauren Brown Jun 2013

A Zine Of One's Own: Diy And Alternative Expression Among The Beats And The Riot Grrrls, Lauren Brown

Honors Theses

In my thesis, I investigate the cultural, artistic and political effects of the Beat Generation and a subculture within Generation X known as the Riot Grrrls. Both groups serve as an alternative to their mainstream cultural counterparts-the Beats are a reaction to 1950s post‐war suburbia, and the riot grrrls subvert the pop‐culture overload and the backlash against feminism that is indicative of Generation X. Arising in the midst of the conformist 1950s, the Beats were a group of writers and artists, some of them women, who were willing to fight against the constraints of male‐dominated “Wonder bread” culture. Similarly, the …


Sexy Songs: A Study Of Gender Construction In Contemporary Music Genres, Lea Tessitore Jun 2012

Sexy Songs: A Study Of Gender Construction In Contemporary Music Genres, Lea Tessitore

Honors Theses

This study focuses on gender construction in contemporary music genres, including Rap/Hip-hop, Country, and Punk Rock. Although all these genres are vastly different, each genre creates unique masculinities and femininities which impact the way listeners view male/female relations in politics and their everyday lives. Rap/hip-hop creates a construct which results in the objectification of women through their “pornification” and “commodification” in the lyrics of popular songs. Country, on the other hand, has complex masculinities and femininities which create a complex network of gender characteristics which reinforce and complement each other. Lastly, this thesis looks ‘back’ to Punk Rock, whose prime …