Arts and Humanities Commons^™

Narratives Of Reproductive Control In The American Eugenics Movement, Cassandra M. Provost

Honors Theses

In this paper, I will explore the eugenics movement as a pseudo-scientific political, social, and legal phenomenon which had a devastating historical impact on America’s most vulnerable women, as well as briefly discuss its residual effects on contemporary reproductive rights conversations, through the lens of literature. Using an interdisciplinary discourse and narrative analysis approach, I identify two distinct themes within the explored narratives: (1) the importance of a government’s attempt to override a person’s autonomy by destroying the person’s ability to reproduce, and (2) the impropriety of actions based on a negative attitude toward disabled or undesirable persons. In my …

Ricucire Il Tessuto Della Società: L’Intersezione Di Moda Femminile E Femminismo, Caroline Grace Bisese

Honors Theses

La moda è tutt'altro che una conseguenza frivola e accidentale dell'abbigliamento disponibile e del luogo in cui si va a fare shopping. L’abbigliamento è una forma di retorica corporea che evoca un ampio dialogo non verbale. Una narrazione che va ben oltre il materiale e lo stile, sebbene entrambi questi dettagli sono fondamentali, la moda al livello più elementare è essenziale per capire chi sono le persone, perché sono come sono e in cosa credono. Queste sono alcune dei capisaldi per capire una persona in relazione alla cultura e una cultura in conseguenza delle persone che la compongono. È una …

Nasty Woman: An Analysis Of Women's Rage In Popular Culture, Sarah Kee

Honors Theses

The goal of this senior project was to analyze the underlying cause for why certain female characters in popular culture were villainized for their behavior and generally deemed to be “nasty woman.” After reading numerous books and viewing films that contained “nasty woman”, there was a common denominator that linked their behavior and influenced their decision to enact their often-bloody retribution: the patriarchy. These women were a victim of some aspect of the patriarchy, commonly sexual assault, and could not receive the support they needed, so they decided to take matters into their own hands. The “nasty women” analyzed in …

Anti-Pornography Feminism, Kinktok, And Consent: What We Can Learn From The Sex Wars And Leather/Sadomasochistic History, Nic Cloyd

Honors Theses

Sex education and LGBTQA+ history have long been censored and removed from curriculums across the United States. As this information has disappeared from our education systems, important values like consent and boundary setting have become increasingly obsolete despite the modern body autonomy movement. Leather and SM culture, which began post-WWII and reached their peak in the 1970s during the sexual liberation, have become increasingly important as their ethical and moral codes have been lost over time to the HIV/AIDs epidemic and censorship from second and third wave feminsism. Two prominent movements, anti-pornography and sex-work exclusionary radical feminism, have worked to …

Clash And Cooperation Of Ecofeminism And Postmodern Feminism: The Intersection Of Two Theories In Dystopic Literature, Ashton Koch

Honors Theses

Ecofeminism and postmodern feminism are regarded as opposite theories in their attempts to solve for ecological and patriarchal oppression. This thesis argues that these two theories are not mutually exclusive, and must work together to effectively combat oppression faced by the environment and by women. It uses two works of literature, Our Life in the Forest by Marie Darrieussecq and Oryx and Crake by Margaret Atwood to argue for the combination of ecofeminist and postmodern feminist strategies. Both works are dystopic in nature, portraying the destruction of the environment and patriarchal discourse against women. Ultimately, this thesis analyzes the strategies …

Why Myth Matters: The Value Of The Female Voice In Greek Mythology, Kylie Rogers

Honors Theses

In this thesis I will primarily examine how the retellings of Greek myths from the female perspective provide insight into the importance of myth and why these stories are still relevant today. Specifically, I will examine three major figures: Circe in Madeline Miller’s Circe, Penelope in Margaret Atwood’s The Penelopiad, and Medusa in Marjorie Garber’s The Medusa Reader, along with a few other minor characters featured in Nina MacLaughlin’s Wake, Siren. By studying the fresh perspectives provided by the narration and journeys of these characters and connecting them to plights and experiences that are currently affecting women as evidenced by …

Honoré De Balzac’S Portrayal Of The Feminine Condition In The Wild Ass’S Skin, Père Goriot, And The Lily Of The Valley, Brooke V. Musmeci

Honors Theses

In 19th century France, women appeared to be second class citizens. They were often limited in their abilities to have independence and secure their own wealth. This perception of women perhaps justifies why, as Honoré de Balzac’s novels illustrated the realities of French society, he attempted to characterize women’s struggles to obtain control and power in their lives. In his novels The Wild Ass’s Skin (1831), The Lily of the Valley (1835), and Le Père Goriot (1835), Balzac sought to prove how women could improve their lot.

Firstly, in studying how women had been relegated to second-class citizens under their …

Academic Feminists Analyses Of Female Celebrities From The 1980s To Today, Brittany A. Carey

Honors Theses

This thesis examines the history of academic feminists and their changing debates over race, class, sexism, and sexual preference from the 1980s to the present. In the 1980s, white feminists tended to focus on sexism in the workplace and class discrimination, while black feminists focused instead on the racism and classism that black women faced both inside and outside of academia. More recently, millennial feminists, in both third- and fourth-wave feminism, have continued to focus on racial discrimination within feminism (and broader society) while also examining women’s sexual preferences. However, they have stopped focusing on sexism in the workplace and …

Overstimulated - An Immersive, Multimedia Art Installation, Quinn Devlin

Honors Theses

This thesis provides the explanation, inspiration, research and progression of an immersive, multimedia art installation that emulates the idea of a “sexual dystopia.” It explores how our dichotomy of inadequate sex education and hypersexual, gender-based media is resulting in a dystopian sexual reality for women in particular. The work portrays a future world in which sexual and fertility technology is so advanced and accessible that real men and women no longer interact. As a result, women and objects become one in the same.

Female literary icons are over-sexualized to suggest that porn-culture is a by-product of a historical framework that …

Le Féminisme Et La Femme Musulmane En France, Anna Elizabeth Gagion

Honors Theses

My French thesis investigates how some definitions of French feminism and particular French feminist movements find themselves oppressing Muslim women. France is a country that has vigorously regulated the separation of Church and State since 1902 legislation that declared “la laïcité” (secularism) obligatory for all public education. In my research I have found that the general belief in France that religion should never have any bearing on political decisions has been beneficial to most French citizens, but it also appears to oppress a number of Muslim women, as witnessed by the on-going debate surrounding the headscarf ban in French public …

The Rise And Fall Of Gilmore Girls' Feminist Legacy, Mckenna Ahlgren

Honors Theses

This thesis explores the feminist legacy that the television series Gilmore Girls (2000-2007, 2016) built during its original airtime and how its later revival diminished that legacy. Gilmore Girls’ main characters are three generations of women within the Gilmore family, providing a unique opportunity to analyze their feminist identities and characterizations relative to different iterations of feminism. This paper examines how the youngest Gilmore, Rory, is influenced by her mother’s and grandmother’s embodiments of feminism. Their expressions of femininity and sexuality, their approaches to motherhood, and their behaviors in their romantic relationships throughout the series correlate with the predominate feminism …

A Woman's Gaze, Emily Fiore

Honors Theses

My work merges my passion of thinking politically and artistically. This series, A Woman’s Gaze, is an extension of my Political Science thesis, where I focused on artists who combat the male gaze by representing women’s lives realistically, from a woman’s perspective. These paintings focus on intimate scenarios from women’s lives where the male gaze is absent. The large scale imagery brings visibility to these otherwise private moments.

La Genara: La Libertad Falsa De La Mujer Elite En México, Emily Sullivan

Honors Theses

The goal of feminism is to ensure the equality of all genders. This goal means that women are supposed to be seen as equal to men in society. However, despite the many feminist efforts to bring this equality into reality, many in the world still believe that women are inferior to men. This belief stems from historical oppression of women that has continued up until modern day times. In Mexico, there is still strong beliefs that exist that prevent women from achieving liberation and freedom in society. Ideas related to traditional family values, machismo, and internalized misogyny all act as …

Nasty Women: Television Portrayals Of Societal Anxieties Toward Female Leaders, Emily Sullivan

Honors Theses

Historically, women have been excluded from leadership positions around the world, while instead men occupy the highest positions of power in society. The lack of female leadership is especially prevalent in the United States, where there has never been a female president, and the majority of high political offices are still held by men. In a similar manner, women have also been excluded from the sphere of comedy throughout history. Women have constantly had to deal with the assertion that women are not funny. This double exclusion from both leadership and comedy has led to the development of my concept …

"It Came In Little Waves": Feminist Imagery In Chantal Akerman's Je, Tu, Il, Elle +, Staci C. Dubow

Honors Theses

Chantal Akerman writes, “she who seeks shall find, find all too well, and end up clouding her vision with her own preconceptions.”[1] This thesis addresses the films of Chantal Akerman from a theoretical feminist film perspective. There are many lenses through which Akerman’s rich body of work can be viewed, and I would argue that she herself never intended for it to be understood in just one way. I wish to situate Akerman’s films, in particular her 1974 Je, Tu, Il, Elle (1h 30m), within a discourse of other feminist film theorists and makers that were further rooted in …

Breaking The Glass Slipper: Analyzing Female Figures' Roles In Disney Animated Cinema From 1950-2013, Brianna Prudencia Gutiérrez

Honors Theses

In this study, heroines and villainesses in nineteen Disney animated films from 1950- 2013 are characterized as traditional, complex, or non-traditional. A total of twenty-four female characters are classified based on their representation, actions, personality traits, appearance, and relationship status. Traditional female figures are beautiful dependent on male figures and engage in a heterosexual relationship as part of their "happily ever after." The traditional female figures in this study are Cinderella from Cinderella (1950) Lady from Lady and the Tramp (1955) Aurora (Sleeping Beauty) from Sleeping Beauty (1959) and Duchess from The AristoCats (1970). Complex female figures are, in the …

A Picture Is Worth A Thousand Words: The Visual Culture Of Twentieth Century Feminism In The United States, Julianne Quinn

Honors Theses

This thesis explores the role that visual signs and signifiers played in the resource mobilization of feminism in the United States during the twentieth century. Visual cultures are important sociological characteristics of a society by creating a symbolism that is specific to a time and place. First, social movement theory is described and how it is related to a culture’s visual expression. Next, these theories are applied to each of the three “waves” of feminism that occurred during the twentieth century, as well as an explanation of the trajectory of each wave. To supplement the investigation into each wave are …

“Forget The Old . . . The New Wonder Woman Is Here”: The New Wonder Woman And The Feminist Movement, 1968-1972, Kristi N. Fleetwood

Honors Theses

In 1968, Wonder Woman gives up her powers and embraces her human identity as Diana Prince. Powerless, she learns martial arts and continues to fight. The majority of discussion surrounding the Diana Prince era—Wonder Woman #178-204—argues for the period as embracing anti-feminist sentiment. This analysis of the Diana Prince era argues that the portrayal of Diana Prince without her superhero persona aligns with the ideals of the 1970s feminist movement. By incorporating general themes and ideas of feminism, the comic portrays Diana Prince in a feminist light throughout the comic. Even though her powers are striped, she is able …

A Zine Of One's Own: Diy And Alternative Expression Among The Beats And The Riot Grrrls, Lauren Brown

Honors Theses

In my thesis, I investigate the cultural, artistic and political effects of the Beat Generation and a subculture within Generation X known as the Riot Grrrls. Both groups serve as an alternative to their mainstream cultural counterparts-the Beats are a reaction to 1950s post‐war suburbia, and the riot grrrls subvert the pop‐culture overload and the backlash against feminism that is indicative of Generation X. Arising in the midst of the conformist 1950s, the Beats were a group of writers and artists, some of them women, who were willing to fight against the constraints of male‐dominated “Wonder bread” culture. Similarly, the …

Remapping Nature: Motherhood, Autonomy, And Anti-Mining Activism In Íntag, Ecuador, Ellicott K. Dandy

Honors Theses

This honors thesis explores the social changes that women engaged in anti-mining activism bring to a region in rural Ecuador. I discuss the ways in which they incorporate their activist techniques into everyday life, using their status as mothers to access public discourses of environmentalism, and ultimately rewrite gender roles locally. Framing the mining conflict as a catalyst for social change, I draw parallels between this movement and indigenous politics in Ecuador, propose new interpretations of the mestizo ethnic identity and assimilation in the Spanish Empire, and finally, make the case for a nature-centric cultural analysis in anthropology.

The Politics Of Sex: Analyzing The Relationship Between The State And Gender Identity And Desire, Rachel Mayer

Honors Theses

The disenfranchised experiences of women are central to feminist understandings of identity. Crucial to this understanding is the question of what is the cause of female oppression and how to remedy the situation. This introduces the concept of state power and its relationship to women. The state, as the seat of legal and political power, has the ability to serve as both protector and oppressor. The thesis is devoted to exploring feminist perspectives and critiques on state power such as arguments for state intervention in the protection of women through concrete action such as gender-specific laws. Opposing this view is …

Les Femmes Mythiques: Ce Que Ces Symboles Révèlent De La Société Française Et Les Valeurs De La France, Rachel Mayer

Honors Theses

In history, women have always played traditional roles and - in general - submitted. However, there are women who are developing symbolic and powerful images in French society. These women have a mythical and symbolic quality. But what do they symbolize? Every woman who resonates with French society plays another important role: to unveil the dimensions of French values ​​that they represent in French society. Moreover, the way they have established their roles and places in culture unveils the status of women across the story. We can examine mythical and symbolic women of different ages to understand the role of …

Mediums Change, Fears Stay The Same, Lucy Wilhelms

Honors Theses

Although generally dismissed by scholars as being overly sentimental or superstitious, the gothic genre has survived for over four centuries and maintained significant cultural appeal, outlasting the sentimental novel and the travelogue as popular literature. What, then, makes this genre different? What is so special about the gothic?

In my thesis, I examine the evolving cultural appeal of the gothic genre that keeps it attractive and relevant for readers by tracing the gothic text, The Woman in Black by Susan Hill, through its initial inception and its subsequent adaptations. As a novel, The Woman in Black both repeats and revises …

Féminisme Français : Fait, Fiction, Jennifer Granina

Honors Theses

What gives power to an idea? What makes it real in the hearts and minds of people who believe in it? What creates the desire to struggle for this idea, an ethereal and elusive conception? These are the questions that must be considered by philosophers, by those who believe enough in an idea to make it a reality. It was the mission of feminists in France since the beginning of the 19th century. For them, feminism was not a movement that had a beginning and an end, it was a force, present in the world since the creation of the …

To Be Alive - Is Power: Fullers Feminine Ideal Realized In Dickinsons Poems, Emma A. Krosschell

Honors Theses

This thesis examines the relationship between nineteenth-century American feminism, transcendentalism, and poetry through an analysis of Margaret Fuller’s essay Woman in the Nineteenth Century in tandem with Emily Dickinson’s collected poems. Fuller presents an original type of feminist optimism influenced by the precepts of the American transcendentalist movement. Her essay employs the transcendental belief in the possibility for human semi-divinity in order to proclaim that women, rather than men, possess unique potential for transcendence. As a result, Fuller theorizes that with women’s social, sexual, and intellectual liberation, a certain ideal woman will be able to transcend not only women’s limited …

The Female Language Barrier: A Close Reading Of The Poetry Of Emily Dickinson And Adrienne Rich, Annmarie Faiella

Honors Theses

Historically, the First Amendment right to free speech was limited to certain groups. Language, although constitutionally guaranteed since 1776, has not always been a freedom for everyone. Among those at language's mercy are immigrants, slaves, and women. Women's speech was limited not by a lack of knowledge, but by a societal acceptance of women as inferior.

What then do women do to overcome this ever-present chasm? What women did in the nineteenth century, the 1960s, and are still doing today is: write more creatively. The tighter the restraint of language, the more inventive the woman must be to use it …